I Refuse to Be Your Enemy!, Vol. 2

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By Kanata Satsuki and Mitsuya Fuji. Released in Japan as “Watashi wa Teki ni Narimasen!” by PASH! Books. Released in North America digitally by J-Novel Club. Translated by Tara Quinn.

In my review of the first volume I said that light novel fans would be disappointed but romance fans should be happy. This volume dials back the romance (though it’s still there), and I’d argue that it may be fans of RPGs who get the most out of the series, as it’s become a military fantasy novel, which Kiara’s choice to become a spellcaster having far more of an impact on the plot than whether she likes Reggie or Cain. (It’s Reggie, btw. Of course it’s Reggie.) The cliffhanger is resolved fairly quickly, but the overall situation is not, as the King and castle are still very much under attack. We also get a couple of good choices for ongoing villains in this book, and see quite a few people on both sides die, which impacts Kiara more than anyone would like. But most importantly, Kiara and Reggie show how incredibly similar they are to each other, and how that’s a VERY bad thing.

Last time I noted that Kiara’s life in Japan was far more vague than in most reincarnated isekai protagonists, and that’s still true, but we do see a bit more of it here, including some of her life in Japan as Chisato, when she was essentially pretty happy but also alone much of the time, having no siblings and two parents who were working much of the time. She’s determined to avoid the fate of everyone in the game, and we’re pretty sure what she’s managed to avoid turning into an evil spellcaster, at least, but saving Reggie is not as simple as stopping the soldiers from killing him that one time. This is a constant war, and Reggie is in constant danger. As is Kiara, much to Reggie’s chagrin – the woman he’s falling in love with is not one who would take kindly at all to him shutting her away to keep her safe, so he doesn’t, but boy does he hate that.

This series is a romance. And it ends with Vol. 6 in Japan. Not to spoil hideously, or anything, but the final volume has a wedding couple on the cover. That said, you might be surprised at that when you read this book, where you’re wondering if the series may actually kill Reggie off a third of the way through it, or kill off its heroine by the end of the series. It turns out that the thing that he and Kiara both share is a flagrant disregard for their own safety that verges on suicidal tendencies at times. In fact, in the dream we see Kiara have in the epilogue side-story, her reaction in the original world to being killed by Alan was essentially “oh, thank God”. In the second half of the book this turns almost comical, with both desperate to save each other at the cost of their own lives and then getting really upset when they do just that. They really are perfect for each other.

This is a smooth and easy read, with the translator change not really noticeable. If you’re here for the romance, I hope you like slow burn. If you like turn-based RPG strategy books, though, this is right up your street.

Wandering Witch: The Journey of Elaina, Vol. 2

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By Jougi Shiraishi and Azure. Released in Japan as “Majo no Tabitabi” by GA Novels. Released in North America by Yen On. Translated by Nicole Wilder.

It did not escape my notice, when reading the first volume of Wandering Witch, that the best stories in it were the ones that focused on Elaina and her past rather than the ‘Elaina arrives at a strange town’ stories. Sadly, there is no more backstory here, just the wandering witch. Which should be fine. It’s why we picked up the series, after all. Look at the over! It’s the witch, smiling, drinking a cup of tea. This should be a relaxing, slow life series with a nice mix of humorous and serious stories. Unfortunately, I seem to have caught the author on a bad day. They admit as much in the afterword, where it’s noted how dark and tragic many of the stories in this book were. Indeed, one story was cut from the book for being too dark, which boggles my mind. Now, it’s possible that the next volume may try to counterbalance that. But that still leaves Wandering Witch with a problem: the people in this book are terrible.

Most of the stories here are short, with two or three longer ones that have a bit more emotional heft. Elaina goes to a country where prejudice against non-magic users runs rampant; stops a war between two villages; tracks down a runaway princess; starts a fashion trend; deals with a beast girl with a tragic past (the best story in the book, even if it was as much fun to read as a root canal); helps a man find his father’s inheritance; goes to a country where truth is magically enforced; has interaction with a bomb manufacturer; discovers her old teacher has written a book; goes to a country where laziness seems to be the norm; goes to a fake zombie town now infested by real zombies; tries to hide the truth from some happy-go-lucky hunters; and deals with a country where you had better love cats – or else.

