Strike the Blood, Vol. 16

By Gakuto Mikumo and Manyako. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Jeremiah Bourque.

After the last volume, which as I noted was “Strike the Blood: The Movie”, the first third of this book is very jarring indeed, as it seems to reboot the series with an entirely different cast. Kojou is on a different island – with his memories wiped – and has a different guardian, different companions, and they seem to spend their days learning how to be attack mages and dungeon crawling. He occasionally has brief flashes of his old life, but for the most part remains blank about it. And all is well, apart from the very obviously evil teacher and the fact that the ghost of Yukina keeps showing up and scaring students. Needless to say, it turns out that Kojou is NOT on a series reboot, but is instead trapped in a game – sort of. Also not really. The actual plot manages to bring back an organization from much earlier in the series, as well as the girl now dedicated to wiping out said organization. And, needless to say, has lots of cool fights.

The most interesting thing in the book is the introduction of Shizuri, Kojou’s new Watcher in this other world and the Girl Of The Book. It’s interesting that it starts off with her being a blatant Yukina clone, almost to the point of parody, but that actually ends up being what makes her work for me. OK, Shizuri is more ‘tsundere’ than ‘kuudere’, but in other ways they are much the same. This makes it easier to care about her more than the other two members of Kojou’s class group, who don’t have obvious analogues. Her backstory is suitably tragic, and, needless to say, she gets her blood drunk by Kojou at the end, meaning she is probably going to be added to the harem pile, which is already ridiculously high. I do wonder how she’ll fit in with the rest of the cast, particularly as the series has now ended in Japan, so we’re not far away from the final volume.

The reappearance of Yuuma is also a surprise, mostly as I’d forgotten she existed – as had most readers, I imagine. She is a refreshing dose of cool in a series whose heroines mostly tend to live or die on how much they can be angry at Kojou, though it’s unclear whether she’s merely back for this volume or will turn up again. I will argue that I was sort of hoping that one of the big plot beats of the last book – Nagisa now knows Kojou’s secret – would be brought up here. Having her hospitalized a month later and not really talking with anyone except Shizuri is kind of kicking the problem down the road. And, as always, the author’s attempts at humor are not very funny. “haha, you’re going to have to repeat a year because of constant saving the world” is eyebrow-raising, not laugh inducing. Though I was amused that 6 months in the other world taught Kojou to study.

Anime fans may be more spoiled than novel fans on the next book, as it appears to finally bring in the Children From The Future. Till then, this was a better than average Strike the Blood.

Re: ZERO ~Starting Life in Another World~, Vol. 14

By Tappei Nagatsuki and Shinichirou Otsuka. Released in Japan by MF Bunko J. Released in North America by Yen On. Translated by Jeremiah Borque.

I’ve always been a fan of Emilia, so have been inclined to cut her more slack than she possibly deserved, as those who’ve seen my other reviews know. That said, I get the feeling that for most Re: Zero fans, reading Emilia has sort of been like me reading Subaru in the first six books – screaming at her and wondering why she’s so bad at everything. This has only been underlined in this fourth Arc, which supposedly was going to give far more focus to Emilia – to the point of writing the other main love interest out of the story entirely – and then she spends the first three books sobbing on the ground, unable to get past a test that Subaru sails through. Of course, Subaru’s ‘overcome your past’ was, let’s be honest here, not the hardest test in the world. And at least he remembered it. Emilia’s past has a tragic centerpiece, and she’s also had her memories erased to boot – learning all of this with no emotional support would break a lot of people. Luckily, she now has that emotional support.

As you can see by the cover art, we get most of Emilia’s backstory here, though some elements (who her birth parents are) are still left clouded. Her aunt Fortuna, though, who raises Emilia as a daughter, is 100% pure awesome, and also… has Subaru eyes, something that causes me concern but I’m not going to dwell on it too much. And next to them on the cover is… yeah, that’s Petelgeuse, known mostly as Geuse here. He’s not quite what I was expecting, being fairly overdramatic and self-loathing even before said tragic events. I am grateful we got a lot of Emilia being cute here, showing her as a typical curious kid who does not enjoy being locked in a tree all day. This is balanced out by the present-day Emilia and Echidna watching the events as they happen, with Echidna being very irritated at how well Emilia is taking everything. They have the best dialogue in the book.

