Konosuba: God’s Blessing on This Wonderful World!: The Arch-Wizard’s Little Sister

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By Natsume Akatsuki and Kurone Mishima. Released in Japan as “Kono Subarashii Sekai ni Shukufuku o!” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Kevin Steinbach.

I recently reviewed the third volume of Combatants Will Be Dispatched!, by the same author, and noted the difference between that series and KonoSuba is that KonoSuba has heart. Which is true, as the latter half of this book shows. But to get there we have to get through the first half of this book. And it’s a good reminder that, while the cast of KonoSuba are nice and sweet compared to the sociopaths of Combatants Will Be Dispatched!, they are still quite horrible people overall. No one exemplifies this more than Kazuma, who after the last volume is spending his days lazing around the castle being waited on by servants and corrupting the princess (no, not like that, fortunately – she’s just talking casually now). After finally being thrown out, he then has to get back into his own mansion, as he’s been locked out by a thoroughly pissed-off Aqua. It’s only when Megumin’s sister Komekko shows up that the cast remember that they’re badass and also not terrible.

In a nod to the overall plot, Komekko is brought to Axel because Megumin’s village is under attack by the Demon Lord’s forces, which has led to their home being destroyed. so “those two girls” (in a nod to the trope, Megumin can’t remember their names, and to be honest neither can I) drop Komekko off to be looked after by Megumin while the Crimson Magic Clan strikes back and also cleans up. Komekko’s quite happy with this, as everyone and their brother is feeding her. She’s also happy because Megumin has been writing her letters about how AWESOME she and everyone else in Axel is, and she wants to find out about this first-hand. Given that, for once, Kazuma and company are reasonably well-liked by the town, the other adventurers are willing to go along with Megumin’s exaggerated letters. In fact, the guild decides to take advantage of this. A lot.

Everyone here gets their moments to shine and also their moments to be humiliated, in the best KonoSuba way. The exception is Komekko, who plays everyone like a fiddle and will likely be far more powerful than Megumin when she grows up. Darkness comes off worst, as she’s still hamstrung by having to be the sensible one, with her perverse moments kept to a minimum. As for Megumin, much to the surprise of Kazuma (and the reader), she is not going to let him forget her confession from the end of the 9th book – she repeats it, and then says she’d like to be “more than friends but less than lovers”. It’s a great scene, and Kazuma responds to it (for him) relatively seriously. Of course, it’s then undercut immediately, because no one does that better than KonoSuba – Komekko heard this confession and tells everybody, leading to a hilarious final scene.

As this point Kazuma/Megumin seems to be set in stone… though the cliffhanger may bring fresh chaos. Darkness has a kid? Is she a child from the future? (Probably not). In any case, this was an enjoyable book, once I got past the obligatory “sixty or so pages of Kazuma being a scumbag” parts.

By the Grace of the Gods, Vol. 2

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By Roy and Ririnra. Released in Japan as “Kami-tachi ni Hirowareta Otoko” by HJ Novels. Released in North America by J-Novel Club. Translated by Mana Z.

It’s probably not a coincidence that while the genre of ‘Slow Life’ novels is very popular in Japan, we haven’t really seen that many straight examples of it here in the West. There have been a few that come close, but they tend to have a lot of things happening, or else they’re standard isekai only lackadaisical. By the Grace of the Gods really comes closest to the pure type (Ryoma does do some adventuring and goblin slaying, so it’s not 100% “no I will not be a isekai protagonist I am going to farm!” like the best of them), as Ryoma, over the course of the book, realizes that rather than hanging out with the rich family who “rescued” him and getting closer to their daughter who clearly has a crush on him, and rather than going on guild quests and monster hunting, he’s going o be… opening a laundry. Of course, given his slimes, this is not as big a jump as you might expect. The result is that the book is… pretty good but dull.

