How a Realist Hero Rebuilt the Kingdom, Vol. 11

By Dojyomaru and Fuyuyuki. Released in Japan by Overlap, Inc. Released in North America digitally by J-Novel Club. Translated by Sean McCann.

After spending the last volume having all the weddings, it’s no surprise that we’re starting to see the fruits of that labor, so to speak. No, not Souma, although he does bed three more of his wives in this book (it cuts away before the sex, sorry). Instead we have Poncho, whose two wives are already pregnant, possibly as they are banging so much he is literally getting thin because of it, and Hal, whose childhood friend Kaede is also pregnant. Fortunately, the sex and babies is only a tiny part of this book, which is otherwise devoted to integrating its new problem children into the kingdom. Sometimes this is easy – everyone loves Ichiha, the milder climate means he’s healthier, and he’s written the most important book in years. Sometimes it’s a bit more difficult, as with Yuriga, who is not only a budding tsundere in training, but is also writing her brother every week telling him what King Souma is doing. What is Souma doing? Oh, y’know, starting bicycle message services, doing a Day of the Dead costume parade, staging mock battles to cool anime music. The usual.

As you can see from the cover, the other big plot twist is that Roroa has de-aged, and is now attending school. OK, no. In fact that is Lucy, a merchant’s daughter who adores Roroa and models herself after her, to the point where she’s nicknamed “mini-Roroa” in story. The other addition to the schoolchildren ranks is Velza, the dark elf that Hal rescued who has fallen madly in love with him. It’s a bit too soon for her to be going after anyone, though, so in the meantime she join’s Tomoe’s posse to get some learning. As always with this series, part of the fun is seeing not only how Souma introduces things like sewers and the like to Friedonia, nut also normal Japanese things – in this case the idea of school clubs, who recruit just as violently here as they do in Japan. The kids are cute, and we’re seeing them start to grow up – Tomoe has a bit of a crush on Ichiha, and is also trying to be more mature in general.

Arguably the more interesting part of the book is Souma giving a symposium on monsters and what they’ve learned due to Ichiha’s drawings and analysis. Publicly, it discusses classifying monsters more easily and studying them to try to help prevent things like stampedes and the like. Privately, things are more disturbing – evidence points to the monsters being ‘created” rather than born, and if that’s the case, then what about say, the beastmen, or the sea serpents, or any of the sentient races currently living reasonably peacefully with humans. The last thing Souma needs is adding racism to a world that’s trying to get rid of it. And this doesn’t even get into the potential war with the demons they have coming up. The back half of the book is, therefore, lots of talk, but it’s interesting talk.

This book takes place back in Friedonia, but apparently in the next one we go off to another country and meet some more new characters – because honestly the cast is too small, don’t you think? Till then, this gives the readers what they want, and I enjoyed it. Though for God’s sake, stop citing Machiavelli.

Spy x Family, Vol. 1

By Tatsuya Endo. Released in Japan by Shueisha, serialization ongoing in the magazine Shonen Jump+. Released in North America by Viz Media. Translated by Casey Loe.

I have technically reviewed this before. Back when Spy x Family was a brand new manga on the Mangaplus app, I was so taken with it that I did a review of the first four chapters even though it hadn’t even been collected into volumes in Japan. Since then it’s gotten up to four volumes there, been picked up by the Shonen Jump app, gotten ludicrously popular (though rumors of an anime coming soon are likely merely rumors), and now we have the first volume from Viz. Is it worth a reread if you’ve already seen it on the app? Of course. This is a manga that rewards rereads. It’s also the perfect combination of funny and heartwarming, and the Spy and the Family in its title are in almost perfect balance. It also features three leads who can each play the clueless one when the plot allows (yes, even Loid). And of course it’s a found family manga, showing off that when you have people you care about, it can be hard to see them as just pawns for your mission.

