I Want to Be a Saint, But I Can Only Use Attack Magic!, Vol. 1

By Fuyu Aoki and Bodax. Released in Japan as “Seijo-sama ni Naritai no ni Kougeki Mahou shika Tsukaenain desu kedo!?” by GC Novels. Released in North America by Cross Infinite World. Translated by Kashi Kamitoma.

As I was about three minutes into the book, I joked that it should be called “Bocchi the Mage!”. Little did I know. There is a scene, with art to match, where Yuffie, the heroine of this novel, wears a party outfit to what turns out to be a standard noble’s ballroom party. It consists of big sunglasses, one a heart and one a star, and a T-Shirt saying Let’s Party. When you combine this with her hideous social anxiety and desire to abase herself, it’s really hard NOT to think of Bocchi. Or Monica, because she also gets invited to the student council, which feels very much like the one from Silent Witch. Unlike Monica, she’s only here to go to school and make a friend or two, if that’s possible for someone like her. Unfortunately for her, she lives in a world where magic is gender-binaried… and she’s just broken that binary.

Yuffie is a girl who lives in the middle of nowhere with her family, who aren’t abusive per se, but seem to be of the “why can’t you be like the normal children?” sort. She’s got crippling social anxiety, and her attempts to make friends have been laughably bad. When they team up for school activities, she’s always with the teacher. But she has a secret. When she was seven, she saw a saint using magic, and realized that’s what she wanted to be when she grew up. So she practiced magic. Every day. For seven years. By teaching herself. She manages to learn some healing magic… slow healing magic, but it’s there… and shows her parents, who say she should go to the magic academy! She’s delighted. Or horrified. One of those. See, she has a secret. She has immensely powerful attack spells like fireballs and lightning blasts. But… only men can use that sort of magic. It’s in their religion. Not good.

If seeing girls having a panic attack and debasing themselves constantly is not your thing… well, don’t skip the book, but you’ll need patience. Yuffie does get better by the end of the book, but it’s a long, painful road. She accidentally makes friends with most of the current student council. She’s trying to hide her attack magic, so the rest of the students and her teachers hate her. Oh yes, and it turns out that the demons are trying to attack humanity, starting with this school, and the only thing powerful enough to wipe them out is Yuffie. She self-taught herself magic so well she’s the most powerful attack magician in the country, and that means that it’s not – for once – just her paranoid fantasies,. she really COULD be imprisoned and experimented on. Fortunately, this school seems to mostly have good, if eccentric nobles. One seems to be a predatory lesbian, but it’s more of an “I’m taking her home with me!” cute fetish than anything sordid. Heck, even the bullying ojou-sama is almost immediately tamed by Yuffie’s apologies and delicious burdock roots.

This is not a must-read, but if you can get past Yuffie’s complete mess of a self-image, it’s a decent power fantasy, though it’s not so much a trans allegory as just another “what if I were OP as hell?” fantasy.

Heroine? Saint? No, I’m an All-Works Maid (And Proud of It)!, Vol. 3

By Atekichi and Yukiko. Released in Japan as “Heroine? Seijo? Iie, All Works Maid desu (ko)!” by TO Books. Released in North America by Airship. Translated by Matthew Jackson. Adapted by Michelle McGuinness.

This was the best volume in the series to date, mostly as a) it managed to actually get through to its heroine/saint/maid and make her realize that her “aw shucks, this is just normal maid magic” thing is absolute hogwash, and b) it actually started pushing back on her omnipotence and perfection, showing her screwing up several times over the course of the book, and also having another crisis of faith, this one even stronger than the one she had in the second book. Melody loves maids, and loves to be a maid, but at heart this is a heroine reincarnated in a fantasy world book, and nine times out of ten when that happens the main character is a workaholic. Melody does not know what to do with time off. She literally has no outfits other than maid uniforms. And, despite riding her way through an obvious event flag, she remains completely uninterested in romance. She is not here to be a romance heroine, thank you very much.