We don’t get the laundry till the end of the book, so for the most part this book involves Ryoma finding odd things to do with his ever increasing pile of slimes. He’s learning new magic, so that he can store them better and also teleport. He’s clearing abandoned mines of minor monster hordes, along with the occasional worse than expected monster horde. And he is getting involved in fights between a bunch of bully adventurers and the kids they’re taking advantage of… which not only leads Ryoma to kick their ass and make sure they’re punished, but also makes him realize that this sort of thing is exactly NOT what he wants to do. And that he’s not happy with this side of himself. So a laundry, given how hard it is to get monster guts off of clothing in this world, sounds fantastic.

This last part is the most interesting part of the book. Ryoma gets really pissed off when he sees the bullying adventurers, enough that it gets a color page. Given Ryoma’s default mood has been ‘stoic’, this merely involves escalating to ‘glower’, but it’s a start. That said, I really liked his attempts at self-analysis after the event – they make sense to him, but also feel a bit wrong to the reader and to everyone else around him. He decides to be “more independent” by breaking off with the duke’s family, convinced that being with them would “spoil” him. Honestly, I agree more with everyone that he tells this to: I think he needs more exposure to others, not less. He’s easily pegged as someone who will never ask for help. Even the Gods, when he prays to them and goes for a visit (remember the title), inform him that he’s not just a 40-old guy in an 11-year-old body – his emotional state is matching up with his age in THIS world. It’s a great conceit that’s the best part of the book.

That said, the REST of the book is a lot of monster hunts, slimes, and everyone praising Ryoma for being awesome… in other words, standard light novel. That said, I’m very interested to see where this goes nest.

In Another World with My Smartphone, Vol. 19

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By Patora Fuyuhara and Eiji Usatsuka. Released in Japan as “Isekai wa Smartphone to Tomo ni” by HJ Novels. Released in North America by J-Novel Club. Translated by Andrew Hodgson.

It’s never a good sign when people keep asking why you’re still reading that series as you tweet about it, but that’s what’s been happening for me with this Smartphone, which seems to have worn out its welcome for everyone but the most hardcore of fans. It’s not a bad question, why do I read it? Especially given the beginning of the book, a reprehensible pile of crap that involves getting a unicorn horn, slutshaming the entire female cast while ALSO having them insist they’re all virgins, and finally ending with a “ha ha, he was gangraped by men and now he’s gay” joke. I recommend just skipping the whole chapter. After this, thankfully, it does improve, and indeed it feels like the author may have been told to wrap this up soon, as we’re resolving one of the remaining storylines, as everyone in the world, including Touya and his fiancees, battle the wicked god and the wicked Phrase that has allied with it.

The fiancees are getting a bit impatient, wanting to actually get married, but Touya has decided not to do that till the whole “evil from another world coming and killing people and destroying their souls” thing is dealt with. The first half of the book involves preparations for this, including the aforementioned horrible scene. They slowly purify the world with the help of a “puretree” (no worries, fans, this tree is a virgin too) and, unexpectedly, help from Luna Trieste, the Himiko Toga of Smartphone, who thankfully gets locked away for the rest of the book. The second half of the book is the battle against the Mutant Phrases, evil normal Phrases, the evil NEET god, and Yula, the Phrase who set this ball rolling in the first place. Even more unfortunately, Touya gets sealed off in a pocket dimension away from the battle. Can our heroes win without their OP husband-to-be?

Credit where credit is due, the plan that Touya has to counteract this sort of attack is very clever indeed, and I was impressed. It also helps that he tells Yula about the plan with a line that is so cheesy you cannot help but laugh out loud. I like this series when it’s being big dumb. That said, surrounding it is a lot of the same old same old. There are mecha battles, there are guns being fired, there are near misses… and, in the end, Touya does actually save the day. I mean, it’s his series. Aside from the battles, which do take up a good 2/3 of the book, we get Touya becoming more comfortable with being a god (which is why his initial attacks didn’t work well – he was too attached to humanity) and getting more comfortable with actual love and affection (he’s snuggling his fiancees without even turning red!).

So in the end, this is another volume of In Another World with My Smartphone. It has crappy and offensive rape jokes, but on the bright side, Touya doesn’t commit genocide here. If you’re reading it, keep going, you know what you’re getting. If you haven’t read the series but you’re thinking of reading it, Christ, no.