Reset! The Imprisoned Princess Dreams of Another Chance!, Vol. 1

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By Kei Misawa and poporucha. Released in Japan as “Torawareta Ōjo wa Nido, Shiawasena Yume o Miru” on the Shōsetsuka ni Narō website. Released in North America by Cross Infinite World. Translated by Evie Lund.

If Japanese light novels are good at anything, they’re good at “take a premise and do slight variations on it for years”. As such, it can sometimes be very hard to read a book without thinking of that OTHER book you just read. Three are few readers who will pick this book up and not think “huh, this sounds just like Tearmoon Empire”, a series that also has a princess who is imprisoned end up traveling backwards in time to when she’s a child and trying to fix things so that she doesn’t die. Fortunately, the two books do not take the same approach. Reset is not a comedy, for one, and everyone pretty much sees our heroine accurately for who she is: a spoiled young princess who was sheltered her whole life and is now trying to be a slightly less sheltered young princess and not always achieving it. Mostly this succeeds, though there is one major head slapping moment towards the end.

Annabel is the princess of a country called Najir, and has recently married Daniel, the prince of a neighboring country. Unfortunately, one day he shows up furious, accuses her of betraying him, and she in thrown into the dungeons. If only she knew why this happened – she has no idea. What’s worse, her knight and protector Ed is brutally beaten and killed, causing her latent magic (which she’s never been able to use) to explode, destroying a huge chunk of the castle. Then… she wakes up as a twelve-year-old. Now she has to figure out how to change the future. But she doesn’t have a magical diary to help her, or any clue whatsoever. She’ll have to rely on the natural intelligence of a young girl who was home tutored her entire life and rarely left the castle till the day she died. This will go well!

The book’s chief strength is also its chief weakness, which is Annabel herself. She’s not from Japan, she’s not a reincarnation, and she’s not remotely snarky or sarcastic. She is an innocent lamb who is trying her best to figure out how she got from what seemed like a happy and loving marriage to “you are evil and I am imprisoning you”. She decides that ‘sheltered’ is the thing to work on first, so leans on her family to allow her to go to the same school as her older brother. From here she tries to activate her still latent magic (which does not go well most of the book), tries to research the neighboring country to figure out why they did this to her, and also falls in love with Ed, who is also in her school, and is quietly wonderful. Unfortunately, while less sheltered, she is still naive as heck, so there is a scene where, searching for an important item she lost, she allows two men to lead her down a dark alley and try to sell her to pimps. It’s such a jaw-droppingly stupid moment you want to scream. Yes, it’s there for plot reasons so she can activate her magic, but man alive, there must have been a better way.

This is a series still being written, so I’m not sure when we’ll get the next volume. Certainly the main problem has not been solved. Still, if you like Peggy Sue stories (called yarinaoshi loop stories in Japan, thank you, helpful afterword), this should entertain, though be aware that Annabel is very, very “young naive princess”.

Suppose a Kid from the Last Dungeon Boonies Moved to a Starter Town, Vol. 4

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By Toshio Satou and Nao Watanuki. Released in Japan as “Tatoeba Last Dungeon Mae no Mura no Shonen ga Joban no Machi de Kurasu Youna Monogatari” by GA Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

Clearly someone has been listening to my review, as after last volume’s weird hotel detour, this one gets back to what I expected the series to be about: Lloyd and company’s time in the academy. Not that we spend much time there, as the town’s cleaned out and empty starter dungeon is suddenly teeming with terrifying dragons and monsters and the like. There’s also the issue of a man wandering around and asking people what he looks like, and then dealing with them if the answer is wrong. And there’s the usual dose of over the top humor and goofy fun from all our regulars. Unfortunately, when you live by the silly cliche you can also die by the silly cliche, so I have to warn in advance that the main antagonist of this volume is an obsessed lesbian who ends up turning evil. Which, I get it, is also a character type to parody. It’s just not one I want to see again.