It’s summer break, and time for Luciana and her entourage of servants to go back to the main estate and tour their lands. Though this journey is thrown off slightly by the arrival of Maxwell, who is here to invite Luciana to the Summer Ball, something that absolutely flummoxes her, and she asks for time to think it over. After this, they head off on the long journey there, and watch Melody literally build a two-story mansion from scratch… and also store it in a snowglobe for later use. You know, just Melody things. Unfortunately, as they’re almost there, an earthquake rocks the land, and her family estate is totally destroyed! Even worse, the three villages that make up what remains of their domain are suffering from a blight AND a poor harvest. Will this finally be a problem even Melody can’t solve?

This has a classic otome game dilemma at its heart, which is that the game’s plotline wants to happen even though Melody has completely broken it. It keeps trying to ruin and kill Luciana, to the point where the poor girl is literally dreaming of the game creators discussing her death, though she has no idea who they are. We meet another love interest here, and he’s a smiling villain if ever there was one, and he also falls hard for Melody (who is uninterested, but less uninterested than she is with everyone else.) Most of all, Melody spends an exhausting night curing all the blight and poor crops… only to have it come back almost immediately. Some dark force wants this family and region destroyed, and I suspect we’ll get more of hat as the series goes on.

So while there is still a lot of ludicrous maid stuff, Melody *and* the series itself are getting more serious. Which is good, as it’s a long-runner, and you can’t get by on oblivious OP maid forever.

Nia Liston: The Merciless Maiden, Vol. 7

By Umikaze Minamino and Katana Canata. Released in Japan as “Kyōran Reijō Nia Liston: Byōjaku Reijō ni Tenseishita Kami-goroshi no Bujin no Kareinaru Musō Roku” by HJ Bunko. Released in North America by J-Novel Club. Translated by okaykei.

For those people who don’t enjoy seeing me trying to wring 500 words out of a review, you may as well stop now. The book is fine. The end. For those who really love seeing me struggle, welcome to my hell. This is primarily a tournament arc. I had enough trouble writing those up when I did manga reviews here, I don’t need to have to do it with light novels. Boy, that sure was a close fight. Boy, that sure was a one-sided fight. Repeat as needed. Even Nia doesn’t really have a huge presence in this book till near the end, mostly as she is (of course) not allowed to fight. She is there to film the show for magivision, though, so we do get to see some of her fighting rage come as she tries to get fighters to sit for an interview. Oh, and to take out dangerous assassins trying to kill her student.

Now that all the money has been raised and all the preparations have been done, it’s finally time for the fighting tournament. Which is a bit bigger than everyone was expecting. There are over 10,000 entries. Winnowing this down to 300 or so finalists is thankfully not Nia’s problem. Things are helped by dividing the preliminaries into weapons and no weapons tiers, but it’s still a LOT of fights. Some folks don’t know their own strength (Gandolph). Some folks have a very tough time f it (Fressa). Some folks are being overwhelmed by having to be the celebrity poster child of the entire tournament (Lynokis). And some folks are realizing that no matter what the outcome of this tournament, they’ll likely have to flee the country and start a new life somewhere else (Anzel). Needless to say, you can guess who the assassins are after.

One of the better things I liked about this was seeing folks realize how different a fight is when it’s under the pressure of a match, and especially when you aren’t actually supposed to murder your opponent. A few really strong folks end up losing as they struggle to not kill anyone, and Fressa manages to win her fight only because of that rule. Some fighters are going to get better fast. That said, Nia’s students are clearly a cut above the rest, and it shows – the comedic highlights of the book were Gandolph accidentally breaking the leg of his opponent by just putting up a chi defense, and Lynokis realizing that the adventurer she wanted to be like growing up is really just a violent thug, and one-shotting him in horror at her past self’s shallowness. The dramatic highlight is the finale, where we see an old assassin who is very very good at killing anyone he wants to but cannot fight against the horrors of normal aging. I wonder if we’ll see him again.

The 8th volume only came out in Japan last month, so it may be a bit will we get more. Till then, punching things, yay.