Meanwhile, while waiting for Emilia’s test to finish, Subaru, Garfiel and Otto confront Roswaal, who is still not willing to give an inch, despite some things happening that his book does not talk about. As long as the book ENDS the same way, he says, that’s enough. There’s some funny stuff here, mostly involving Roswaal’s reaction to Otto, but it’s clear that if they’re going to stop Elsa and her fellow animal-tamer assassin from killing everyone at the mansion, they’re going to have to do it themselves. Fortunately, Garfiel much better at fighting than Subaru is. We also got more backstory here, provided by Shima and the Ryuzus (which sounds like a girl group; from the 60s) showing the backstory of the Sanctuary, Echidna’s past with Roswaal, and most importantly Beatrice’s relationship to all of them. If Subaru is going to succeed, he has to get Beatrice away from her library, and given that’s the cliffhanger ending to this book, it’s a tall order.

The arc ends with the next book, but there’s still a lot to solve. Can Subaru end this with no deaths? Can Emilia pass the 2nd and 3rd Trials? Will the reader even see the 2nd and 3rd trials? (Signs point to no.) And will Roswaal finally be forced to give in and support Emilia for real? Can’t wait to find out.

Owarimonogatari: End Tale, Part 03

By NISIOISIN and VOFAN. Released in Japan by Kodansha BOX. Released in North America by Vertical, Inc. Translated by Ko Ransom.

It’s been a long detour since we last saw Koyomi Araragi getting brutally murdered by Izuko Gaen at the end of the short story volumes. We’ve seen how Ogi came into his life, why he got so disaffected in his first year of high school, and finally finished up with everything he was doing in that very busy August. But now we’re FINALLY ready to wrap up all the plot points that have been bubbling under for the entire series. The history and state of the town ever since Kissshot Acerolaorion Heartunderblade arrived one year previously. The string of oddities that have popped up ever since, particularly Nadeko Sengoku’s transformation into a snake god. The “darkness” that erases things that break the rules, which removed Mayoi Hachikuji from the series. But mostly, everything Ogi has done ever since she arrived. Can Araragi wrap this all up? Despite being dead? And can he pass his exams? Heck, can he even go on a date with… um… what was her name again?

Oh right, Senjogahara, who graces our cover, and who is quick to point out that it’s been so long since she’s had a major role in the series she’s forgotten her character. Before we get to her, though, we get Mayoi Hell, where Araragi, as all vampires do, goes to Hell, meeting Mayoi there (she’s there for dying before her parents) and going on an extended recap of his life. This serves to remind him of his tendency to save the girl, and that if he had to do it again he’d do the exact same thing. After a long explanation of what’s been going on (he had to die to get rid of his vampirism, Gaen’s gonna revive him), and a brief “do I deserve to live” that gets the punching from Mayoi that it deserves, he returns… with Mayoi, who he basically kidnaps in a leglock. Which is very him. Aside from my usual issues with Mayoi (the “lol he’s sexually harrassing a grade schooler and it’s funny!) stuff, this was alright, though it suffered from endless exposition (more of that later).

Next we get Hitagi Rendezvous, the “sweet” center of the book, where Senjogahara takes Araragi on a date, something they have not done since Tsubasa Cat waaaaay back at the start of the series, and attempts, through various date activities, to get him to swear one thing for the rest of his life. Sadly, she keeps losing. This has some of the best writing in the series, apart from a brief interlude with Ogi interrupting Araragi’s dream (he falls asleep at a planetarium) to provide more exposition (more of this – yes, even more – later). Senjogahara has never been the tsundere she claims to be – she’s too straightforward for that – but here she does have some very odd push/pull dynamics, as she’s clearly dressing in a “Hanekawa” way as she thinks that’s what he finds attractive, but is also discussing their future together to the point of naming their daughter (Tsubasa, which Araragi finds “heavy”, and I think Hanekawa would agree). The ending of this one is the high point of the book.

This leaves Ogi Dark, where we finally get the true nature of Ogi revealed. It makes sense within the series – indeed, clever readers may have guessed it already – ties in with the series mythology, and also allows the basic conflict of “what do we do with aberrations” to come into play. Gaen, Hanekawa, Meme Oshino, and Ogi Oshino all have different ideas on how to deal with them. Unfortunately, sometimes they lead to bad things, as we saw with Ogi’s manipulation of Nadeko. Gaen tries to convince Araragi to take care of Ogi once and for all… treat her like the “Darkness” she’s pretending to be. But, of course, Ogi is not only the main villain of the series, and Araragi’s dark mirror (more on that next book), but also a girl that needs saving. Despite also getting bogged down in exposition (always a danger with Gaen in the story), the ending to this part was excellent, even giving us a “happily ever after”.

So my main complaint is the wordiness of the backstory and exposition (which isn’t going away) and the lolicon jokes (sadly also unlikely to go away), but for a series finale it’s mostly a winner. We even get a hint as to why Ogi is still around for Kanbaru’s book, and why’s he’s a guy in that one. That said, we aren’t QUITE done with Araragi – the final final book in this arc, End Tale (cont’d), is due out soon.