Spy x Family takes place in not-Cold War Germany, with tensions brewing between thinly renamed versions of East and West Berlin. Agent Twilight is a master spy, good at almost everything, who is now forced to have a wife and child so that he can infiltrate an exclusive private academy. Going by the name Loid Forger (why not Lloyd? I dunno. Why not Gerald instead of Jellal/Geord?), he goes to an orphanage to adopt Anya, a girl who seems brilliant to him, but it turns out she’s a telepath who just reads his mind to get the right answers. She really wants out of the orphanage, and things Loid is cool. As for a wife, he meets Yor, an office lady who is over 25 yet has no husband, suspicious in this cold war environment. She and Loid both agree to have a sham marriage to prop each other up. Oh yes, she’s also an assassin for the other side. Neither Loid nor Yor know each other’s secrets. Anya knows both, but she thinks it’s really cool, so it’s fine.

This manga is funny. It’s filled with great lines from everyone. Loid’s over-seriousness is mined for comedy. Anya’s childishness and ability to read minds is mined for comedy. Yor is perhaps the best at it, as despite being a lethal assassin, she’s also an airhead of the finest kind. I’d happily read this if it were just broad comedy. But the other reason everyone loves it is the gradual love and affection the family develops for each other, particularly on Loid’s end. The entire reason for him doing this was to infiltrate the school (which they do, in a ludicrous chapter that involves a child stuck in mud, a stampede of wild animals through the campus, and THREE different outfits for everyone “just in case”), and yet when they get there and one of the interviewers starts to humiliate Anya and Yor, Loid snaps and almost hits him, then walks out. His family became (even briefly) more important than the mission. It’s fantastic.

There’s a joke that says that the author came up with the idea of this manga by reading the most popular AO3 tags and mushing them together. It does feel like that at times. But like the best found family/enemies to lovers fanfics, it also has a strong plot, and it’s a lot of fun. I can’t wait for the next volume, even if I have read it before on the Shonen Jump app. It’s just that good.

Der Werwolf: The Annals of Veight, Vol. 7

By Hyougetsu and Nishi(E)da. Released in Japan by Earth Star Novels. Released in North America by J-Novel Club. Translated by Ningen.

For the most part, Der Werwolf has been one of those reincarnation isekai series that tends to ignore the reincarnation most of the time. Veight’s old life in Japan is still mostly a blank to us, and aside from bringing in a few modern ideas to medieval fantasy land, it hasn’t really impacted this story either. That may be changing soon, however, as the cliffhanger at the end of this book seems to show us another Japanese reincarnation, someone who’s looking for Veight specifically. Before that, though, Veight has to finally wrap up this long story arc, helping Eleora to ascend to the throne, fighting off even more plots to try to usurp it from various lords and family members, march through sewers and jump out of windows like a boss, deal with a rival group of werewolves and also a few vampires, and, most importantly, get back home in time like he promised before Airia kicks his ass. He accomplishes… most of these things.

After a number of books that have slowly been killing off the royal family one by one, the theme of this book is trying to solve problems with the least amount of bloodshed. Veight is called “soft” a few times for this, and it’s not inaccurate, but it’s also very politically savvy. The book starts with Ashley on the throne, but he’s a bad emperor for these warlike times. There’s a lord who is clearly plotting… something, and the great joke about him is that every single thing he says is so suspicious that it’s impossible to know how many plans he’s got in his pocket. (Answer: a lot of plans.) There’s also the eldest princess, Dillier, who has grown tired of waiting for a perfect political marriage to be arranged for her and has allied herself with Lord Shallier, thus making one of the most awkward pairing names in some time. (ShallDill?) She’s not evil so much as fed up, so is a lot less difficult to stop.

This book is rather light on its usual tropes. Veight only mentions being a humble vie-commander once or twice, and may even be getting used to people thinking well of him. It helps that he runs into a bishop who is essentially his religious equivalent. Speaking of religion, these books have not been kind to the devout, and that doesn’t really change here, even though the church are not the bad guys this time around. Editing scripture to guide people into doing what you want is a total villain move, but here it’s being used for good. the book is light on Veight being oblivious to everyone being in love with him, too. Eleora clearly is but duty comes before love, so she lets him go. Airia clearly is and I suspect is wondering if she can ask for a kiss or something given Veight promised he’d do a favor for her (as punishment for being late in returning).

And there’s also the shrine maiden we meet in the cliffhanger. Is she going to fall for Veight’s charms? And we we finally get more details about why Japanese folks keep popping up in this world? Not sure, but Der Werwolf remains very well-written and confident. It’s one of the best under-the-radar J-Novel Club series.