Didn’t I Say to Make My Abilities Average in the Next Life?!, Vol. 9

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By FUNA and Itsuki Akata. Released in Japan as “Watashi, Nouryoku wa Heikinchi de tte Itta yo ne!” by Earth Star Novels. Released in North America by Seven Seas. Translated by Diana Taylor. Adapted by Maggie Cooper.

I first noticed this with Invaders of the Rokujouma?!, but it can also be applied to many other long-running light novel series: the girl who is on the cover of the book is not necessarily the girl with the most to do within the book. Obviously, Mile always has the most to do, it’s her series, but I can’t help but not that poor Reina and Pauline get far less of the plot here. Indeed, even Mile towards the end fades into the background, as this is very much a book about Mavis and about her strengths and weaknesses, weaknesses that she is starting to have a complex about. Before that, we wrap up the dwarves/orc plot with a tense and pitched battle; Mile and company help out some elf researchers (no, different ones) and once again teach guys not to take advantage of them; and Mile returns to the kingdom that was siccing monsters on others and reminds them not to do it… by dressing in another silly costume.

As I said last time, the Crimson Vow are getting pretty famous, as are their abilities. In particular Mile’s ridiculous storage magic. As such, when they agree to work with another party to guard the elven researchers, the other team assumes Mile will be carrying everything, because she can. This is a bad assumption, especially as the researchers paying them DON’T know about Mile’s abilities (at first). That said, it does show off one of the better aspects of this series – it very much loves putting arrogant men in their place and humiliating them for daring to underestimate or be sexist asses around our heroines. However, if, like several other male teams we’ve seen so far, they learn their lesson and proceed to be good and helpful teammates, then the Crimson Vow lets up and stops the abuse – particularly after the team saves Mavis from certain death.

The back half of the book deals with Mavis’ feelings of inadequacy compared to the rest of the Crimson Vow. Mile is Mile, of course. Reina and Pauline have both gotten brilliant at magic. But there’s only so far you can go with a sword without the dreaded “years of experience” that Mavis doesn’t have. We’ve seen her in the past abusing Mile’s stimulants to give her extra power, and she does so again here, much to Mile’s fury. She also, as the cliffhanger shows us, has a little bit of the chuuni in her, despite being 18 years old – she wants to save the girl and protect her against impossible odds not because it’s the right thing to do, or because she thinks she can win, but because it’s really cool. As intended, I feel sympathy for Mavis while also laughing at her, and I hope she learns a bit of a lesson in the next book. (Also, stop taking magical steroids!)

A few minor hiccups here and there (there was a pedophilia joke about an orphanage that was simply bad, there’s a “despite being strongly attracted to another woman I’m not gay!” bit, and the section with Mile terrifying the bad kingdom was pretty weak) does not stop this from being another solid entry in this series. go get it.

A Certain Magical Index, Vol. 22

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By Kazumi Kamachi and Kiyotaka Haimura. Released in Japan as “To Aru Majutsu no Index” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Prowse.

If this is to be the final novel of Index released in North America (something still up in the air at the moment), it’s a good way to go out, despite the fact that it also ends up killing off its main character. Still, I suspect precisely no fans believed he was dead at the time, and they certainly don’t now that we’ve had New Testament 1-23 and are starting a 3rd light novel sequence. As with the previous two books, this is a big ol’ action sequence, complete with a battle on a slowly crumbling cathedral made up of cathedrals. This time around, though, we do get more of the themes Kamachi wants in the main story, as Touma points out that writing the world off as being too evil and reformatting it is a foolishly naive thing to do, Hamazura discovers that – surprise! – Academy City’s ‘ranking’ system is fixed, and Accelerator sings out loud and sings out strong. There’s even time for some “new” characters.

Appearing on the cover are Accelerator and Misaka Worst, who ironically get the least to do in this book. New characters: Klans Tzarskij, the Russian Patriarch. “New” characters: Silvia and Ollerus, who show up at the end, both of whom the Japanese readers met in the unlicensed 2nd Short Story volume. In terms of Timeline, we end on Halloween night, which means that it’s been a little over four months since Index and Touma first met. Busy months, to be sure. There’s actually something of an attempt to show off everyone trying to save the world: Agnes’ nuns are around, Kaori swings her sword, etc. That said, in terms of action this is still very much a three-person book, with an assist from Mikoto, who gets to stop a nuke going off but for the most part is reduced to trying to save Touma and having him abandon her because he still has more saving to do.

