How Heavy Are the Dumbbells You Lift?, Vol. 1

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By Yabako Sandrovich. Released in Japan as “Dumbbell Nan Kilo Moteru?” by Shogakukan, serialization ongoing in the magazine Ura Sunday. Released in North America by Seven Seas. Translated by Wesley O’Donnell. Adapted by Sam Mitchell.

I must admit, I’ve seen titles devoted to giving the reader a bunch of fanservice. I’ve also seen titles that are “instruction” manga, where they’re teaching a lesson to the reader, usually via an unknowing protagonist. But, aside from maybe Futari Ecchi, I can’t think of a title that’s managed to balance them fairly equally as much as How Heavy Are the Dumbbells You Lift?, a series that really wants to go into great detail about how to properly work out and gain muscles, but also really wants to show you that it has a bunch of cute, large-breasted young women who frequently bend over, take showers, get very sweaty indeed, etc. It should be terrible, but somehow you get the feeling that, if asked to choose one, the author would jettison the service in favor of the lessons. (They wrote a long series about muscular men, Kengan Ashura, that supports this – though to be fair, if you like heavily muscled men, they are in this title.)

Hibiki is a high school girl who loves to eat, to the point where she’s getting a bit too chubby for her uniforms and swimsuits. She tries running… and gives up. Exercise at home… failure. Clearly she needs something more regimented. So she goes to a local gym. There she is surprised to meet the student council president, who is also there for gym membership. Hibiki, who feels a bit uncomfortable (she’s a “gal” sort, Akemi is the “pure” type), and notices the gym is filled with muscular men being beefy, is about to bail, but then she sees the instructor, Machio, who is a total bishie!… at least till he takes off his jacket, then he becomes a poster boy for beefcake. But Hibiki is smitten anyway, and, with Akemi and Machio helping her, she gradually begins to gain muscle mass (though she’s not losing weight yet) and learn the ins and outs of keeping in shape.

To a large degree this is a comedy. Hibiki is good at reacting to extremely silly situations (she also lampshades the fanservice frequently, even though she’s the most frequent body used) and noticing things like Akemi’s muscle fetish being disturbingly sexual, as well as the fact that Machio’s upper body seems to be a TARDIS. But the advice on weight training really is quite good, and I actually learned a thing or two. Plus, while there is an awful lot of fanservice, it doesn’t ever descend into mean-spiritness, and as I said earlier, the author wants to draw the girls working out just as much as looking hot. We also do see their muscle mass – Hibiki’s friend Ayaka looks at first to be the “normal” one in the group, then it turns out she’s part of a boxing family. (Speaking of which, Hibiki’s own undiscovered strength shows she might want to lean in that direction as well.)

It’s definitely for the male reader, make no mistake, but compared to what I was expecting, I found the first volume of this dumbbell manga to be rather interesting. I’m definitely going to be reading more.

The Dirty Way to Destroy the Goddess’s Heroes: No Reply. It’s Just a Saint.

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By Sakuma Sasaki and Asagi Tosaka. Released in Japan by Famitsu Bunko. Released in North America by Yen On. Translated by Jordan Taylor.

Sometimes I get a bit ahead of myself. I was really enjoying this second volume of Dirty Way to Destroy the Goddess’ Heroes, and tweeted as such. The second “hero” they had to face off with was very different from Arian, Shinichi’s plans were clever enough, the banter between him and Celes was fun. It was a really fun book, despite the occasional lecherous joke that made me wince. And then came the last quarter or so, where the lecherous jokes that made me wince became the resolution of the entire plot, and the bottom dropped out of the whole thing, leaving it once again something I can only recommend to those who don’t mind the usual light novel perversions, with an added slice of homophobia. It’s really irritating, as the characters are engaging, the plot lends itself well to a 6-book series (as this is), and some of the humor is great. Just… stop with the pedophilia and “gays are predators” jokes. I beg you.

The religious oligarchy trying to take down the demon lord (for their own personal gain, of course) now sends “the Saint” after him. Sanctina has been raised in a box since she was a baby, the daughter of talented magic users who were bribed to have a child and leave it with the Church. There were four others like her, but one by one none of them were quite as “devoted” (read: unwilling to question) as she was, so they vanished or were sent away. Now she’s in a neighboring kingdom taking people’s life force to power a magical container big enough to destroy the demon lord once and for all. Shinichi and company quickly figure out that, because her personality is somewhat blank due to her upbringing, normal means aren’t going to cut it. And so they decide to make Rino, the demon lord’s daughter, into… a pop idol?

