Lady Rose Just Wants to Be a Commoner!, Vol. 3

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By Kooriame and Nami Hidaka. Released in Japan as “Lady Rose wa Heimin ni Naritai” by Kadokawa Beans Bunko. Released in North America by J-Novel Heart. Translated by Caroline W.

Content warning: this book is filled with suicide ideation, and has several attempts near the end, though none are successful.

I know that it’s not economically feasible and would not be popular, but sometimes when you get a light novel series like this I wish that it could have been one 800-page book. Or at least have all three come out on the same day. Because this third and final volume of the Lady Rose series really requires you to remember everything from the first two, and the series rewards going back and checking on certain scenes over and over again. That said, if you did what I did, and read the books as they came out, and tried to recall what was going on, you should still be okay here. Fii’s story is done, and she doesn’t even play a major role in this book till near the end. Unfortunately, that’s just in person. In the background, Fii trying to escape her noble life and become a commoner turns out to drive a heroine to dark, depressing thoughts. And that’s just when she’s five years old.

Stop me if you’ve heard this one before, but our protagonist is hit by a truck (while pushing a girl out of the way of the same truck) and winds up in the world of Savior of Nations: Lady Rose. She is THRILLED. She doesn’t even care that she’s in the body of the villainess, Liliana. This means that she gets to see her favorite character, SETH! Immediately deciding to learn reading, writing, and proper etiquette, despite the reactions of her father and servants, she does succeed in meeting Seth, as well as Melvin, who she declares a “friend of convenience”. Unfortunately, when Liliana turns five, Felicia arrives on the scene, and Liliana gets an immediate lesson in the difference between one who tries her hardest and one who is simply perfect. Unfortunately, over the next ten years or so, this means that Liliana gradually loses her grip on reality.

The first few books already had a tinge of psychological horror. With this third book, it goes beyond tinge and gets into the deep waters. I haven’t seen a light novel get so far down the path of fucked-up narration since I Swear I Won’t Bother You Again!. Even when Liliana begins to realize the possible cause for her mindset… grief at her happy, loving life being cut senselessly down by a truck… she rationalizes that it’s too late now. The bulk of this book is Liliana trying to find a way to die. Fortunately, we know how that goes, as we read the second book, but still. This book also has a few surprises in store – notably one of the busiest Truck-kuns I’ve ever seen in an isekai – but for the most part it is best when focusing on Liliana’s desperate attempts to fix things, then fix everyone but herself. The one flaw is the almost total lack of Seth. The author says that having Seth in the book more would have given away the twist, and yeah, I guess, but I still think the impact of the end might have been better if he’d had a larger presence.

This series is now done, though I do wish we’d seen the stories that were only suggested where she apologizes to her maids. Liliana’s inability to really read people at all has affected her maids more than anyone else, and I hope they get some comfort and relief. As for Liliana herself, I think things will be fine now. She’s had magic bread, after all.

Saving 80,000 Gold in Another World for My Retirement, Vol. 8

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By FUNA and Keisuke Motoe. Released in Japan as “Rōgo ni Sonaete Isekai de 8-Man-Mai no Kinka o Tamemasu” by K Lanove Books. Released in North America by Kodansha Books. Translated by Luke Hutton.

(A reminder that the English Vol. 8 is the equivalent of the Japanese Vol. 9.)

I mentioned last time that I think the series has gotten into a bit of a rut, and while this volume does not remotely solve that issue, it is nice to see the author deliberately leaning into the rut. The first long-ish chapter has Beatrice reminding Mitsuha that she was promised an even bigger party when she comes of age, which means Mitsuha has to whip out fireworks and light shows and the like. This infuriates Sabine, who notes that when *she* comes of age in three years or so, Mitsuha will need to get even GRANDER! Likewise, Mitsuha’s promise to keep a princess safe are taken as keeping her KINGDOM safe, and Mitsuha deciding to solve the problem using only her own men and minimal deaths means the winning nation can’t take any advantage of it. Mitsuha is a realistic isekai protagonist – in that she never thinks ahead.

