Legend of the Galactic Heroes: Sunset

By Yoshiki Tanaka. Released in Japan as “Ginga Eiyū Densetsu” by Tokuma Shoten. Released in North America by Haikasoru. Translated by Matt Treyvaud.

And so the Legend of the Galactic Heroes comes to a close. (There are five volumes of short story collections also out in Japan, but they don’t seem essential to the narrative.) The story ends because the two sides finally come together and try to negotiate a compromise between Empire and Federation – Parliamentary Democracy, which is presented as the best of both worlds, mostly. But you could also argue that the series is ending as the author is running out of characters to kill off. This is a doom-laden book, with a bunch of the main cast given their final moments. Some go out fighting, like von Schönkopf and Merkatz, nobly in battle. Some die like villains, taking out swathes of others as they succumb to a brain tumor (Rubinsky). Some appear to die almost because the author forgot to kill them off and they were running out of pages, like von Oberstein. Hell, even von Oberstein’s DOG, the one thing that made him vaguely human, is dying. And then there is Reinhard.

I’m not really spoiling anything by talking about these deaths, as the book is still written like a history textbook from the future, so frequently talks about “this was the last time he would visit this planet”, etc. That said, you’d have to be reading the series with very narrow vision not to realize that Reinhard wasn’t going to make it to the end of it. Honestly, he hasn’t been the same since the death of Yang Wen-Li, and he knows it. What’s more, it may be his fatal flaw that finally kills him off. No, not the disease that he’s had for ages that finally gets a name but might as well be “Love Story disease”. Instead it’s his leaping off to battle against Julian’s forces one last time, despite knowing that he’s running a fever and choosing to hide it from everyone. The end of the war means peace, which means no more battles, which means that Reinhard is pretty much going to be out of his depth – something he admits at his deathbed, as he notes Hilda will be a much better leader as she’s the politician.

There are several cool space battles, including one where Julian and company essentially storm Reinhard’s ship as if it were a boat to try to get to him and negotiate, and another where we see Annerose, Reinhard’s sister, protect Hilda from terrorists (don’t worry, she doesn’t die). But for the most part the best moments are the speeches and dialogues, as with most of this series. A lot of the book discusses von Oberstein, whose methods continue to sacrifice the few to save the many, but in the worst, least honorable way possible, to the point where other Admirals try to punch him. He’s an unpleasant person but a great character, and I wish his death had more impact – perhaps the anime improves on this. Oh yes, and Julian and Katerose hook up, though her lack of presence in the final big scenes reminds me that LOGH tries to give us some good female representation but struggles at it.

I’m very happy that we were able to get the entire series out here in North America. It’s a classic, though admittedly more known here for the epic 80s anime, and worth reading to see how authors who aren’t Leiji Matsumoto handle a Wagnerian space opera sort of story, albeit one with a dry historical filter. A noble finale.

Our Dreams at Dusk: Shimanami Tasogare, Vol. 4

By Yuhki Kamatani. Released in Japan by Shogakukan, serialized in the magazine Hibana. Released in North America by Seven Seas. Translated by Jocelyne Allen. Adapted by Ysabet MacFarlane.

After three volumes that are brilliantly written but also somewhat fraught and filled with frustration, it was wonderful to see how this final volume of Our Dreams at Dusk has so much acceptance in it. It’s in Tchaiko’s present, when he finds that the distance he’s been deliberately keeping between himself and his dying partner’s family doesn’t have to be that way. It’s in the past, where we get Someone-san’s feelings of wanting to be alone and “unlabeled”. And of course it’s in Daichi and Saki’s wedding, as Saki is accidentally outed to her parents and they both have to deal with the fallout… which is not as bad as initially feared. In the end even Misora is able to make peace with Tasuku after getting an apology, and then an apology for apologizing (which I really liked), and shows up at the wedding dressed to the nines. And, of course, there’s still the amazing artwork as well. It’s a conclusion that should satisfy almost everyone.

Tchaiko gets the majority of the focus in this volume. We learn about his partner, who’s dying an in a hospital, and see some of their life together, which looks wonderfully happy. Despite that, Tchaiko goes to visit him only when his family isn’t there, as he doesn’t want to insert himself into their lives – Seichiro has a son from a previous marriage (he had broken up with Tchaiko at that time) and they’re finally talking to each other again, so Tchaiko doesn’t want to get in the middle of that. But that’s not what Seichiro wants, and (as it turns out) not what his son wants either. Through Tchaiko, we also get a better handle on Someone-san, who (appropriately, as it turns out) has been around the periphery of this manga but never seemed to be a main cast member. In a flashback, she admits to Tchaiko and Seichiro that she’s asexual, but doesn’t want to be explaining that every minute of every day, which leads Seichiro to suggest she “wants to be no one, someone from who-knows-where”. It’s a great moment.

