I’m the Villainess, So I’m Taming the Final Boss, Vol. 10

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By Sarasa Nagase and Mai Murasaki. Released in Japan as “Akuyaku Reijo Nanode Rasubosu o Katte Mimashita” by Kadokawa Beans Bunko. Released in North America by Yen On. Translated by Taylor Engel.

Just when you thought it was safe to forget about otome games… Yes, that’s right. We had the main game that Aileen needed to destroy. Then we had the sequel. Then we had the other sequel. Then we had the fandisk. But at last, they have run out of game to use, and Aileen and Claude can relax and get down to the important business of Aileen giving birth. Unfortunately, guess what? That’s right, it turns out there’s another game, seemingly unrelated, but in reality it ties into all the other games in a very “legal grey area” sort of way. And you know what that means. War with Ellmeyer, Claude being offered an out by marrying someone else, and Aileen being offered certain death. It’s a bit less “if I make one wrong move I’ll be executed” this time around – Aileen is an old hand at this sort of thing by now – but it’s nice to get back to the basics.

Claude is off to the Kilvas Empire, and for once, Aileen is not coming along. She’s pregnant, after all, and all the games that could destroy her life have been conquered, so what’s to worry about? Oh dear. As it turns out, as noted above, we’re headed into the plot of Valkyrie of the Magic Lance, and Lilia is DELIGHTED to tell Aileen all about it, gleefully noting all the ways that the entire country could be plunged into chaos. So naturally Aileen does have to come along, promising to be very careful, of course. They’re there to attend a wedding of Vica, a young man who looks a lot like Claude, and Diana, a military Valkyrie who seems a bit… obsessive? Aileen being Aileen, she decides to pretend she’s an airheaded trophy wife, and discovers that Diana has secret plans… which involve a military coup.

Diana is one of the more unpleasant women we’ve run into in this series, and since it’s a 2-parter that will conclude with the 11th (and final) volume, we get pretty much no softening of her at all. Instead, we get a few hints that she’s the same as Aileen and Lilia – that is, she’s a Japanese reincarnation. Sadly, she’s also a bit of an idiot, thinking that everyone will just move all the budget of her empire to the military with no arguments. Vica is far more interesting, as he’s Claude’s mirror in many ways, and the two can’t help but feel sympathetic towards each other. And then there’s Aileen, who promises to take it easy, and then does not remotely take it easy. Fortunately, the kid inside her seems of hardy stock. Those who read this book to see Aileen be clever, figure things out, and then leave it all for Claude to do the heavy work while she manages everything behind the scenes will be delighted.

The book ends with (of course) Aileen and Lilia giving birth at the exact same time to twin daughters. (Lilia literally says that she thinks of her child as the result of her relationship with Aileen. Poor Cedric.) Unfortunately, the bad guys got away at the end of this book. So I’m sure Book 11 will have Aileen fighting her fate again.

Loner Life in Another World, Vol. 12

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By Shoji Goji and Saku Enomaru. Released in Japan as “Hitoribocchi no Isekai Kouryaku” by Overlap Bunko. Released in North America by Airship. Translated by Andrew Schubauer.

Given that a large chunk of this series consists entirely of the same goddamn thing over and over again (Haruka going from level to level of a dungeon, battling monsters, and gaining new power-ups/items), I hope you won’t be too disappointed that I talk about things I’ve talked about in previous reviews. The series’ reputation, both here and in Japan – indeed, more in Japan than here – is that its writing is incoherent and obtuse. This is true. It’s also clear that the author is trying, and slightly succeeding, in making that deliberate. Haruka is so busy telling us about the stream of church guards that he and Nefertiri are slaughtering and the cool +30 Eccentric Item Set A he’s acquired that he glosses over the abused, mentally broken slaves they’re freeing as they do this, the sheer fury that they’ve got on their faces, and Haruka’s battle with trying to save everyone and not destroy his body. Oh, and his depression. Which he hints at briefly. Once.