This book, like a lot of this series, is divided into chunks that may as well be short stories. 1) The above story, where Mitsuha is asked to pull out all the stops for Beatrice’s coming of age party; 2) Mitsuha talks with an Earth scholar about ways to analyze the other world… and things that she didn’t think of when inviting other scientists over there; 3) The empire who attacked last time is now desperate, and decides to attack a different kingdom… one which has Princess Reina (remember her? Princess Kaa-Kaa-Kaa?), who Mitsuha promised to help if she was in danger, which means we need to resort to attack helicopters; 4) One of Mitsuha’s young noble lady-run businesses is attacked, the young lady has her arm broken and face beaten, and a guard is killed. Sadly, the cops and the nobles are on the side of the company that did this, which means it’s time for Mitsuha to snap and go on a roaring rampage of revenge.

I’ve called this series the “Easy Mode” of the three FUNA series, and I still think that. Compared to Mile, and DEFINITELY compared to Kaoru, Mitsuha gets off very lightly. Her dimensional travel has become so blase she not only talks about how she’s managed to teleport herself while leaving her sweat behind, but has to clarify that she does not leave behind her poop – though she does teleport to Japan to use the toilet every time. These are the little details of Mitsuha’s life that I did not need to know. Likewise, her desire to have as few people die as possible in a dangerous war between nations contrasts nicely with her swearing of total vengeance on the company that murdered and beat employees in her company. Mitsuha may grump about everyone thinking she’s twelve, but she acts like it much of the time, especially when someone goes after anything she cares about. Of the three series, this is the one most likely to end with the world being destroyed by a temper tantrum.

Next time apparently Colette is attacked, so we may see even more of this. You know what I’m about to say. Recommended for FUNA fans.

Dahlia in Bloom: Crafting a Fresh Start with Magical Tools ~Side Stories~

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By Hisaya Amagishi and Kei. Released in Japan as “Madougushi Dahlia wa Utsumukanai” by MF Books. Released in North America by J-Novel Heart. Translated by A.M. Cola.

I like to think that Dahlia in Bloom is a reasonably popular series. It’s gotten a manga and an anime (let’s not talk about the anime). That said, it’s not ludicrously popular with trivia-loving nerds. This is no Re: Zero or A Certain Magical Index. As such, when it comes to wiki power, Dahlia is lacking. Which makes it unfortunate when you’re reading a volume filled with side stories, only a few of which focus on Dahlia and Volf, and I kept thinking to myself “have I seen this character before? Have they been a minor character in the series I’d simply forgotten as they aren’t plot-relevant, or have they been especially written for this volume?”. This is especially true with all the wives we meet in this volume. The main series, and its spinoff, both run on, primarily, an utter lack of romantic progress. Dahlia is oblivious, Lucia is too job-focused. As such, a lot of this book seems devoted to giv9ing us actual happy romantic ends.

This is a short story volume, so there’s no real plot to speak of. The only stories that connect to each other are one or two “we get this from one perspective, then the other side” twofers, and one story where Volf is convinced to buy fancy, scented stationary to send letters to Dahlia, who keeps every single one in her room. You know, like besties do. Other than that, we see how Grato met his wife (she’s been waiting for him to get a clue), how Gildo met his wife (he fell for her, unthinkingly, when she was six years old… no, not like that), Ivano trying to run away from his future wife (he fails), how craftsman Fermo met his wife (she’s the granddaughter of his master, but they’d never seen each other before), how Irma got her husband (the family had to approve), and how Oswald got to be the silver fox (being bullied is different when you’re in a noble society).

That last one is the longest story in the book, and it reminds you that while a whole hell of a lot of light novels deal with nobles and the different tiers between them, none of them quite drench themselves in the culture quite like Dahlia in Bloom. Dahlia herself is finally getting her barony, so might be able to marry Volf… except his family is also getting elevated. Back to square one. Oswald having a girl date him on a bet ends up with the girl AND the two nobles who forced her to do it all getting punished, while the humiliation forces Oswald to throw off his family’s kid gloves and give himself a makeover. Volf is forced to learn about noble etiquette, and he’s absolutely terrible at it. Yes, the main reason this is the slowest of slow burns is because Dahlia’s lack of self-esteem causes her to throw Volf into the friend zone, but there are also real reasons why nothing has happened just yet.

We’re back to the main series next time, as Dahlia finally meets barony. Will this mean anything new? Probably not. Will she get to dance with Volf, and maybe have some really good alcohol? Most definitely.