The Petty Villain Plays by the Rules: Rewriting This Otome Game with Honest Work!, Vol. 1

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By MIZUNA and Ruki. Released in Japan as “Yarikonda Otome Game no Akuyaku desu ga, Danzai wa Iya nano de Mattou ni Ikimasu” by TO Books. Released in North America by J-Novel Club. Translated by sachi salehi.

I kept waiting for this one to go wrong, and it never really managed to. Oh, it flirted with going wrong a few times, but for the most part this book was content to stay in its lane and do what it came here to do, which is be another one of those “reincarnated as a kid and I revolutionize the entire country with my inventing basic modern conveniences” genre, of which there are quite a few. Our main character learns magic. He invents hand lotion and conditioner. He invents radio calisthenics. And while he doesn’t immediately manage to cure a dread disease plaguing his family, he does manage to find a palliative cure, which sometimes is all we can do. There are elves. There are dark elves. There are beastgirls. There are petty noble jerks. There’s a empress who has all the real power. Hell, our hero even gets married at six years old, which comes as a surprise even to him. It’s got everything.

J. Random Salaryman discusses the otome game he just finished with his co-worker, heads home, and has a heart attack and dies. He wakes up in the body of a 6-year-old who is also recovering from collapsing in the garden, and startles everyone around him by being polite and sensible. Then he realizes that he’s in the young body of Reid Valdia, who… was barely in the game at all, at least until you cleared it all and got the chance to free play, whereupon you realize he had amazing things he could do if only he raised his base stats… which he didn’t. Turns out the reason he didn’t is his mother is dying, and he’s been too busy appalling everyone around him and throwing a massive tantrum. Now that he has new memories, he can make up with his sister, treat the maids and knights well, and also try to find a way to cure his mom. Among other things.

So, because it always gets asked, yes, there’s slavery in this world, but not in our main character’s empire. I’m sure we’ll be dealing with it eventually, but at least he clears the low bar by saying “let’s NOT use a slave” here. There’s also Reid forming a cute little crush on the hot elf that he hired to sell his products, though I could do without the comedy “everyone gets mad at me” part of that, as well as the hot elf’s reaction to the whole thing, which is “I’m reacting like a lovestruck teenager because I forgot he’s six.” To be fair, he doesn’t ACT six. One of the better scenes here has his father essentially straight up ask “what the hell happened, why are you different?” and Reid telling him the truth. I also liked the “like father like son” comparison, as we see Reid rescue a lost cute girl who later turns out to be someone important, and in a side story at the end we see his father rescuing a young woman from ruffians.

Oh yes, and the Empress is awesome. This is not going to set any “wow, this plot is original!” records, but it does what people want, and it does it pretty well. I’ll read more.

Tearmoon Empire, Vol. 16

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By Nozomu Mochitsuki and Gilse. Released in Japan as “Tearmoon Teikoku Monogatari” by TO Books. Released in North America by J-Novel Club. Translated by Madeleine Willette.

It’s been a long time since the last volume of Tearmoon Empire, so it feels good that this volume was a lot of “here’s what you remember best about the series”. Lots of snarky narrator, lots of Mia thinking of a selfish reason to do something only for everyone around her to take it as the noblest reason ever (even when she literally says “I do things for myself”). Some lovey dovey stuff with her and Abel. And of course the ongoing plot, which is… erm, let me check my notes… or right, Princess Orania, who seems to only care about fishing, and Mia’s attempts to befriend the hell out of her. Which naturally end up interacting with her kingdom, a civil war, preventing another terrible future, and those pesky Chaos Serpents. Though honestly, to the Chaos Serpents, Mia is proving to be even more pesky, and they’re rather annoyed that she keeps showing up right before they enact their evil plans. It’s almost as if she has a book that can see the future.

