The Devil Is a Part-Timer!, Vol. 16

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By Satoshi Wagahara and 029. Released in Japan by Dengeki Bunko. Released in North America by Yen Press. Translated by Kevin Gifford.

This series is finally ending in Japan this august, so we know that after this book there’s only five more to go. As such, it does appear that this “defeat God so that Alas Ramus can have an awesome birthday” plotline is going to be the final one, assuming that it’s not “oh hey, guess I am in love with Emi/Maou after all”. As for this particular book, we’re faced with another “power through a weak first half, because the second half is spectacular” volume. Maou was barely in the last book, so he gets a lot of time at the start of this one. Sadly, everyone ELSE isn’t around, so most of the first chapter is him admitting that he now has bonds with other people and feels very lonely when they aren’t constantly around. (Acieth is around, but sadly he takes no comfort from her very annoying antics.) It doesn’t help that Valentine’s day is coming up, and Chiho is, well, avoiding him as he’s still waffling about her, to EVERYONE’S irritation.

As I said, the first half of this book is not that hot, mostly as the reader is well aware of what character development Maou and Emi need to have happen to them, but the writer wants to drag it out until the main non-romance plot is done. As such, Maou is again too nice for his own good – this time accepting some seeming “obligation” chocolate that is too expensive to really quality as that. Chiho has decided that, having made her feelings clear – again – she’s not going to add to the pressure by getting him chocolates, and was thinking maybe something like miso for his stressed-out stomach. And Emi, of course, is freaking out at the very thought of possibly giving chocolate to the guy she supposedly can’t forgive, and ends up justifying things by figuring out that Alas Ramus can give her daddy candy. None of this is all that interesting.

Where the book takes off is when we go to Enta Isla, where, owing to various plot explanations that I’m not going to get into (don’t worry, the other cast will), Chiho has to participate in an archery competition as part of a contest to be the next chief of the Northern tribes. She’s not aiming to be a chief, but winning the archery part will allow the team to steal a powerful weapon that is also an iconic monument. The reason that it’s so good is that it features Chiho wanting to come out from the shadow of the more powerful characters… both because of her accuracy with the bow (which isn’t super duper – she’s helped by the fact that archery in this world is not nearly as advanced) and because she’s sick of being “the girl defined by her liking Maou”, which honestly is how a lot of fans tend to see her. We know she isn’t winning the Maou sweepstakes, so this is an important step to allow her to become her own person. Also, she’s badass.

There’s other things to enjoy in the second half too, such as a badass granny and Bell getting an unfortunate nickname. That said, it does remind me that I tend to like this series better when Maou is not par-timing. Or angsting.

Beatless, Vol. 2

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By Satoshi Hase and redjuice. Released in Japan by Kadokawa Bunko. Released in North America digitally by J-Novel Club. Translated by Ben Gessel.

Another long, long book – the longest light novel I have digitally, in fact – and again, I feel it would have been fine if Beatless had been four lengthy books rather than two huge ones. That said, the author clearly thinks of it as one story, as the second volume just picks up where the first one left off and moves forward. There’s lots of cool action set pieces, lots of dead extras, lots of dead hIEs (who then come back to life quite a lot), and a whole lot of philosophizing on the nature of artificial intelligence and the way that it interacts with humanity. If this sounds like I’m parroting my last review, it’s no surprise, this really doesn’t introduce new themes or concepts into the book, it’s just more of the same. This is not to say the book gets dull – there’s always something happening – and the characters are quite interesting. But the book is making a point, and spends several hundred pages making that point.

I’d mentioned that the hIEs tend to die but not really be dead, most of that due to the very nature of how they live – it’s not like hitting their “heart” will kill them. Kouka spends much of the first quarter of the book having a Last Stand before she’s finally taken down, only to be rebuilt into twelve Kouka clones for the finale. Snowdrop is killed, then returns, and then is killed again, and returns again, to the point where she starts to resemble Jason Voorhees more than anything else. She’s easily the creepiest of the five main hIE cast. Methode spends her time being absolutely furious at anything and everything, and unfortunately is the least interesting because of it, though she doesn’t deserve her fate. (OK, I will admit, Mariage is the least interesting, but that’s mostly as her owner doesn’t let her do much of anything – it’s hard to be a major player when you aren’t in the battle.). And then there’s Lacia.

