Rascal Does Not Dream of Bunny Girl Senpai

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By Hajime Kamoshida and Keji Mizoguchi. Released in Japan as “Seishun Buta Yarou wa Bunny Girl Senpai no Yume wo Minai” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

(This review is based on a review copy provided by the publisher.)

A lot of times these days, licensed light novels tend to fall into two different categories: “we’re licensing this because the Japanese publisher knows there’s an anime in the works”, and “the anime has come and gone but this did not immediately vanish into obscurity the moment the anime ended so let’s take a flyer on it”. Rascal Does Not Dream of Bunny Girl Senpai seems to be the latter – it started Japanese publication in 2014, which makes it quite old by licensing standards. I haven’t seen the anime (yes, try to contain your surprise) but I’d certainly heard of it, with it seeming to occupy that odd position of both “high school romcom” and “vaguely supernatural things happen” that we see in Haruhi Suzumiya and others. That said, I did notice (and tweeted about) a major different I spotted: unlike all those novels with snarky first-person narrators whose inner thoughts we are buried in, Aobuta (its Japanese nickname) is third person. It makes a difference, believe it or not.

Our hero apparently already had a boatload’s worth of light novel events happen to him before the series began: Sakuta has a past, which has left him with huge gashes across his chest, a little sister who’s a shut-in, and a reputation at school that means he has precisely two friends. One day at the library he is startled to find Mai, an upperclassman of his and a famous actress… well, actress on hiatus… dressed as a bunny girl and walking around. No one pays any notice to her – but Sakuta can see her, much to her shock and dismay. As they gradually get closer he discovers that more and more people simply don’t notice that Mai exists, and it’s becoming something of a problem. Since he has experience of this thanks to his sister’s history of being bullied (which also involved mysterious supernatural consequences), he chooses to help her out. It helps that she’s really hot. It doesn’t help that he will say absolutely anything that comes out of his brain with no filter.

As I said, this is in third person, so while we can hear about Sakuta’s thoughts and decisions, we don’t get his specific thought process. This means that things that others, such as Kyon or Hachiman, might think to themselves for the benefit of the reader but not bother to say aloud he says aloud. This might actually make him more attractive to Mai, who is used to people not knowing how to talk to her and thus not talking to her at all. The relationship between the two is the best part of the book. I also like how he expects her, when they first meet, to behave like Senjogahara – the book is aware of its influences. Mai is a bit less sharp than that, but still falls into that basic type. In the second half of the book, as things turn more serious and Mai’s “no one can see me” condition turns potentially fatal, the two have a warmly growing bond that I want to see more of.

The book is part of a series, which not only makes for an annoying cliffhanger (expect a Groundhog Day loop next time) but also sometimes means things clearly meant for future novels are introduced here, no matter how awkwardly they may fit in. If Tomoe is the subject of the next book (as the title suggests), she’s going to have to be more interesting than she was here to win me over. (That said, she clearly wins out over the girlfriend of our hero’s best friend, who seems to be designed to be a Hate Sink so that the fandom can go after her and leave the rest of the cast alone.) In the end, I found Rascal Does Not Dream 1 (the titles will be changing with each book) to be an excellent stand-alone romance that seems to be a harem-ey ongoing series. As such, we’ll see what happens in the second book.

Silver Spoon, Vol. 14

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By Hiromu Arakawa. Released in Japan as “Gin no Saji” by Shogakukan, serialized in the magazine Weekly Shonen Sunday. Released in North America by Yen Press. Translated by Amanda Haley.

This isn’t the last volume of Silver Spoon – that’s the next one, and I’ll get into why that’s controversial when I review it – but let’s be honest, for most readers of this series who were not in it for just the extensive farming talk, this volume is the payoff. This is not to say there isn’t still extensive farming talk – in fact, there’s more of it than ever. Arakawa is determined to drill into readers’ heads what making a living as a farmer in 21st century Japan is like, and by now the readers are close to understanding it, though probably not enough to actually start a farm. As our heroes get closer to graduation, we see expanding businesses, more pizza sales (though they don’t break even – always talk to Tamako first), and how to see your career prospects threatened by an extremely sketchy company looking for indentured servants in all but name. That said, the big plot here is Mikage and her exams.

