The Genius Prince’s Guide to Raising a Nation Out of Debt (Hey, How About Treason?), Vol. 5

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By Toru Taba and Falmaro. Released in Japan as “Tensai Ouji no Akaji Kokka Saisei Jutsu ~Sou da, Baikoku Shiyou~” by GA Bunko. Released in North America by Yen On. Translated by Jessica Lange.

This volume was always going to have trouble living up to the high point of the previous one, and it does. It’s a very short light novel, coming out at not even 160 pages. And that, I think, is the problem – this volume is too rushed, leaving everything sort of half-baked. The joy of these books is seeing Wein come up with plans, wriggle around as they’re upended by a surprise disaster, and then come up with even more clever plans. but you need time for each of those things to simmer, and we don’t get that here. There’s also very little of Falanya, who was the star of the fourth book, and also a minimal amount of romantic tension between Wein and Ninym. There’s nothing wrong with the book, it’s reasonably fun to read, and gets exciting a few times. But the reader is left with the feeling that “that could have been better”.

Natra has been doing very well for itself under Wein’s leadership… VERY well, and has started to attract attention to itself, both good and bad. It also has to worry about Marden, its recent acquisition, which is far better located than Natra itself, and could easily wind up surpassing Natra itself. They need more allies. So he turns to the nations beyond Marden, Soljest (which is run by Gruyere, the very obese Holy Elite we briefly saw in Book Three, and Delunio, which is basically being ruled by its slimy Prime Minister. Wein heads to Marden, expecting Zenovia to try to solve Marden’s problems by a marriage proposal, which he plans to turn down, and then goes to Soljest, where he ends up suggesting that the two nations ally themselves to each other, something Gruyere quickly agrees to. And then… well, everything falls apart for Wein.

By now, the strengths and weaknesses of this series are pretty well locked in. Sadly, I find the art a weakness, as it’s frequently just too goofy for my tastes, and also leans into fanservice when it shouldn’t (there is a low-angle shot of Zenovia sleeping on her tits at a desk that should be taken out back and shot). The plotting and scheming is fun, both when Wein is being brutally clever and also when he’s being out-thought, and I really liked the idea that Zenovia *is* in love with him but refuses to marry him if she’s not his equal at being a clever person. Gruyere is also a lot of fun, and I did like the introduction of his daughter, who appears to be there mostly so that she can be a rival to Falanya in future books. But… everything happened too fast. The battles, the scheming, the dialogue, even the dumb goofy comedy. Ninym screws up Wein’s hair in an amusing way! Why was nothing done with that?

The series is still worth reading, and I look forward to the next book, but this one just feels… half-baked.

I’m in Love with the Villainess, Vol. 2

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By Inori and Hanagata. Released in Japan as “Watashi no Oshi wa Akuyaku Reijou” by GL Bunko. Released in North America by Seven Sas. Translated by Jenn Yamazaki. Adapted by Nibedita Sen.

(While I try not to spoil TOO much, this does talk about events in this book a bit more than some might be comfortable with, so this is your spoiler warning.)

When we last left Rae and Claire in the first volume of this series, things were still great fun, with lots of teasing and tsundere antics, but there was also excellent discussions of LGBT identity and a few hints of ominous rumblings on the horizons. This second volume proceeds – immediately – to walk up to our heroine’s happy, relaxed life and clever plotting and scheming and kick at it till it falls over, requiring a stronger structure. Things do not relax from that point forward. Even a trip back home to visit Rae’s parents, the slightest chapter in the book, is still filled with economic inequality and the difference between the haves and have nots. Rae’s past in Japan, which barely came up in the first book, gets an amazing flashback in the third chapter, which also gets into transgender rights. And all of this? Is before the Revolution that is the subject of the original otome game. Rae may be trying to save Claire… but is that what Claire wants?

There is a certain amount of ridiculousness to the plot that you are just going to have to accept. I won’t spoil everything, I will just note that there is a volcano eruption that is only fourth or so on the list of ridiculous things. It is also clear that the author has an agenda, and is here to push it, and honestly that’s great as well. I mentioned Rae’s past – as Rei – and it gets into the nitty gritty of coming out – internally and externally – and how that can be for good and ill and both. It also has a literal love square, the kind that you see arrow diagrams of, and also has Maria-sama Ga Miteru novels (or a very thinly disguised version of) as the gateway into this. So as you can see, it manages to combine the heartfelt and the over the top without sacrificing either.