I admit that the nature of how Lacia attacks is quite clever, the best idea in the book, and the seeds were planted earlier with her work as a model. She and Arato make a great couple, to the point where we hate it when he loses his nerve and distrusts her, even though everyone and their brother points out why she’s incredibly dangerous. It all comes down to the question of how do you want humanity to move forward? Standing on the backs of the machines they created, or holding the hands of said machines? Honestly, I think humanity made this decision when they decided to make hIEs look like people. Their role is strangely sexless – Lacia again mentions functions she can’t use with Arato till he’s 18, but honestly there’s never any sense that anyone uses hIEs for sex – and also quite undefined, by design. Even the computer that runs everything, Higgins, is frustrated, to the point where he engineered all this just to be able to move forward.

I haven’t seen the anime, but I understand that the novel and anime end slightly differently, so you may want to check both out. I enjoyed Beatless, but, much like the hIEs themselves, I enjoyed it in a strangely emotionless way. There’s little humor – in fact, the only really good joke in the book comes right at the end – and little passion aside from the slow burn of Arato and Lacia. If you like futuristic SF, I’d give it a whirl.

A Certain Scientific Railgun, Vol. 15

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By Kazuma Kamachi and Motoi Fuyukawa. Released in Japan as “Toaru Kagaku no Railgun” by ASCII Media Works, serialization ongoing in the magazine Dengeki Daioh. Released in North America by Seven Seas. Translated by Nan Rymer.

In my last review I extolled the praises of Uiharu, whose mad hacker skills were impressive enough to break someone out of an unbreakable prison. Sadly, it turns out that she got noticed by the Dark Side of Academy City, as she’s kidnapped here. Unfortunately, she’s pure peril monkey for the rest of the volume, so it’s up to the other three members of the cast to step up. Do they rescue her? Not yet. Are they badass? Aw yiss. We get to see Mikoto, Kuroko and Saten all show off their best sides as they fight to rescue their friend. Which is not so impressive for Mikoto – it is her series, after all. And we’ve seen Kuroko be badass before, both here and in Index. The more Railgun manga we see, though, the more I remain convinced that it’s an excuse to show off Saten rather than any other Biri-biris who might be lying around. She doesn’t even have a baseball bat this time, but is amazing.

The first two thirds of the book are well done and yet will feel familiar to the Railgun reader. The bad guys here are all teenagers, for the most part, and Index/Railgun has hammered home over and over again that their lives are basically experiments for various bad adults. As a result, Mikoto gets a chance to try to talk the enemy down, which… well, doesn’t work, but hey, she tried. I like the fact that the enemies by now are expecting Mikoto to be, well, a goody-goody, and while she insists that this is Touma’s job and not hers, it’s more or less accurate anyway. Also, salt-based attacks allows for more Biblical imagery in this Bible-heavy series. As for Kuroko’s battle, well, she’s cool and clever, but the “my yuri fantasies can beat up your yuri fantasies” bit was as ridiculous as ever.

And then there’s Saten, who discovers that Uiharu has been kidnapped and begs her friends to have her come along and help. This proves sensible, as while Mikoto and Kuroko both pursue leads that turn out to be false, Saten does what she does best – play detective. She’s questioned for the fallout of the battle between powered folks that happened around her, and, due to various plot-related reasons, this is done in the very prison we’d seen before… where, as it turns out, our enemy is really based. Sadly, they have the world’s dumbest prison guards there, and as a result Saten is able to break out pretty easily. Of course, getting to where Uiharu might be requires jumping between two buildings that are not that close together, and Saten is, as she reminds us, a Level 0. Does she make it? Of course. She’s fighting for her girlfr— erm, best friend!

Again, I suspect Saten is in this story, along with Hamazura in the main Index series, to remind us that Academy City’s “Level” system is complete and total bullshit. That said, I’m fairly sure she’s not gonna rescue Uiharu all on her own. This is shaping up to be another big arc, so we’ll have to wait a month or two… or ten… to find out what happens next. (And with the Index novels now seemingly over in North America, we’re not even getting to tide ourselves over with the main series.) Still, this was an excellent volume. If you take away anything from it, think of Saten, leaping between those buildings and making it – bear-ly – due to the power of conviction and borrowing other people’s technology.