Mythical Beast Investigator, Vol. 1

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By Keishi Ayasato and Koichiro Hoshino. Released in Japan as “Genjuu Chousain” by Kadokawa Shoten, serialization ongoing in the magazine Famitsu Comic Clear. Released in North America by Seven Seas. Translated by Angela Liu. Adapted by Ysa McFarlane.

As if the shot of the adorable young woman sitting politely in the forest with her red-eyed demon flayer behind her weren’t reason enough to believe this might be a wee bit darker than expected, it’s also written by the person who wrote Torture Princess. Then again, that may actually be par for the course in this genre. We’ve seen an extensive amount of “cute young thing is introduced to (or is already part of) supernatural world manga series, and almost all of them tick the ‘darker than they seem’ box. The Ancient Magus’ Bride, The Girl from the Other Side, etc. The world is filled with wonders, but the world can also easily kill you – or worse. Fortunately for THIS world, we have Ferry, the titular investigator, who is traveling the countryside looking for villages that are having issues with monsters and fixing them, along with her bodyguard Roxy Music… erm, sorry, Kushuna, who seems to be a monstrous rabbit demon.

Ferry, of course, will tell you she’s not an Official, just a Member of the investigative team. That said, she certainly has the knowledge and will to do a good job. The first part of the story concerns a wyvern that is rampaging in a village, which is unusual for this sort. Ferry quickly finds that the wyvern had a “ribbon maiden” by its side, and that she was very quickly sold out to bandits by the “save our own hides” villagers. As such, well, the wyvern is upset. Fortunately, Ferry also has Kushuna, who is theoretically more cynical and hard-boiled than she is, and tells the wyvern to essentially stop throwing a temper tantrum and go and rescue his girl. This actually turns out to be a running theme of the manga, as we run into some other villages that instinctively fear and despise monsters and beasts, only to find either a) they’re not as bad as feared, or b) they were never dangerous to begin with.

This does change with the final story, which also serves to give us a cliffhanger. Here we have an actual beast that is killing young children, and the father of one of these children bent on revenge. One of the really nice things about this series is showing off how Ferry thinks about her job and how to do it, and that it’s not merely “stop the problem”. In this case, that’s part of it, but she also needs to help the father work through his grief and do so in a way that is not “after I kill this monster, I will die”. Kushuna is there to do Ferry’s dirty work, but the good thing about Ferry is that she is well aware that the dirty work exists – he’s not protecting an innocent or anything. Ferry just happens to be very, very good at her job. Or at least, I am assuming so, unless she gets eaten by the water horse, which is the cliffhanger.

If you enjoy these sort of pastoral fantasy monster sort of tales that Seven Seas has created a niche market for, this is another good entry. I’ll be getting the next volume.

An Archdemon’s Dilemma: How to Love Your Elf Bride, Vol. 6

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By Fuminori Teshima and COMTA. Released in Japan by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Hikoki.

Come on, you weren’t really expecting a normal volume where Zagan and Nephy go on a cute little date, right? Especially after seeing that cover. No, here we get the inverse of two volumes ago. Foll wants to grow up faster (so that she can be more powerful and protect Zagan), so Gremory suggests using a spell much like the one she uses to swap ages. The trouble is, as Foll’s a dragon and thus magic resistant, Zagan has to help by pouring mana into it. This causes… bad things to happen. Now Foll’s a busty 18-year-old, Zagan’s a little kid, and Nephy is pissed… when she’s not snuggling her now adorable l’il fiance. Fortunately, unlike when this happened to Nephy, Zagan is still of sound mind and with the proper memories. Unfortunately, no one knows how to fix this. Maybe the inter-species conference under the sea will be able to help? And does this mean they really have to rely on airheaded Selphy?

