Otherside Picnic, Vol. 2

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By Iori Miyazawa and shirakaba. Released in Japan as “Urasekai Picnic” by Hayakawa Bunko JA. Released in North America by J-Novel Club. Translated by Sean McCann.

The second volume starts up with a dangling plot form the first volume, as Sorawo and Toriko go back into the other world to rescue to US Marines who remained trapped there. It makes for a tense chapter, as moving an entire company (which has been growing smaller the longer they stayed there, admittedly) is not that easy in a space like that, especially when they come across the Japanese Urban Legend Monster of the week. After this they end up in Okinawa, and decide to stay and hit the beach… but instead end up back at the other world, beach version, which features more disturbing things and the appearance of the woman who is Toriko’s obsession and is rapidly turning into Sorawo’s nemesis, Satsuki. Both of these chapters are well told, and the characters are fun to read, but I felt they weren’t quite as terrifying as the first book could be.

The third story delves more into the characters, as we meet another student at Sorawo’s university, who has heard rumors that she can help with supernatural issues and is being stalked by ninja cats. Yes, ninja cats, and a good deal of the chapter is spent trying to deal with the seeming silliness of the proposition. The ninja cats do end up posing quite a threat, and there’s another tense sequence, but mostly what this third wheel does is show off how tight-knit Sorawo and Toriko have become, as well as the difference between them – Sorawo is distancing herself from everyone but Toriko – at least in her head – while Toriko sees it as Sorawo having opened up to other a lot more – so much that she doesn’t need Toriko anymore. This miscommunication leads to the fourth and best chapter, where the horror pops back into the pages like it was waiting for you to relax.

The final chapter shows us who Kozakura is getting the money from to pay for Toriko and Sorawo’s other world finds, and also shows us that the other world is a big business… and one that is breaking many other people. From the moment we enter the seemingly empty building that serves as the “lab” where Satsuki worked, everything becomes terrifying, with some of the most evocative descriptions of body horror I’ve read in some time. It’s clear that Toriko’s hand and Sorawo’s eye are relatively minor compared to the issues of other researchers. This reach a fever pitch when Sorawo triggers what might be a trap set by Satsuki… a literal puzzle box that starts to kill the other of them in a nasty and lingering way. Can Sorawo work together with Toriko to stop it? And stop Toriko sounding as if she’s about to run away forever and/or kill herself?

My first review mentioned this was the first license from Hayakawa’s “yuri line” that was multiple volumes, adn I’m even more relieved that there’s at least two more after this, as I’m becoming very invested in the story. The yuri, while still not explicit, is much stronger here, and the horror is a slow burn till the end when it hits a fever pitch. Recommended for fans of both genres.

Invaders of the Rokujouma!?, Vol. 31

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By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by HJ Bunko. Released in North America digitally by J-Novel Club. Translated by Warnis.

And so I finally finish my Rokujouma catchup. This is also where the upcoming print boxset that was Kickstartered will end, as it had to cut off somewhere, and this is as good a place as any given the series is still coming out in Japan. It’s another one of those “three short stories from the online site and one half-book original” novels, only in this case the half-book overwhelms the short stories even more than usual. The short stories aren’t bad – first there’s a Triathlon our heroes are competing in, and we focus on Clan, who is out of shape, and Yurika, who is in shape but has little motivation. It’s cute, even though they’re also both very pathetic. We then get Harumi and Maki playing board games, which if nothing else shows off how desperately these two nice introverts need someone else to bounce off of. And Shizuka and Ruth have another sentai battle, bringing back Ruth’s beetle phobia, which, let’s face it, no one wanted to bring back.