Tearmoon Empire plays in the larger ocean of both villainess books and time travel to fix the future books, so it’s not a surprise that Orania’s tragic backstory may ring a bell to fans of those books. When you’re in a political marriage but only one of you is actually in love, life can be difficult, and naturally that can mean projecting all your hopes and dreams onto your child. Fortunately, sometimes your husband takes pity on you and gets you another husband who loves you! And you can have children out of love and live happily now! Hrm? Your first daughter? Meh. Whatever. As you can imagine, this has pretty much broken Orania, whose father is of the opinion that she can do whatever, he doesn’t care. Well, until the cliffhanger ending of the book, which promises there’s more behind that… hopefully for the better.

As for Mia herself, she mostly has a pretty good book. Honestly, it’s Rafina who suffers this volume – first because she’s the only girly girl in the entire cast, and thus the only one horrified at the idea of handling the live bait involved in the fishing contest. But also because Mia a) tells her that there’s an active slavery ring going on, something that infuriates Rafina, but b) dealing with it means Mia will be absent from the Holy Eve Festival. Let’s face it, Mia has too many friends, all of whom want to monopolize her time. I’d suggest she find technology to clone herself, but I can only imagine what a disaster that would be. We’re sixteen books in, and it’s getting harder and harder to wrangle everyone together to do a thing. And sometimes she can be completely caught off guard, like with the ending of this volume. Yes, after a couple books that don’t end in the middle of an arc, we’re back to normal here.

Fortunately, we won’t have long till we find out how Mia gets out of thi… hrm? Short Story volume, you say? Ah well.

A Tale of the Secret Saint ZERO, Vol. 4

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By Touya and chibi. Released in Japan as “Tensei Sita Daiseijyo ha, Seijyo Dearuko Towohitakakusu ZERO” by Earth Star Novels. Released in North America by Airship. Translated by Sarah Burch. Adapted by Melanie Kardas.

I sometimes feel that I’m the only one who tries to keep bringing back the dark beginnings to these series that suddenly turn out sweet and fluffy. Kuma Bear is not going to be reminding us of the darker side of its world much anymore. Likewise, A Tale of the Secret Saint is probably going to continue to gloss over the events that occurred after Serafina’s capture and before her murder. But it does sometimes make this prequel, featuring the adorable six-year-old Serafina and the knights and royalty who love her, a bit darker than it necessarily wants to be. A chunk of this book is dedicated to trying to get Serafina to live the life of a normal child… or at least a royal child. But that’s not who she is. She’s the one who will grow up to the the Greatest Saint, and is barreling towards that future full speed. And we, the reader, know where that future ends. (Yes, reincarnation, but let put that aside for now.)

We pick up where we left off, with Serafina’s terrible brothers in danger. As it turns out, this is a plot by the King to try and make them be a bit less lazy and take things more seriously. That said, there are an awful lot of monsters here, and with Serafina watching it all there’s no way she won’t leap in and help. Then it’s time for the other outstanding plot point from last time, the Galle Gold Leaf, which has been impossible to find for the last twenty years, but once Serafina is involved all the issues proceed to fall over like a stack of dominoes, and we even get all the past conflict with the village (and conflict within the knights) resolved. And then we have the third plot point from the last book – Serafina got a key from Oligor to Luntia’s secret room. Which turns out to be astonishing to absolutely everyone, but also promises this series may get darker in the future, tying back into its origins.

The other dissonance in this series is that between Serafina and every other saint. Fia, in the main series, is astonished at how little power the saints have, and that certainly seems to be true, the saints in her past incarnation seem to be more powerful. But even they pale in comparison to a girl who is beloved by the spirits, who is the descendant of spirit lords, and whose power is off the charts when she tries to do anything. In the main series that’s mostly used for comedy, because of course she’s the SECRET Saint, but even here where everyone knows who she is… mostly… it’s ridiculous. And I should also acknowledge the elephant in the room, which is that most of this prequel involves knowing that a grown man and a six-year-old girl are made for each other and destined. It’s not helped here by two other underage girls in the village grabbing one of the knights and saying he’s their chosen one. As always, reading light novels requires tripping over the whole “it’s not sexual it’s just moe” annoyances, and we don’t even get the usual “she’s really 900 years old” excuse here.

That said, this remains a sweet and fun prequel, free of “fanservice”, and does not appear to be in any hurry to get to Serafina’s teenage years, so I think things should remain that way.