Haruka and Nefertiri are sneaking into the Cathedral, there to essentially take down the church. On the way there, Haruka comes across a gorgeous woman in a coffin… but he’s just her dead body, there’s no soul. What’s more, seeing her makes Nefertiri start to cry, though she can’t quite remember why. They have to deal with a lot of goons, a lot of monsters (including the husband of his chickenatrice), and the mother of the bunny girl and wolf girl from the previous book, who was tricked by the church and is now in cursed armor. That said, killing the pope and the evil clergy only turns out to be part one of what they need to do, as there’s another dungeon emperor, and Haruka is pretty sure that if he finds them he’ll find the soul that belongs to the body he found earlier.

Haruka’s exterior face and tone when others see him talking don’t always match his narrative blather. Class Rep and the others are used to seeing when he’s actually serious and when he’s just being a loon, but the reader sees it less frequently. That’s why the highlight of the book, frankly, is his confrontation with Faleria, the aforementioned Dungeon Emperor and holy saint, who is drowning herself in guilt and asks Haruka to kill her. You can imagine how well he takes this, and for once it actually shows, as he literally slams her head against a wall multiple times to get her to accept that the people whose lives she is mourning would not want her to simply give up on her own life – indeed, the plot of this entire book was engineered centuries ago in the hopes that someone will come along to save her. Haruka’s not going to let anyone around him (especially a woman) be anything less than insanely happy. And yes, that’s why she falls in love with him.

There’s the usual character bio errors (what is it with these? It’s not just Seven Seas, all the publishers struggle immensely with matching a character bio with the picture), but otherwise this is well adapted… I’d say it reads smoothly but you know it doesn’t, and that’s by design. In any case, next time will likely be Haruka trying to fix his new body, which lacks all the stuff he learned before, so I expect *even more* dungeon crawling and *even more* sex. Recommended for masochists who like puzzles.

An Archdemon’s Dilemma: How to Love Your Elf Bride, Vol. 19

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By Fuminori Teshima and COMTA. Released in Japan as “Maou no Ore ga Dorei Elf wo Yome ni Shitanda ga, Dou Medereba Ii?” by HJ Bunko. Released in North America by J-Novel Club. Translated by Hikoki.

Despite the cover art, which is meant to match with the previous volume, there is very little romance in this book, and there’s nothing resembling a wedding. Instead, for the most part, we get a half a book of talking and posturing, and then a half a book of a big shonen fight scene. We all know how much I love reviewing big shonen fight scenes. Did you know that these two really powerful characters fight, and for a while it looks like one is going to easily win, but then the other one pulls out some great moves and so it looks like he is going to win, but then the first guy says “I have told you before that all sorcery is useless against me!” and turns the tables again… etcetcetc. On the bright side, I definitely think we’re getting near the end of the series, as this volume ends very badly for our protagonists.

After letting the bad guys stew for a week or so while Zagan and Nephy admire their engagement rings, they finally go to meet with Marchiosas for the first meeting of all the Archdemons in a long, long time. While there, Marchiosas explains why he’s called the meeting: the entire world is going to be destroyed in about a year’s time, because Alshiera’s barrier is finally breaking down. They throw around ideas to try to fix things, but there really aren’t any good ones. After this goes on for a while, Marchiosas boots out Zagan and half the cast and talks to the most important one there, Furcas, who is the only one who actually CAN save the world. Unfortunately, Marchiosas and Furcas are talking at cross-purposes, because Marchiosas wants to save the world by rescuing Alshiera… and replacing her with Lilith, who will become the new living battery. Furcas does not find this an attractive offer.

So yeah, there’s a LITTLE bit of romance here, and it revolves around the only love triangle in this series. Selphy has been fighting a losing battle from the start, as the only gay character in a series that pairs everyone very heterosexually. She knows that Furcas is madly in love with Lilith. She also knows that Lilith, once she actually figures this out and examines her own feelings, will likely return those feelings. So she hates Furcas… but also knows he’s a good person, so is forced, here at the big penultimate battle, to use an “I want my beloved to be happy” move that leaves her half-dead. Good news, though, she’s far from alone. By the end of this book, Furcas, Zagan, Nephy, Foll, and several other people are heavily wounded, and Zagan is actually in a coma. Oh, and one of our heroines is also kidnapped. Basically, it’s a darkest before the dawn moment.

When is the dawn? Well, Book 20 is due out in Japan next month, so it will probably be a while. Fans of the series, especially if they like cool battles with magic powers and punching things, will enjoy this.