The half-novel is the first of the “what ifs” the author said he was doing, but it’s framed as also being canon – in the brief interval between when Koutarou and company bring Nalfa back to Room 106 and when she wipes everyone’s memories, the idea of alternate universes comes up. Koutarou was relieved to hear that there are universes where his mother is alive, and Nalfa offers to show him one of those in a dream. (Pointedly, we don’t see that world, possibly as I suspect it would be rather sweet but dull.) The girls all then realize they can look at a world where they won and Koutarou is their boyfriend, and after a jan-ken-pon competition, Harumi is the first to see what that life would be like. She ends up sort of providing color commentary on the dream world, which works because it’s her but I was relieved when the afterword said it would not continue after this.

The “Harumi wins” world is very similar to this one, oddly – it takes place over about the first 8-9 books, and the rest of the cast still arrive and are trying to get control of Room 106. They’re barely in the story, though, as here Koutarou is all about Harumi. Amusingly, it’s because their initial meeting went worse than in canon – when trying to pull away from the dude harassing her, she sprains her wrist and Koutarou has to give first aid. This allows two very hands-off people to touch earlier than usual, and everything springboards from there – Koutarou opens up to her faster, she realizes she’s in love faster, and they confess rapidly. That said, which that world’s Koutarou and Harumi are blissfully happy, OUR Harumi is dissatisfied. A life without the rest of the cast just isn’t the same, even if their real-life romance isn’t resolved. Another reminder that found family story beats sappy romance story.

In Vol. 33 we’ll apparently get Clan’s “what if” story next, but before that it’s back to the ongoing plot. Till then, enjoy this what if that also reminds you that the main plot is best.

Wandering Witch: The Journey of Elaina, Vol. 1

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By Jougi Shiraishi and Azure. Released in Japan as “Majo no Tabitabi” by GA Novels. Released in North America by Yen On. Translated by Nicole Wilder.

I suspected going in, judging by the blurb, that this would be less a light novel and more of a short story collection, and I was mostly correct. Elaina is our protagonist, and we do learn bits and pieces about her as the book goes on, but it’s clear the main thrust of the series is “Elaina goes to [X], events happen, Elaina leaves [X]. Which is fine, as some of the stories are quite good. The publisher did a good job not just giving in and calling it “Elaina’s Journey”, because yes, this does remind the reader of a certain motorcycle-riding protagonist we all know. Elaina’s short stories are less concerned with a moral than Kino’s, though – in fact, some of the weaker stories in this book come from when it does seem to try to awkwardly hammer home a “deep down we’re all the same” sort of lesson to be learned. Fortunately, Elaina is not really the sort to take in valuable lessons. She just wants to walk around.

As the title implies, Elaina is a young witch who is wandering around her world, which is one where witches are known and tolerated in most countries, visiting cities, towns and villages to take in what they’re like. As she does this, some of the places she goes are very entertaining and funny; some are rather creepy and horrific; and some are designed to tell us more about Elaina herself – in both flashbacks and the present day – to show us how she got to be a witch and why she’s so dedicated to wandering around and not staying longer than three days (again, does this sound familiar, Kino fans?). The supporting cast is pretty much zero; there is a recurring gag about a muscle-headed brother searching for his sister that pops up a few times, but that’s less for the character development and more for the gag.

Elaina herself is somewhat dry and frosty; at times the book can feel like a tsukkomi wandering the world of bokes. She used to be worse – one of the better stories involves us meeting her teacher when Elaina was an apprentice, and having the arrogance stripped out of her. Now she’s helpful… sometimes despite herself… but still seems removed from events, never getting too emotionally involved. Several stories here do not have happy endings, or end on a sad or scary note; we see Elaina leaving the country on her broom and never looking back. In the final story of the book, where the present-day Elaina meets her old teacher, there are hints that there’s more to Elaina than meets the eye (I’m curious about her mom as well), and I suspect we may find out she’s more important than she makes herself out to be.

As you’d expect given the format, the book is quite variable; some stories hit hard, some miss entirely. And, as I’ve hinted in the review, you do get the sense that the publisher would have been better off just license rescuing Kino’s Journey instead. But Wandering Witch is certainly an interesting journey in the end, and I enjoy Elaina’s matter-of-fact, slightly smug narrative voice. I’ll be looking for more of this.