As noted, the academy has gotten word that their empty dungeon is suddenly dangerous again, and sends Lloyd and company to check on it, figuring he’s ridiculously strong enough, even if he still has crippling self-esteem issues. To no one’s surprise, there does turn out to be a top-tier monster in the dungeon – a giant snake. To everyone’s surprise, Lloyd is not able to defeat it, and gets kicked around a bit. There may be more to this monster than meets the eye. There’s also the man walking around killing people… erm, sorry, testing them and then making them disappear. He turns out to be an old foe of Alka’s, and he and the smiling friend of Lloyd we met in the previous volume are here to be the Big Bads for the series as a whole. And for this volume, it means taking one woman’s obsession with Marie and turning it into a monstrous nightmare.

There are some really good action scenes here. As noted above, Lloyd for once is not One-Punch Man, and seeing him have to actually struggle is excellent, and hopefully will show off some character development. There’s also a lot of hilarity involving the King, who has recovered from being possessed but seems to have turned into a middle manager, and whose “reward catalog” is roundly attacked, and justifiably so given one of the rewards is “marry whoever you want” without giving thought to the other person. As for Micona, she has an irrational hate-on for Lloyd, mostly as he’s living with Marie, and it turns to a massive grudge when she’s merged with a treant by the bad guys. (Who remove her at the end, so I’m sure she’ll be back down the road). And of course, when you have a tree monster who attacks using roots, well, yes, there’s Marie tentacle attacks as well, though not too explicit, thank God.

So something of a mixed bag in the end, but I’m pleased to see the book actually buckling down and getting to its long-term plot. The implication is that the next volume will bring the main cast to Lloyd’s village, which promises to be quite fun in a sadistic sort of way. Much like the rest of the series, really.

Accel World: Kuroyukihime’s Confession

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By Reki Kawahara and Hima. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Jocelyne Allen.

I suspect how much readers enjoy the first half of this book depends on how invested they are in awkward teen romance. Last time we ended with Kuroyukihime inviting Haruyuki over to spend the night at her place, and he ends up accepting here, though he’s not quite sure how long he’ll be staying. As it turns out, the answer is “all night”, and there’s also a bath scene involved, which, as with everything else about this series, gets 80 times more awkward when you remember they’re both 13-14. But they are pretty sweet dorks, and things don’t really go anywhere beyond “I am depressed and want to take comfort in you”. And, as it turns out, Kuroyukihime has a lot more to be concerned about than being caught in an Unlimited EK, as her friend Megumi, aka Orchid Oracle, seems to be held hostage by the enemy… which has caused her real-world self to fall into a coma. Can they rescue her? And can Haruyuki get yet another girl to fall for him without trying?

Yes, we can add another “don’t read this in public” volume cover to the pile. In any case, one of the more important things that comes up here is Kuroyukihime opens up to Haruyuki about the circumstances of her birth, and we finally, definitively put to rest the rumor that her parents are Kirito and Asuna. (I’m not sure why anyone ever found this acceptable, unless they like grim ‘n gritty.) In any case, we don’t get her name, or the names of her parents, but we do discover that Kuroyukihime was a “machine child”, incubated in an artificial womb. While the direct SAO connection isn’t happening, fans of the Alicization arc may recognize some of the discussion here about the nature of the soul. According to Kuroyukihime, her parents regard her as an experiment rather than a child – she even has a barcode on her neck to drive the point home. It’s pretty heavy.

The weaker part of the book is in the middle, when most of the cast gets together virtually to try to figure out how to fix the huge trap they’re in. This involves lots of banter, some jealousy, and a whole lot of talking, but essentially boils down to “no, we can’t do this, no we can’t do this, hey, why don’t we try this”, only over the course of 50 pages. Things pick up again when Haruyuki teams up with Rose Milady in order to rescue Orchid Oracle, her sister, from the clutches of the White Legion. This amounts to a bunch of cool battle scenes, and Kawahara is quite good at those. Haruyuki tries to do the whole “I’m not really good at anything I just have a lot of help” whining, which promptly gets smacked down. That makes me happy. More importantly, they actually succeed in both the rescue and waking Megumi up, meaning this volume does not leave us hanging. (Well, everyone’s still in the deathtrap, but…)

So a decent volume, with some much needed revelations, but the core issue here is still not resolved, so the arc continues. Recommended to those already reading the series.