As I said, most of this is fun. It mocks idol culture, and Sanctina does make a genuinely disturbing villain. Then we get the climax. First of all, Shinichi hired an incubus to disguise themselves as Sanctina and go around anally raping muggers (and later, after the denouement, Sanctina’s other “Holy Knights”). No. Do not do this. I don’t care how evil the muggers and knights are, and they’re pretty bad, don’t. Do. This. Secondly, Sanctina’s jealousy and hatred of Rino, who is not only a popular idol who can also heal the sick but shows a genuine love and compassion for everyone around her that Sanctina lacks, finally causes her to break. Which is fine. And be sexually attracted to Rino. Who is underage. We’d had a few pedophilia jokes scattered though the book that grated, but this is the climax, and given Sanctina returns with the protagonists, is likely not going away. Shinichi even observes “Great, she’s a lesbian”. Again, just… fuck this.

So yeah, I retract my prior tweet. Dirty Way to Destroy the Goddess’ Heroes has a lot of potential, but in the way can’t quite escape its tendency to wallow in nasty stereotypes for both humor and plot resolution. As such, recommended only to those who are used to that sort of thing and don’t care.

Is It Wrong To Try To Pick Up Girls In A Dungeon? On The Side: Sword Oratoria, Vol. 10

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By Fujino Omori and Kiyotaka Haimura. Released in Japan as “Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka? Gaiden – Sword Oratoria” by Softbank Creative. Released in North America by Yen On. Translated by Dale DeLucia.

The long delay in the 14th book in the main series reaching North America has meant that the side series has been able to catch up quite a bit, and this book benefits from covering two books in the main series, the 10th and 11th, from the perspective of Loki Familia. Last time was very Aiz-heavy, and so she ends up not quite as featured in this book, though that does not mean that she’s not completely devastated by the end of it. And no, that doesn’t mean it’s Lefiya-heavy either, though she does get to barrel through the entire book fueled on pure rage at Bell, and also gets some of the more badass fight scenes. No, it’s Finn who’s the biggest protagonist in this book, as you might guess from the cover, which shows him, Aiz and Bell in a three-way standoff sort of situation. Bell inspires Aiz, much as he is unaware of this… and also, by the end of this book, Finn.

The majority of this book revolves around the Xenos getting out of Daedalus Street and back to the dungeon, only from the perspective of Loki Familia, who are here to kill them… well, that’s a secondary goal, but the primary goal is to use them to draw out the Evils and get another key (or two… or three…) to Knossos. Things are not helped by Hestia Familia, who are driving Finn and company to distraction (we see Lilly’s deception in this book from the Loki Familia side, where it just looks like picking on Raul, and it’s a lot less triumphant). Oh yes, and Hermes family is in there as well. And then there are the random adventurers who are simply really pissed at Bell, and the poor and orphaned who live here, who are also a little pissed at Bell, though they’re less certain about that.

Finn has no doubt that Bell is NOT being a selfish adventurer, but when he figures out his actual motive it’s tremendously difficult to accept. The story of Loki Familia has featured, time and again, folks who lost their families and loved ones to monsters. Aiz, Finn, Bete…it’s no wonder that Finn’s response, on hearing that these are intelligent monsters with emotions and morals of their own, is “I don’t care”. But seeing him gradually piece together what’s been happening, and fighting against his own instincts (which tell him not to kill these particular monsters), along with one of Riveria’s elves being saved by a Xenos taking the bullet, essentially, shows that he can’t simply stick by his rock-solid principles. He has to move forward just as fast, if not faster than Bell Cranel, and if that means changing how he thinks about monsters, then he will.

Of course, that doesn’t mean he’s not above using them, and he now has another group that can help them take on Knossos. The next two books seem to be tied together, and may be more Lefiya-centric. Which, given that Aiz ends this volume somewhat shattered, is probably a good thing. If you haven’t been reading this as it’s a spinoff, or because you hated the anime, please change your mind and get it immediately.