Sword Art Online, Vol. 17: Alicization Awakening

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By Reki Kawahara and abec. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

I’m not sure why it is that odd volumes of SAO seem to be irritating me so much. It could simply be because I’m rather weary of this arc, which is an excellent reminder to authors about why you should not make your story arc ten volumes long. It could also be because, once again, this series cried out for authorial and editorial intervention and did not get it. I know that one of the reasons that publishers are so happy to pick up Japanese webnovels and turn them into light novels is that they know the work is already written to a large degree, so deadlines aren’t a thing. But this is about the 4th book or so where Kawahara has written in the afterword “I sort of cringe at what I wrote here, but decided not to change it”. Not sexual assault this time – although that’s in here as well – but the feelings between Japan, China and Korea, which is, like a great deal of SAO proper, an interesting plot point that is handled somewhat hamhandedly.

That’s Leafa and Sinon on the cover with comatose Kirito behind them, and good news for fans of one of those characters, they do get some really good scenes. Of the non-Asuna female characters that Kawahara has created, Sinon is the closest he’s had to another success, and I really liked her here, despite the fact that she deals with Gabriel Miller at his most “I am eeeeeeeeevil!” self. He also turns out to be known to her from GGO, and her battle is probably the action highlight of the book. As for Leafa, it’s almost comical in how badly she’s been treated since… well, her introduction? Here she comes down nowhere near the other characters, gets another egregious sexual assault scene (it’s even framed as ‘worms’ and ‘tentacles’, just to make it more obvious), and finally arrives too late to really affect anything for the ending “darkest before the dawn” climax. I just get so frustrated when I read Leafa’s character.

Other things, some good, some bad. Lisbeth’s discussion of how the SAO survivors are treated in school, as ticking timebombs who are required to get therapy (and, I suspect, will need to get SAO-related jobs or not get hired after graduation, similar to what Kirito is doing now) is really really interesting and therefore I wish we’d had any indication of it at all before this. There’s another traitor towards the end of the book, tied in to both the Administrator plotline and going back to the Fairy Dance plotline who is yet another “I am written to be as evil, creepy and misogynist as possible so you don’t like me”, which, y’know, objective obtained, but you already have Gabriel. On the bright side, the ongoing “what defines a real human” plotline is reasonably well handled, and we’ll see him handle it even better in the Progressive series. And, much as I am completely sick of Laughing Coffin, it is nice to have an antagonist who is not driven by lust, just love of death and cruelty. Welcome back, PoH, I look forward to seeing you get yours eventually.

I was expecting, given the title, the book would end with Kirito back in action. I was wrong, though it looks like it’ll happen early in the next book. Which will be the last in this arc, thank God. Till then, you have to read this if you follow the series, but be ready to lose more of that tooth enamel.

The World’s Strongest Rearguard: Labyrinth Country’s Novice Seeker, Vol. 1

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By Tôwa and Huuka Kazabana. Released in Japan as “Sekai Saikyou no Kouei: Meikyuukoku no Shinjin Tansakusha” by Kadokawa Books. Released in North America by Yen On. Translated by Jordan Taylor.

I’ve talked before about the times when I read a bad book and people ask me “is it bad in an MST3K way?” and I have to tell them no, it is bad in a bad way. However, we may finally have a winner. The World’s Strongest Rearguard is sort of what happens if you tell an author all the pitfalls they should avoid when writing a Japanese light novel, only he mishears you and uses them as must haves. It is a gloriously over the top power fantasy starring a hero who is so beige he verges on see-through, a harem of adoring women, and his magical job, which we’re assured is super perfect though it’s never quite made clear why he’s the only one who’s ever done this. It should be like dragging yourself across broken glass, but… it’s very readable and guileless. There are tons of “game stat” battles, which I will never ever enjoy, but aside from that, this is some of the finer trash I’ve seen in a light novel.

Arihito Atobe is a corporate wageslave who’s too good at his job, so he’s overworked by his manager – who’s also younger than him. And super hot. On their way to a corporate event, along with various other folks, their bus crashes and they are killed. Reincarnated in a world filled with labyrinths where you need to seek and defeat monsters to be able to have a place to sleep at night, Arihito is forced to choose a class – Rogue, Vakyrie, Shrine Maiden, etc. Getting an explanation from the guild receptionist, he chooses “Rearguard”, a far too general classification that is nevertheless accepted. Now he discovers that while he’s not good at attacking on his own, with the right party, he can provide fantastic buffs, restore vitality, and improve morale. But who would possibly form a party with a man such as himself? Oh, right, everyone.

I’m not even sure where to begin, so let’s start with the other cast. Kyouka, the Valkyrie, is his former boss, who apparently left her tsun back in Japan when she reincarnated and ends up all dere. The author says in the afterword that the webnovel version was too mean, so he toned her way down. I think he overdid it. She’s had a crush on him for ages. Theresia is a lizard woman… not what you (or Arihito) is thinking, it’s almost a costume. She looks like a small Japanese woman put on her robe and lizard hat. She’s a demi-human who was defeated in the dungeons by a lizard monster and so became this, and is also mute. Now she works as a mercenary, and Arihito (presumably) is the first to treat her with kindness. (Actually, this is one of the book’s few clever ideas, and I like how it avoided just making her a slave like other books would.)

