Ascendance of a Bookworm: I’ll Do Anything to Become a Librarian!, Part 2: Apprentice Shrine Maiden, Vol. 4

By Miya Kazuki and You Shiina. Released in Japan as “Honzuki no Gekokujou: Shisho ni Naru Tame ni wa Shudan wo Erandeiraremasen” by TO Books. Released in North America digitally by J-Novel Club. Translated by quof.

(This review contains more spoilers than usual. I’ll try to keep the big ones to after the cover art.)

To my annoyance, the book starts off with a scene between the villains, each trying to prove that among the sneering evil bastards, they are the MOST sneering evil bastards. To my relief, it’s all uphill from there – as always, Bookworm’s books are long but they feel like they’re too short. Myne is trying to get her kid’s picture books off the ground, which involves experimenting with colored ink as well as getting new wax for their stencils. the second quarter of the book has a lot of the arts and crafts we’ve come to love from this series. (It also has the author, in probably the funniest part of the book, write in “Myne and Lutz as an adult married couple” and have it be DEAD ON.) Unfortunately, right at the start of the book an abandoned baby arrives at the orphanage, and Myne, trying to convince a reluctant Delia to care for it with the others, makes a big deal of Delia being the child’s big sister. This sets off a terrifying change of events that will shake up the lives of everyone – and result in a major fatality.

Though we’re not quite going to be leaving the temple yet, I suspect this may be the last we see of Delia as a major character. I had wondered if Myne would ever manage to win her over to betraying the high bishop, and sadly the answer is “not really”, though this isn’t helped by everyone keeping secrets from Delia because… well, she’s a spy. At least she avoids execution. Indeed, this book is filled with executions and threats of executions galore, and it’s a reminder of just how dark this world can be when it’s not about “hey, let’s make paper!”, and when the archduke is pondering whether it would be easier to simply have Myne’s family executed, you get the chills. Fortunately, Myne has her fingers in too many pies to make this really feasible, especially given that her printing press is the proverbial genie that cannot be put back in the bottle. No, instead of everyone around Myne getting executed, the simplest thing is for Myne to die.

And so we end this arc, with Myne dead. Fortunately, we have a new heroine in Rozemyne, who is the hidden daughter of a noble adopted by the archduke, and who happens to look, talk and act just like… OK, yes, Rozemyne is Myne, something most people are immediately made aware of. But the cover story is very important, and the scene where Myne has to say goodbye to her family as a family is heartbreaking. We know they’ll meet again (if anything else, I’ve seen Tulli on a few book covers coming up), but it’s not the same. Indeed, the cover story is magical, to the point where even Myne’s magical contracts change names. As for the Archduke himself… well, I admit, I didn’t see the reveal coming, though others may disagree. Certainly he helps to rescue Myne in the nick of time from a hideous fate. We’ll see how the double act holds up in the next arc. (The book proper ends about 2/3 in, and we get some very good post-Myne short stories, including some subtleties in regards to the High Priest’s aide, and how his seething cauldron of anger is not as secret as he’d like.)

The next arc is titled ‘Adopted Daughter of an Archduke’, and as such I expect a lot of noble life, probably some bullying – Rozemyne will likely find it hard. That said, she’s now in a majorly important position, the daughter of the MOST important man, and as we saw here, has enough mana in her to whip up a prayer to 5 or 6 gods, all at once, and have it work fine. No need to worry, even if Myne has left us, Rozemyne should be just fine. This was an excellent volume in the series, despite the “I am eviler than the most evil person!” villains.

A Triple Dose of Terrible Titillation

This week three titles came out all at once that made Manga Bookshelf collectively groan and hold their heads. I decided, in a rare masochistic moment, to read all three of the new volumes. It rapidly became apparent that I’d have to review them together, as they all defied my ability to spin a large number of words. So let’s get started with title #1, which is easily the scuzziest of the three.

(Please note: all three of these titles are various degrees of sexually explicit. Reader discretion is advised.)

Peter Grill and the Philosopher’s Time. By Daisuke Hiyama. Released in Japan as “Peter Grill to Kenja no Jikan” by Futabasha, serialization ongoing in the magazine Monthly Action. Released in North America by Seven Seas. Translated by Ben Tretheway. Adapted by David Lumsdon.

First off, a brief summary: a guy wins a worldwide fighting tournament, and is recognized as the strongest in the land. He wants to marry his pretty but naive fiancee, but unfortunately as he’s the strongest every woman around wants to have sex with him. He attempts to resist, but fails. Rinse and repeat. As for a review… at least it’s not hiding what it wants to be. About 15 pages into this book, I had read as euphemisms “man yogurt”, “down-low mayo”, “cream filling”, and “man mucus”, to the point where I wanted to beg the translators to just say “cum” over and over like a normal person. They say they want to bear his strong children, but honestly, it’s all about the sex. We get two ogres and an elf in this book, and I’m sure as the series goes on more fantasy creatures will show up. As for Peter, he’s the sort of guy that creators think is likeable but is really teeth-grindingly irritating. It certainly has an audience, but that audience is “80s sex comedy”. I’m amazed the pages didn’t stick together… and I read it on a tablet.

Breasts Are My Favorite Things in the World!. By Wakame Konbu. Released in Japan as “Sekai de Ichiban Oppai ga Suki!” by Media Factory, serialization ongoing in the magazine Comic Cune. Released in North America by Yen Press. Translated by Alexandra McCullough.