Speaking of Someone-san, I would be remiss if I didn’t talk about how far Tsubaki has come over the course of this manga. From being the remote object of Tasuku’s attraction to a somewhat uncomfortable participant in Cat Clutter’s world, he’s also the one able to point out crucial insights, such as when Someone-san makes cafe au lait for the group, and they’re all startled to see her getting involved. Tsubaki points out that she’s still a human being, a label that is both correct and as broad as possible. This leads to Tasuku inviting her to Daichi and Saki’s wedding despite knowing she won’t be there, and saying that her being someone is enough for him – and so is the distance, which doesn’t have to be less OR more. As for Tsubaki, at the end of the book he feels far more comfortable being Tasuku’s friend, and Tasuku’s acceptance by others and acceptance of himself has led him to grow enormously as well.

The book ends with a death and a wedding (and I didn’t even get into the reaction of Saki’s dad, which once again plays into “I know intellectually what my reaction should be, but it’s much harder when it’s my daughter we’re talking about”, but is really heartwarming), and it feels an appropriate place for the story to stop. It was an incredible journey, and this may be my choice for the manga title of 2019. Everyone who loves manga should be reading it.

Sexiled: My Sexist Party Leader Kicked Me Out, So I Teamed Up With a Mythical Sorceress!, Vol. 2

By Ameko Kaeruda and Kazutomo Miya. Released in Japan as “Onna dakara, to Party wo Tsuihou Sareta no de Densetsu no Majo to Saikyou Tag wo Kumimashita” by Overlap Novels. Released in North America digitally by J-Novel Club. Translated by Molly Lee.

As we start the second volume of Sexiled, things are looking good for Tanya and company. They’re celebrities now, heralded by the women in the city for what they did. They’re now guiding other parties to grow and learn. But, of course, there’s still the inherent sexism of everyday life. Some of the parties they’re guiding just want to show off in front of them. Sexual assault is framed as “she was asking for it by wearing that outfit.” Promises of marriage are extorted by drugging a girl. Even fashion is against them, as Tanya is told that only men can wear swords at the palace ball… even though Tanya is there as a bodyguard. And then of course there is Laplace’s behavior, as lately she’s seem distracted or even depressed at times. Why was she sealed up in the first place? And is is possible for her to also get revenge?

As with the first book, the writing here reminds you of the sort of thing that women deal with every day. The first half is filled with frustrating assumptions and casual misogyny that makes our heroine’s brains burn. Katherine, the fox-sorceress who was a minor antagonist in the first book, has joined Lilium, and she proves to be an excellent addition to the party, gaining confidence, inventing popcorn chicken, and also helping save the day so that things don’t have to end with a lot more deaths. Because the back half of this book is a lot more serious than the first one. Many of the relationships in this book are abusive, including the princess of the realm, as well as Laplace, whose determination to stand up against her abuser is very well done. I also liked how the kissing was reframed as plot-relevant (and Tanya noting that it was non-consensual at first, even if she ended up not minding it), and this leads to an excellent callback at the climax of the book.

The book is still a light novel fantasy, of course. We briefly see Tanya and Laplace fighting goblins, and there is much discussion of mana and its ability in helping to attain immortality. The fight scenes are relatively simply but breezy, never getting too bogged down in spell creation or other pitfalls. There’s also a healthy dose of humor – I quite liked Nadine yelling “POW POW” in Tanya’s ear, and the smarmy tone of one of the jerks dealt with in the book is mocked by criticizing the very typography of his lines. There’s also a nice scene at the very end of the book which shows a young palace guard who was also inspired by Tanya’s party to chase after his own dreams, and his genuine gratitude and admiration of her feels like a “not all men” that’s actually earned for once. I will admit I think the art that comes with the book is merely adequate – there are some nice scenes of Tanya and Laplace in the middle of the book where the illustrations feel very flat. I wonder if we’ll get some fanart from others.

I’m not sure where the series goes from here – we’re caught up with the Japanese release – but I will definitely be devouring the next book in the series. Still an excellent takedown of misogyny as well as a good light novel fantasy.