Elitia is a Level 8 swordswoman who’s been here a while, but everyone avoids her due to her cursed sword. Suzuna is a sweet and mellow shrine maiden, and Misaki is her friend (they were on the bus together) who is the classic genki girl who lives for the moment and tends to get in trouble because of this. She’s a Gambler. Finally we have Louisa, the guildwoman, who is boggled by the fact that Arihito’s generic “rearguard” job was accepted and that his party keeps defeating stronger and stronger monsters. Every single one of them falls for Arihito almost immediately, and all seem to have issues accepting any sort of compliment, so any time a battle is won there’s a round of “it was all thanks to you”, “no, it was really your win”, etc. They think Arihito is their leader and let him make all the decisions. Oh yes, and he also exudes some sort of magic that, when asleep and behind them, makes them aroused. Nothing explicit happens. Yet.

As you can see, this is absolutely bonkers. It should be terrible beyond belief. It sort of is? Arihito has the personality of lint, and I started to refer to him as Huckleberry Hound due to his blase reaction to everything (he also seems to spend the entire book in his suit and tie), but let’s face it, if he had a personality this would be unreadable. The “reincarnation” aspect of the book reads like a job fair, with everyone keeping all their memories and appearance, they’re just shifted to this new world, which is explicitly designed to be “game world”. The sheer amount of rewards he gets for everything made me giggle. By the end of the book he’s found the secret level that no one else knows of and awakened a sleeping God (who, of course, is a naked robot sort of god) who vows to give her support from afar… though even SHE has severe self-hatred issues and is over the moon when Arihito and his party say they want to work with her. And there are a few plotlines that clearly are being introduced for further books (Elitia, Louisa and Theresia’s backstories, the “other gods”, why Arihito’s job works the way it does), so things are not going to get less extra.

So, again: this isn’t a good book. But, coming at it from the right angle, it’s a fun book. You won’t want to throw it away in disgust. Just read it as if Joel and the Bots were at the bottom of the page making comments, and you can’t go wrong. I can’t wait for Book 2.

Outbreak Company, Vol. 11

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By Ichiro Sakaki and Yuugen. Released in Japan by Kodansha. Released in North America by J-Novel Club. Translated by Kevin Steinbach.

This volume is still short, but a bit longer than the 10th book. That said, I’m still struggling to find 500+ words to say about it. The series is good, I enjoy it, but it’s not really trying for anything other than “be entertaining” with a small side of “treat all people equally”. It doesn’t help that this book is an expanded short story, blown up to book format when the author realized he didn’t have the room. The thrust of the plot is that Amatena, Elvia’s cold, paranoid sister, and Clara, who held him captive while he was kidnapped, are on the run from the authorities of their nation, who have decided that they’re a liability – possibly as they’ve been passively helping Shinichi smuggle anime and manga into the country. Elvia helps them hole up at the mansion, but they have to hide themselves. This leads to an extra maid (which stresses Myusel out, though not for the reason you might think) and an extra (disguised) Elvia. Hijinks ensue.

There’s a subplot in the book of Shinichi’s class getting a hold of digital cameras, and Shinichi and a very grumpy Hikaru end up having to teach them that it’s not OK to just take pictures of everyone all the time – you need permission, and sneak shots are right out. This is a good reminder that a lot of the “lessons learned”, heavy-handed as they can be, are as much for any young readers the series might have as for the fantasy elves and dwarves of Outbreak Company. Consent is important, even though Shinichi frames it as “you don’t want to catch them out of character”. The other small subplot is Amatena’s cool, overly suspicious attitude is contrasting hideously with Elvia’s puppy-ish mood, something that’s more vital than you’d expect given Amatena is supposed to be pretending to be Elvia. This leads to another obvious, but still welcome lesson: if you don’t trust anyone, why should anyone trust you? You have to open up a LITTLE bit.

Meanwhile, the series’ slow-boiling romance may finally be getting somewhere, though this may all vanish by the next book. The difficulty is on both sides, as Shinichi still tends to think of himself as a “loser” that nobody could like. He’s also, despite his perversions, still relatively innocent, and Clara reminds us of how he fended her off when he was kidnapped – by pretending that if he has sex with a woman, he’ll die. On Myusel’s end, more and more people are accidentally seeing Shinichi naked, and this frustrates her though she’s not sure why. After talking things through with Clara, she may have finally realized how deep her feelings for Shinichi are, but then she’s also dealing with a poor self-image, so it’s unclear whether she’ll actually act on this – certainly Elvia’s “heat” interrupts her at the end of this book.

It was nice to be back in Eldant for this book, despite it reading very much like a padded-out short story. We may get that next time too. Still recommended for those who enjoy the series.