This was not as offensive as Peter Grill, but does have the problem that I kept checking to see how many pages to the end. It’s possibly the most boring “sexy” manga I’ve ever seen. The premise: Chiaki is the school “prince”, an archery master and all the girls love her. Harumi, who goes to a different school, has a not-very-hidden crush on Chiaki. Chiaki has a very not hidden crush on Harumi’s large breasts. She likes to grope them, and if she can’t do so, she loses motivation in terms of her archery. It’s basically Knight of the Ice with boobs. Theoretically this is a yuri title, but honestly you end up simply angry after seeing Chiaki say over and over, in about fifteen different ways, that she loves Harumi’s boobs, not Harumi. There are various boob-grabbing situations… buying new bras, etc… but really, nothing happens but boob-groping for about 150 pages. It’s certainly a very narrow fetish. I can’t even imagine yuri fans would be pleased, as they’d no doubt tell Harumi to find someone – anyone – better than Chiaki. And the breast-grabbing, given we’re constantly told it’s not about lust or arousal, is not even sexy.

Lust Geass. By Osamu Takahashi. Released in Japan by Kadokawa Shoten, serialization ongoing in the magazine Young Ace. Released in North America by Yen Press. Translated by Sheldon Drzka.

When I started reading these three, I was not expecting the erotic mind control porn story to be the best of the three – by far – but here we are. Souta and Rikka are childhood friends, and he’s in love with her, but can’t quite get the words out. Then one day he finds a mysterious bookstore with occult tomes. Rikka loves occult stuff, so he gets one for her birthday. Now, suddenly, she’s really, really horny, and needs his help to get off… though won’t go all the way. The premise of “cursed book that makes us have sex” is not really new, and you can see the direction this is going. The second volume will no doubt pull in the respectable class president girl, the volume after that the hot teacher, etc. And we also get the “if you have sex with the one you truly love, you’ll die” curse to keep the main pairing apart till death or cancellation do us part. But… honestly? This had the only likeable cast in these three books. Consent is occasionally mentioned, which is surprising given the premise. You get the sense that Souta and Rikka would likely have gotten together relatively soon even without the book. Now, don’t get me wrong, this is not great. It’s possible I’m making it sound better than it is because I read it after the other two. And, well, it’s erotic mind control porn. But this is the only one of these where I though “I might actually get Vol. 2 just to see if the leads stay likeable”. It’s not terrible.

So Lust Geass is worth getting if you’re into that sort of thing, Peter Grill will likely please its very, very narrow demographic of horny teenage boys (likely why Seven Seas rated it Older Teen and not Mature), and Breasts Are My Fav… zzzzzzzz… hm? where was I? Oh, right. No.

Toradora!, Vol. 10

By Yuyuko Takemiya and Yasu. Released in Japan by Dengeki Bunko. Released in North America by Seven Seas. Translated by Jan Cash & Vincent Castaneda. Adapted by Will Holcomb.

It might come as a surprise to those who have read the last three or four volumes of Toradora!, but there was, at one point, a large element of comedy in this series. As things have turned far more serious that’s mostly been repressed, but there’s a wonderful moment here where it returns… and yet we also don’t let go of the soul-crushing despair that both leads are going through. This leads to my favorite scene in the book, where, after having accidentally thrown 24,000 yen into the river, Ryuuji and Taiga finally kiss… then he jumps back onto the edge of a bridge, and she suddenly thinks he’s trying to kill himself, so she grabs at him, but slips and accidentally sends him over the bridge into the river (it’s winter), and then he asks her to marry him, and then SHE jumps off the bridge, and then the two have a giant screaming fight/confession scene in the rover while slowly freezing to death. It’s a bit unnerving to read… but also very like these two.

The first half of the book made me worry that the two of them might actually make good on their running away, which is, let’s be very clear here, a VERY BAD IDEA. Their friends have gotten so invested in giving up on their own denied love and supporting the couple that they’re willing to go along with this, though at least Ami is there to point out the foolishness before giving in anyway. Even their teacher, who literally bets her job that the two won’t run away, can’t stop them from making their escape. In the end, what stops them is actually the actions of Ryuuji’s mother, herself estranged from her parents after a high school relationship ended in pregnancy, who has ALSO run away from home. This leads to Ryuuji reuniting with his grandparents, and he and Taiga seeing that nothing is unrecoverable.

One thing I very much appreciated about this final book is that it does not try to redeem Taiga’s own parents, who have both been portrayed as emotionally and mentally abusing Taiga most of her life. Her dad is finally unable to run from his creditors, and I feel grateful we don’t see him. We do see her mother, who is there to remove Taiga entirely from her friends and love. Their teacher at one point can’t help but compare mother and daughter – they have similar mannerisms, and you can certainly see the family resemblance. But, thankfully, Taiga has emotional depth and the ability to care for others that we really don’t see in her mother here, and it’s why you feel so pained when she finally gives in and leaves with her. Of course, this story is not going to have an unhappy ending, fear not. But I do like how, in the end, Taiga is able to stand up for herself and demand her own right to be happy rather than being yanked around by her parents.

Toradora! is a relatively old series in light novel years, and at times it did feel rather quaint compared to some more modern examples of the genre, which certainly would have added three or four more girls to the Ryuuji mix. But even if it did, no one would be able to get past the destiny of the main pairing. It’s literally in the title. It’s also a terrific read.