Things definitely get more serious as the book goes on, though we know they’re going to right from the start, when Rae is forced to deal with her love for Claire, something that she states out loud multiple times a day, and how dedicated to it she really is. First as comedy, and second as tragedy, events conspire to force Rae to abandon her cool, logical, and calculating persona and admit that she does, in fact, not only love Claire but want to be with Claire for the rest of her life – fuck “I want my beloved to be happy” tropes. Once the actual revolution revs up, there’s no time for school – first Rae has to maneuver events so that Claire can avoid being executed for being the symbol of all that is bad as aristocrats, and then watch in horror as Claire’s growth, acceptance and love of Rae results in all those plans being shattered to bits.

Claire’s growth is, in my opinion, even more stunning than Rae’s because we get so much of it filtered through Rae, who gets it but also does not. She knows that Claire is far nicer than she pretends to be. She shows her what their country is really like, whose lives it is built on top of, and what the commoners really feel about all this. And Claire then resolves to make things better. She helps ferret out corrupt nobles with Rae. She helps pass out food to those who are starving with Rae. And, in the end, she makes a decision that Rae can’t do, which is to accept that she is a symbol of everything that was wrong with the class system, and go to her execution in order to take responsibility. As in the first chapter, Rae is devastated and almost gives up. Seeing how far Claire has come from the standard arrogant ringlet girl is my favorite thing about this book. It even pays off in the epilogue and side story, which shows Claire adapting to commoner life rather well – indeed, a bit better than Rae is.

There’s more I can talk about, like the whole plot with Yu and Misha, which revolves around (like, honestly, a lot of this book) a metaphor that turns out to be literal. There’s Manaria, who has gallant Takarazuka vibes up the wazoo, and without whom everyone would likely be dead. There’s the young cardinal who is in love with Rae and is also… well, I’ll leave that for now. There is the fact that the book has a large number of characters who are not only yuri, but also queer, a word used by Rae in the book. (As is lesbian.) There’s the fact that there is apparently a third volume in Japan, which surprises me given that this reads very much like an ending. Above all of this is the fact that the book is simply unputdownable – it has a very large page count, but I was forced to finish it in one day anyway. It may be the best light novel of 2021, and it’s only January 8th. Read it, please. You won’t regret it.

Slayers: The Battle of Saillune

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By Hajime Kanzaka and Rui Araizumi. Released in Japan by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Elizabeth Ellis.

The first three volumes of Slayers are filled with humor and wackiness, but they are also very, very dark, with the third one ending in the destruction of an entire city and everyone in it. It often feels like a fantasy version of Dirty Pair, with Lina and Gourry accidentally spreading chaos as they go from town to town. This volume, which introduces another one of our “regulars” (I use the word in quotes because everyone in the novels except Lina and Gourry tends to be mostly absent half the time.) also features a lot of dead bodies, and has Lina almost die at least three times, to the point where her waking up in a hospital bed is almost a running gag. Despite that… this feels like an attempt at a lighter, fluffier volume of Slayers. Sure, there’s assassination attempts on royalty, assassination attempts on Lina, betrayal, and lots of death… but any book with Prince Phil and Amelia in it is by definition lighter. Even if Amelia feels a bit odd at first.

When this book was first published, both in Japan and North America, it had a much more serious cover, featuring Lina and Gourry. But J-NC has licensed the updated reissues, and they know what readers want, and so we get Amelia pointing at us for justice. As for the plot, Lina, Gourry and Sylphiel arrive in Saillune and are caught up in a royal struggle, as someone is trying to kill Prince Phil. Lina, who has met the prince before, is underwhelmed, but she and Gourry quickly agree to help him try to resolve things, despite the fact that his brother seemingly has a mage on his side who can do all sorts of lethal things to our heroine. But how many “sides” are there in this battle? And why would the villain be trying to kill Lina personally as well?

As stated, Amelia shows up here for the first time, and seems… surprisingly savvy and clever. Honestly, it feels like her characterization takes a step back as the book goes on, with the author realizing on the fly that she’s funnier when she’s goofier, hence the additional cries of justice and the pratfall towards the end. The book is funny, though sometimes it’s not as funny as it would like to be – the way Sylphiel is written out of the book is simply dumb, no two ways about it. I was also very impressed at the traps that are created for Lina in the book, with the endless corridor you can’t get out of (which Lina promptly does), the evil bug that nearly succeeds in annihilating Lina and puts her in the hospital, and an assassin that really, really wants to kill her. We do get some reasons as to why this is happening towards the end, but a lot of it is still vague, and no doubt will be examined in the next book.

This book is very 1990s at times, and “ha ha, it’s funny because he’s not handsome!” is not the laff riot it’s meant to be, but this was a very solid Slayers, and introduces one of my favorite regulars, even if she’s not quite cooked characterization-wise. Next time we’ll meet another regular, a certain “priest”, and things should get even more chaotic.