High School Prodigies Have It Easy Even in Another World!, Vol. 2

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By Riku Misora and Sacraneco. Released in Japan as “Choujin Koukousei-tachi wa Isekai demo Yoyuu de Ikinuku you desu!” by GA Bunko. Released in North America by Yen On. Translated by Nathaniel Thrasher.

I really have to hand it to the writer of this series, they know how to keep a reader’s attention distracted. There’s romantic subplots (none of which are going to go anywhere given the nature of Tsukasa, but hey), there’s political intrigue, there’s starting a revolution by starting a religious movement, there’s a big-ass fight (literally in some cases) near the end of the book, and there are even moments of pure horror in a “welcome to our totally average town, weary travelers!” sort of way. And then you get to the end of the book, and you realize that the entire thing was incredibly dumb and full of holes, with one plot getting dropped so fast that I’m concerned my digital book was missing a chapter. Last time I said that this series is popcorn, which is very true. You eat it and enjoy it, but if you want an actual meal, look elsewhere.

Unlike the manga, the light novel covers are allowed to have more than Lyrule on the cover. Here we see Ringo, who doesn’t really do much here besides build power plants and get really jealous of Tsukasa and Lyrule’s relationship. Life is tough when you’re the unlucky childhood friend. The book deals with the aftermath of the coup that has happened. There’s a lot still to achieve. They need to figure out a way to unite the people regardless of class. They need to figure out ways to keep up their modernizations. And they need to worry about the neighboring Duke, who is made entirely of fury and condescension, and also has a magic firebomb that can take out a city. Even Shinobu, who is traveling towards the capital to try to get the lay of the land, runs into trouble when she gets to a village that is glad to eat her — I mean, meet her.

I will say one thing, which is that the book’s message of “the rich hate everyone else and will happily watch them die purely for entertainment” is a very 2020 mood, even if the book was written five years earlier. It tries to distinguish between “normal” nobles who are just rude assholes and “evil” nobles who are doing things like raping and murdering, but it doesn’t quite get it. Shinobu’s subplot is good and also quite dark… but then gets resolved so fast, and dropped so hard, that, again, I worried a section was missing. And then there’s Aoi, who in the grand finale volunteers to help a guided missile reach its target (a magic spear of fire) by running along side it… then hitting it with her “honed glutes” to get it to change course… then smashing her “sizable breasts” against the missile’s air vents to get it to change course AGAIN. The scene is so dumb your jaw drops, and sexist as hell, but you have to admire the bravado of writing it at all. I imagine this must have been something to see animated.

So yeah, this book is dumb but highly readable, provided you are not troubled by plot, or characterization, or thematic unity, or overt fanservice.

There’s No Way a Side Character Like Me Could Be Popular, Right?, Vol. 2

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By Sekaiichi and Tomari. Released in Japan as “Yujinchara no Ore ga Motemakuru Wakenaidaro?” by Overlap. Released in North America by Tentai Books. Translated by Alejandro de Vicente Suárez.

Once again I am tempted to just copy and paste my review of the first volume here, as it has most of the same strengths and weaknesses. It starts slow and builds to a big finish, does a great job of having our lead character be oblivious to love for a reason other than “because he is a potato” like most harem manga, and is very, very bad at justifying why everyone screams in terror when this tall, dark and handsome man comes anywhere near them. As you might imagine, this second volume focuses on Kana, who spent most of the last book clearly in love with Yuuji but having it come off as fear and hatred to him. But fear not, Touka also has a big role to play as well. And of course, possibly the best reason to read it; it’s a normal teenage romcom with no supernatural powers and a decided lack of deep cynicism. Pre-isekai, this was the big thing.

The plot of this second volume involves Kana’s feeling for Yuuji. She knows he’s dating Touka, so is conflicted. (We know, of course, that he’s in a “fake relationship” with Touka, one she wants to be real but can’t work up the courage to tell him that.) She also has a past friendship with Touka that broke off, so the two aren’t on good terms anymore. And she’s also feeling guilty about something else from her past, something that might explain why she’s fallen for Yuuji so hard, and perhaps how he got the scar that makes his face so “scary”. (Please note scary is used the same way “side character” should be, i.e. in air quotes.) It all comes to a head at a tennis tournament that she invites Yuuji, Touka and Ike (remember Ike?) to. Will she work up the nerve to tell Yuuji that he’s manages to get EVERYTHING wrong about their past and present?