There’s a lot of good stuff in here about having more than one side to a person. It’s not clear if the spell/curse on Foll and Zagan actually affects them mentally, but certainly Zagan is a lot more petulant in this body, possibly because everyone is trying to snuggle him as he’s such a cute kid. The lesson learned here, though, is that just because he can do everything himself doesn’t mean he should – and that his loved ones want to stand on equal footing with him, not stand behind him while he protects them. This applies to Foll, who pretty much knew that there are no quick and easy ways to grow up but gets the valuable lesson drilled into her anyway, as well as to Nephy, who is still attempting to figure out her place in this world when it’s not just her and Zagan. Amusing as it was to see her calm fury several times during the book, the most significant scene may have been her reuniting with Nephteros and figuring out how they’re going to speak to each other going forward.

It’s possible that I’m making this book seem more serious than it is. My mistake – it may be the funniest book in the series. With Zagan as a kid, he has to get a new outfit, and you know what that means – it’s dress-up doll time with Manuela. Zagan’s horrified reaction when he realizes that Manuela and Gremory have met and are friends already is hysterical… actually, as usual, any scene with Manuela is great, leaving aside her sexual harassment. Also, those scenes with angry Nephy really are great, as she has the standard “smiling calmly while the top half of her face is shadowed’ ojou-sama style anger. It fits her well. I also really liked Selphy here, who is normally very much the ditz, but also shows signs of understanding the other cast members and getting them to open up.

Slave chokers and molesting sales clerks aside, this remains an excellent and fun light novel read. And it’s not an isekai, for those that try to keep track of such things.

My Youth Romantic Comedy Is Wrong As I Expected, Vol. 7.5

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By Wataru Watari and Ponkan 8. Released in Japan as “Yahari Ore no Seishun Rabukome wa Machigatte Iru” by Shogakukan. Released in North America by Yen On. Translated by Jennifer Ward.

There are quite a few .5 volumes in Japan, but whether they get licensed or not is another issue. They’re almost always short story collections, meant to be read but not affect the overall storyline (hence the .5), though this is not always the case (Rokujouma’s .5s are not skippable.) There are a lot of DVD/Blu-Ray sets in Japan that come with extra stories or novellas by the author that are lately published by the original publisher (see Devil Is a Part-Timer or this series) and some are expanded and turn into genuine later volumes (Baccano!). Sometimes the rights (given they were written for the anime production company) may make it harder to bring out over here… and short story collections also might not sell as well to begin with. To sum up, sometimes you’ll see these licensed and sometimes you won’t, but we can be grateful to have this collection, which takes place at various points between Vols. 1-7 and (mostly) has Hachiman behaving himself.

Miura’s on the cover, but does not really feature in the story, except to get really jealous of an underclassman who seems to be in Hayama’s club and is also cute. I suspect we’ll see more of her later. In the meantime, the wraparound stories involve the club answering Dear Abby-style questions, all of which are from “anonymous” people whose identities are nevertheless very obvious. The larger short stories involve the club having to do a magazine special on weddings, which ends up having Komachi run a bride competition among Yukino, Yui, and Shizuka. (By the way, if “I am an unmarried teacher” jokes are not your thing, feel free to skip this entire volume, as they’re omnipresent.) We then get an adaptation of a Drama CD story that continues after Vol. 3, showing the cast partying at an arcade. The longest story involves the cast helping the Judo Club, whose have a now graduated member returning and abusing the team. As often happens, Hachiman immediately sees the solution. As always happens, Hachiman makes sure everyone hates him in solving it.

There’s a lot of Komachi and her Komachi Points in this, and it’s clear that she’s shipping Hachiman with Yui – not that this is really going anywhere. Honestly, Yui and Yukino is the ship which gains the most ground in these short stories, but the author’s not going in that direction either. Instead this seems to be a pretty leisurely look at the character tics we know and love. Hachiman is cynical, Yukino is… well, also cynical, Yui is shiny. The drama CD one may be the weakest, partly as adaptations always tend to suffer a bit like this, and partly as I don’t care about Chiba Prefecture. The Judo story reads most like the novels, and is the best, though also relied a bit too much on “Zaimokuza is gross” for my tastes. Hachiman[‘s solution is excellent, and his implementation is equally awful. It’s the series in a nutshell, really.

The 7th volume ended on a cliffhanger, and it’s annoying that we aren’t getting that resolved. But I’m happy to read about these characters, and as I said, till the very end Hachiman seems to actually be fairly tolerable. A good read.