The cover might seem ominous, with Hachiken and Mikage once again separated from actual romantic contact. And the exams are not easy – indeed, Mikage’s exam partner, Aikawa, ends up not passing – with Mikage getting a particularly vicious interviewer who suggests that her love of animals is because she hates dealing with people. Of course, as we’ve seen in the past, he’s not far off, but the days of deflecting and stepford smiles are over for Mikage, who gives a nice, heartfelt answer that amounts to both “I fell in love with this guy” and also “I was inspired to better myself because of everything he did”. As for Hachiken, frankly, he’s so worried he ends up in bed with gastritis. However, not to spoil too much, but things work out. In both ways – the 121st chapter is, as I said above, the payoff, and after a LOT of events conspiring against them (even equestrian helmets!), Hachiken and Mikage are a couple.

Now, Silver Spoon was never just about whether these two would get together, so there’s more to come here. For one, the other students find out – which naturally leads to the two of them being separated for all romantic holidays from now until graduation, because the boys are lovable assholes. There’s even another couple getting together – to contrast with Hachiken and Mikage’s tortured courtship, Sakae and Maruyama’s pairing is as blase as they come, and the two of them still think like farmers, as they have to discuss how the family businesses would merge in the event of their getting married. (Sakae also has some great lines as the biggest Mikage/Hachiken shipper in the cast.) Mikage’s parents also find out, which goes exactly the way you would expect. Basically, as with previous volumes of this series, every super heartwarming moment is undercut by extreme silliness.

So we head towards graduation, and seeing what everyone does next. Will there be enough pages to fully flesh everything out? Aheh. We’ll talk about that next time. Till then, enjoy what everyone was waiting for.

The Extraordinary, the Ordinary, and SOAP!, Vol. 1

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By Nao Wakasa and ICA. Released in Japan as “Hibon, Heibon, Shabon!” by ArianRose. Released in North America by J-Novel Club. Translated by C. Steussy.

I have talked before, and no doubt will again, about the fact that one of my favorite types of light novel is the kind that has, as its plot and character archetypes, not one original bone in its body, yet somehow still manages to win you over with the sheer power of good writing. I enjoy it so much because a) let’s face it, the old and familiar is like that hoodie that you always wear around the house – it’s your comfort food, but b) it shows the author has the skill to make you want to read more. This especially applies to the latest in a long line of shoujo light novels from J-Novel Club’s Heart imprint. I love that we’re finally getting so many light novels for women rather than men, but let’s face it, introducing a dozen or so of them in the space of about five months has been a bit wearing. So we start with a story about a common girl with a dull magic power who can SAVE THE WORLD!

The title in Japanese – Hibon, Heibon, Shabon! – is snappy and rhymes and is, unfortunately, nearly impossible to translate so that it does the same thing in English. Shabon is soap, and that’s what our heroine Lucia can do – her powers make soap bubbles that can clean even the most stubborn stains. After the death of her mother leaves her with a pile of debt, she moves to the king’s castle to find work as a laundrywomen and enjoys a fun, ordinary life – including having lunches with Sir Celes, a cute and handsome knight. Sadly, he’s away when the castle is attacked by horrible monsters one day, but Lucia, desperate and terrified, casts her soap magic on one… to find it suddenly calm and placid. Turns out her magic is a lot more than removing stains from clothing, it can also apparently remove the horrible mental and emotional stains from people. So she’s sent off to join the Sacred Maiden, who has been transported from another world to… wait, what?

Yes, the best part of the series, easily, is that this is in fact an isekai, but the girl who is transported from Japan is only a supporting character. Maria is supposedly the deus ex machina that will save them all, but things aren’t going very well. And actually, I tell a lie, because the best part of the series is the subtlety in its writing. As an example, Maria is shown to be selfish and horrible whenever we hear about her, but after Lucia a) hits her with Soap a few times to clean her clothes, and b) talks to her like a normal person rather than a savior of the world, Maria gets better. (Somewhat.) Is it Lucia’s magic or is it Lucia’s talking her down? It’s left open. The scene at the castle when the monsters are attacking is also expertly handled – there’s a real sense of terror from both Lucia and the residents of the castle, and it adds to the sense of depth in the books. As for the relationship between Lucia and Sir Celes, it’s cutely handled so far, and I liked that we added a bunch of other hot young/middle aged guys to the cast and Lucia is interested in precisely none of them – in fact, she thinks “is this what it’s like to have a dad?” with one big bruiser.

Good writing, a clever take on isekai, only a little fanservice (Lucia is somewhat busty, which is mentioned once or twice), and a winning heroine. Best of all, it’s only three volumes long, so there’s not a huge investment. And you’ll absolutely have to get the next book, as this one ends on a nasty cliffhanger. Very pleased with this series.