As I noted, I enjoy the interactions between the main cast here. Though I will admit that I am not all that fond of the teacher who has an obvious crush on Yuuji, which does not bode well for a theoretical third volume. Kana and Touka’s fractured friendship makes a lot of sense given both of their characters, and I enjoy how no one is “fixed” but that they’re all still working through their own issues. This includes Yuuji, who has a pathological inability to see anyone having romantic feelings for him at all – indeed, even friendship strikes him as unlikely. I will admit that I’d like to get more inside the head of Ike, who for a supposed “main character” is rather bland and unassuming. Of course, that’s part of the gag – Yuuji continuing to see himself as a side character and not the lead in his own life is why he cannot imagine himself in a relationship, despite, by the end of this book, two girls blatantly throwing themselves at him.

The third book came out in Japan this August, and as predicted, it looks to feature the teacher, so I’m wary. That said, this is a very decent romcom that should appeal to anyone who is a fan of that genre.

I’ll Never Set Foot in That House Again!, Vol. 1

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By Milli-gram and Yuki Kana. Released in Japan as “Nidoto ie ni wa Kaerimasen!” by Overlap Novels f. Released in North America digitally by J-Novel Club. Translated by Emily Hemphill.

I’m going to be honest, this book is all over the place. Featuring a relatively nuanced portrayal of a heroine who’s recovering from horrible abuse, it has especially un-nuanced portrayals of the abusers. There’s a terrific surprise involving the hero, but it’s also contrasted with the fact that (per the afterword) the author aged him up after seeing the artwork but didn’t bother to age up the heroine, making for a very uncomfortable romance. And of course the heroine’s powers are especially overpowered even for this sort of book, with the question of “what can she create?” becoming a bar that gets raised higher and higher till the answer is “pretty much anything”. That said, I get the feeling none of this matters. This book gives you a girl you desperately want to hug, and then spends 160 pages hugging her. It’s the very definition of “D’aww”, and if that means putting up with some flaws, it’s OK because look, she’s eating sweets!

Chelsea is the daughter of a baron, but you’d never know it from her everyday life. She’s forced to do the housework, belittled and verbally abused by her mother and twin sister, and whipped when she does things wrong. She has to live off of scraps left after everyone else eats! What’s more, it’s totally unclear why this is the case. Then one day an “appraiser” shows up to see what the other daughter’s magic talents are, and they also know of Chelsea and appraise her. Turns out that Chelsea has a new skill, “Seed Creation”, that has never been seen before! Now she’s whisked off to the royal residence to see what her new skill can do (spoiler: a lot) and to be pampered and cared for as she never was before. As Chelsea slowly gets better and grows in self-confidence, and despite her fears that once they’ve appraised her, she’ll be sent back, she gradually realizes (say it with me) she’ll never set foot in that house again.

I noted on Twitter that this book had the subtlety of an icepick to the forehead, and I stand by that. That said, its portrayal of Chelsea is definitely the highlight. She’s beaten and shattered by the abuse she’s suffered, and it takes the entire book for her to even begin to stand up for herself and make her own decisions. This is, admittedly, helped by this being a world of magic, but even then, while they can heal her scars and stop her “emaciated” status effect, she still can’t really eat much at first. The hero, Glen, is more typical of these sorts of books, and has two big secrets, one of which is not really that much of a surprise, but the other one is, and it’s handled quite well, which is to say it’s barely mentioned. Sadly, as I noted before, making him older means the romantic feelings he starts to have for 12-year-old Chelsea come off as far skeevier than I would like – fortunately nothing is going on as of yet.

This also shares another fault with many shoujo light novels we’ve seen recently: it feels like it’s a one-shot, but there’s a second volume out. I’m not sure where the book is going to go, especially with a title that will likely seem out of place given, well, problem solved. That said, if it has hugs, cute dresses, and yummy sweets, I’ll probably be reading more.