As you can see, these sound exactly like the peaceful, slow life sort of stories you’d expect here. The trouble is the characterization. The people in these stories are bigots, shallow, greedy, slothful, and sometimes genuinely evil. Even the nicest stories deal with what might best be described as misguided fools. If Kino’s Journey has a running theme of ‘war is horrible’, Wandering Witch’s might be ‘people are awful’. Sometimes there’s karmic fate, but more often than not nothing really happens except Elaina leaves and goes to the next town. The very first story upset me in particular as Elaina sees that the non-magic using people in this town are being persecuted and literally called animals, but merely disapproves of this and leaves. She’s meant to be rather emotionally deadened, but it just ends up seeming incredibly callous. This also makes it harder with stories like the beast girl one, where Elaina is supposed to be genuinely moved and upset – it seems fake because of how we’ve seen her before. Also, her “that girl – it was me” narrative joke isn’t funny and makes her sound smug.

I’d heard that future volumes of this leaned on the yuri a bit, but I’m not sure how good it’s going to be. Saya, the girl from the first story of the first volume, shows up again and clearly has a massive crush on Elaina, but it’s unreciprocated. Moreover, one of the stories involves a romance between two women, but it ends up being treated like more of a punchline than anything else. More to the point, after this second volume, I simply don’t want to read anything more about this witch and her journeys. Which is fine. I’m sure if told that I was dropping her series, she’d simply shrug and move on to the next town filled with selfish, irritating people.

Last Round Arthurs, Vol. 2: Saint Arthur and the Red Girl Knight

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By Taro Hitsuji and Kiyotaka Haimura. Released in Japan by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Jan Cash.

I’m not sure why it took almost a year between the first and second volumes of this series to come out, but fortunately it doesn’t really matter much. Even if you’ve forgotten what happened in the first book, the protagonists quickly steamroller over your doubts and get around to what Last Round Arthurs wants to be: Fate/Stay Night with Haruhi Suzumiya as Saber. I know I said this last time, but it bears repeating: this series is so unoriginal that it beggars belief. In the first volume, the author basically admitted that he was asked to make a Fate ripoff, and getting the guy who does the art for Index and DanMachi Sword Oratoria to draw it just means that half the characters remind you of those two series. I joked on Twitter that it was the Black Clover of light novels, meaning that it is a series that will unashamedly steal any hot new trend, but somehow manages to work anyway. There’s nothing really annoying or boring about its unoriginality. It’s fun. Provided you can stand Luna.

On the cover are the newest competition in the battle to be King: Emma, a girl who has been brainwashed/tortured by a bunch of French religious folks to be the perfect candidate (with a little help from Rintarou, who had no idea what was actually going on but knew they were abusing a girl) for King, and Sir Lamorak, who may be one of the more obscure Knights to casual readers but is well known to Arthurian fans as one of the strongest knights of all. This being a Fate ripoff, she looks like a 10-year-old girl. Emma wants to be King for supposedly noble reasons; Lamorak is super strong and tough. What can stop them? Rintarou, who seems perfectly content to switch sides? Luna, who is busy buying a mansion with all their funds and continuing to insist that she wants to be King for the fame and the money? Certainly not Sir Kay, who had better be the final Last Boss of this series or I’m going to be cross. We’re in for an epic battle.

This volume has a bit of a point it’s trying to make, which is “you don’t have to do what your abusive family tells you to do if it doesn’t fit you, find another path”. Sadly, this ends up being “you are a weak little girl who is not fit to be king, perhaps an attempted rape and being made literally into a maid by the final pages will make things better”, which left a very bad taste in my mouth. Other than that, this book is Big Dumb Fun, much like its heroine. As with the first volume, Luna is obnoxious and awful until things get serious, and is shown once more to be a better king deep down, even if on the surface everything about her is terrible. She’s hardly the sort to be a tsundere, so we get two other options for that here with Felecia (the standard example) and our hero, Rintarou (the distaff example). And the action scenes, attempted rape aside, are very well handled.

So this won’t change your life or make you want to write fanfiction. But if you’re sad Fate/Zero’s novels aren’t licensed and want something with as much fun but 80% less tragedy, Last Round Arthurs is just the right sort of book. And I think the third volume is due out in the fall, so there will be less of a wait.