Hamazura’s battle against Mugino ends a lot cleaner than I’d expected, mainly as Mugino is already sort of half-broken and exhausted. He appeals to the good old days when they were ITEM, and asks to reform the team (minus Frenda, who is dead, but at least he mentions apologizing at her grave for killing her). Also, it turns out his girlfriend may be the most important person in all of Academy City, as she has the potential power to move quirks… erm, sorry, skills… from one person to another. I admit I am not overly fond of Hamazura torturing (offscreen) an Academy City soldier for blackmail info he needs, but then I hate “torture works!” scenes. Accelerator manages to combine magic and science and save Last Order, though he almost breaks himself doing it, and he once again reaffirms the idea of family that’s hovered around him.

As for Touma, well, he’s there to yell at the bad guy and punch the bad guy, and he does both of those – even when the bad guy is an angel. It looks like he got through to Fiamma, though we’ll need to see more books to figure out if it stuck. Did he die? Well, no, look at the covers for New Testament 1-23. Is he dead for now? Yes. It makes for a slightly bittersweet ending to the whole arc, which otherwise is relatively happy. I’m going to assume that the first volume of New Testament will be another “Touma-light” volume, which is much easier now that there’s two other main heroes – or antiheroes. As for whether we’ll see it, that’s up to Yen Press and Dengeki Bunko. I hope we do someday.

Do You Love Your Mom and Her Two-Hit Multi-Target Attacks?, Vol. 5

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By Dachima Inaka and Iida Pochi. Released in Japan as “Tsujo Kogeki ga Zentai Kogeki de Ni-kai Kogeki no Okasan wa Suki desu ka?” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

This is a slightly stronger volume than the previous one, if only as the author has hit upon a very solid plotline for this book: a tournament arc. Do You Love Your Mom? is not exactly a Shonen Jump series, but certainly mom is overpowered enough to be a last boss in the sort of tournaments you see there. Here she fights against 15 other mothers who are all basically variants on the position. There’s elf mom, giant mom, robot mom, devil mom, angel mom, ninja mom… etcetcetc. There’s also our two minor comedy villains, who disguise themselves as “one girl on another’s shoulders wearing a coat” but get away with it because LOL. The most interesting competitor, though, is “Hahako”, who at first appears to be Mamako’s dark mirror or evil doppelganger. That’s not QUITE true, but it’s certainly playing on those ideas until we get to the reveal. As for Mamako, well, she even has a few points here where she struggles. Briefly.

The rest of the cast exist basically to a) get humiliated, and b) show that they have grown as well, if only slightly. Given the nature of the series, Masato gets humiliated a bit more and also has to wait longer to prove he’s not pathetic. He has at least gotten better at identifying the “powers” that his mom has and differentiating hers from, say, the other fifteen moms who all seem to love him and want him to be their son as well. (For one thing, he’s not attracted to his real mom. I appreciate that a series which at times seems entirely to have been released because of the incestual premise refuses to go down that road.) He also trusts her to do the right thing even when it might require a leap of faith, which helps to defeat Hahako, who “feels” almost exactly like Mamako. But isn’t.

I won’t go into Hahako’s actual identity, but I will say that I liked the attention devoted to “what is it that makes a mother?”. Mamako’s speech was actually good, and reminded us that the relationship need not be biological either. The rest of the book, well, is a lot of gags, some funny, some not very funny. The sports commentary stuff was great. I could have done without Mamako being changed into various different fetishes… erm, sorry, types of character. Even if the last one dies actually make her struggle for perhaps the only time in this series to date. There are also a few hints for future books… it’s now really obvious that Porta’s mom is one of the main villain group, and Shiraaase is also not infooorming nearly as much as she could be. There’s a lot of secrets going on here.

The next book, which features Mamako in a wedding kimono on the cover, fills me with dread, but oh well, it likely won’t go there. This remains rather silly, but not as bad as you’d expect.