Ascendance of a Bookworm: I’ll Do Anything to Become a Librarian!, Part 1: Daughter of a Soldier, Vol. 1

1 Reply

By Miya Kazuki and You Shiina. Released in Japan as “Honzuki no Gekokujou: Shisho ni Naru Tame ni wa Shudan wo Erandeiraremasen” by TO Books. Released in North America digitally by J-Novel Club. Translated by quof.

There are people who read books about characters who are transported/reincarnated to another world in order to see fantasy battles, game-style powerups, harem antics, and a lot of plot packed into the first volume of the series. And I am here to tell you that those people should run screaming from Ascendance of a Bookworm, which I loved but is the very definition of “slow buildup”. In a way it’s sort of like Mushoku Tensei, in that a “loser-ish” protagonist is killed and reincarnated as a small child. But Rudy is born with lots of skills and gets training to use them fairly quickly. Myne, meanwhile, not only wakes up as a six-year-old in a fantasy medieval town that has few to no books, but she’s also constantly feverish and weak – even walking a short distance exhausts her. But, and I’m sure she’d be yelling at me for glossing over this, the important point is that there are NO BOOKS for her to read.

In Japan, Urano loved books so much that she was reading them in her family’s book-filled room when an earthquake struck, burying her under the books and killing her. Now she’s woken up as Myne, the youngest in a family that loves but doesn’t quite know what to do with her, as she’s almost always bedridden. Even now that she has Urano’s memories, she’s still weary after only a little activity, and it takes the entire book to get to the point where she can walk around town normally. Worst of all: no books, no paper, ink is super expensive, and the literacy rate for “commoners” is low. Sure, nobles have books, but Myne isn’t one of those. What can she do? Buy a book? Her family is poor, and there are no booksellers. Make paper? Much harder than it sounds. Clay tablets? Foiled by her sketchy knowledge from her prior life. Sure, she can read and do math faster than most kids, but with only one erasable slate to her name, what’s a book girl to do?

As you might guess from the unwieldy title, this is a long-runner. Part 1 is three volumes long. This first volume is fairly lengthy, and it’s also the shortest in the series – others will be longer. It does, however, reward a patient reader. There’s some terrific worldbuilding here, with Myne finding out about things at a reasonable pace. Myne can be very frustrating – her selfishness and anger is a problem throughout the book – but it makes sense given her health and situation. She really is that weak and feeble till about halfway through this, and seemingly has none of the “when you reincarnate, you get this cool sword/goddess/smartphone” cheats we’ve seen in other series. Thankfully, Urano read constantly, so has book knowledge… but the series does a good job of showing how that’s frequently not enough. (Helpfully, her mother was also a super handicraft woman, so Myne can break out a few skills beyond reading.) The book rewards patience, but it can be very frustrating seeing Myne bash her head against a wall over and over. While complaining.

There’s a revelation right before the end of the book that I won’t spoil, but it sounds like it will lead the way towards future arcs in the series. In the meantime, if you’re looking for a different kind of isekai, or are weary of “OP” heroes, this may be right up your alley.

Shoulder-a-Coffin Kuro, Vol. 7

Leave a reply

By Satoko Kiyuduki. Released in Japan as “Hitsugi Katsugi no Kuro – Kaichu Tabi no Wa” by Houbunsha, serialized in the magazine Manga Time Kirara. Released in North America by Yen Press. Translated by Sheldon Drzka.

It is always lovely, especially in this age of experiencing media whose endings turn out to be trainwrecks, to see a series get it absolutely right. Everyone who has been reading the Kuro books should be absolutely satisfied by this ending, which wraps up everything we’d like to see and is probably the closest to a happy ending that this series was ever going to get. Indeed, this is lampshaded by a dream sequence showing us the Golden Ending of sorts, with Kuro cured and back to working for Sen, and you realize that no, you can’t just have that. It would ruin the story. And Kuro has been all about people’s stories, both in the reader collecting then as she and the kids make their journey, and also her own self-discovery, which also comes to a head here as she confronts Hifumi for the last time. But in the end, it’s Nijuku and Sanju who take the biggest steps, moving forward in a way that’s impossible for everyone else.

This is a volume that looks back as well as looking forward, especially in a chapter where Emily, a reporter trying to track down Kuro, comes across everyone else that Kuro’s come across on her journey, and what starts off with her terrifying ideas of the gender-ambiguous, vampiric Kuro and her beast-like children ends up being a series of interviews about how much Kuro, Nijuku and Sanju changed everyone they came into contact with. Including Emily, who never does get to meet Kuro but now desperately wants to, having seen just how much she’s affected everyone. That said, the first half of the book also presages the confrontation midway through, as Kuro’s creeping blackness, which we saw affecting Sanju last volume, is getting worse and worse. And then there’s Hifumi, who is having an identity crisis but also knows what she wants – those two kids.

The final half of the volume ends in a string of attempts at self-sacrifice, as Kuro and Hifumi confront each other, Hifumi in an effort to get to the two girls and Kuro in an effort to stop her, which pretty much involves trying to absorb her. This goes about as well as you’d expect, and between the two of them we get tragedy and realization… as well as a bit of closure, which is bittersweet but still has some sweetness in it. Kuro and Hifumi have always had that connection between them, and this merely reinforces it. In the end, though, neither one of them can be the ones to give Nijuku and Sanju a future – they have to make their own choice. Which they do, and it’s innocent and also sort of impossible and incredibly odd and ambiguous. Which is this entire manga in miniature, really.

This manga has been going for over ten years, with many stops and starts along the way, and another entire series by the same author (GA Art Design Class) in between. It’s a journey that will sound familiar to anyone who’s followed the title character, whose meandering was much the same. The author says there may be an eighth volume of short stories coming soon, but I wouldn’t hold your breath. Till then, though, enjoy what may be a perfect ending to this excellent series.

Kokoro Connect: Clip Time

Leave a reply

By Sadanatsu Anda and Shiromizakana. Released in Japan by Enterbrain. Released in North America by J-Novel Club. Translated by Molly Lee.

Well, I did ask for more wacky school antics in this volume of short stories, so you can’t say I didn’t bring it on myself. This is definitely a volume that gets better as it goes along. The first story, where Inaba decides to help out two teachers in a secret sort-of relationship by publicizing it over the entire school, is the sort of plot that made me think “and then the club was disbanded and Inaba was expelled”, which didn’t happen. The chapter where Yui gets confessed to by a girl and dates her alternates between trying its best to handle the subject properly and making stupid “OMG, gay!” jokes, which, to be fair, they are teenagers, but it’s still pretty excruciating, especially Aoba and Iori. The third story features Inaba, between the second and third books, working herself into an emotional frenzy regarding the love triangle. It’s fun if you enjoy Inaba flipping out. That said, the REASON to get this book is the final story, which takes up half the volume.

Those two characters on the cover next to Taichi may be unfamiliar to the reader, as they’re new first-years who the Cultural Research folks are trying to recruit to the club… sort of. It’s one of those situations where, were this a normal club, there would be no issues beyond “I like the bond the five of us have and don’t want to risk upsetting it”. But of course, this isn’t a normal club, and our main cast are unconsciously pushing the new recruits away because they are worried about bringing Heartseed into someone else’s life. This is not an easy problem to solve, but they decide eventually that they do want these kids in the club, and that they will tell them about its more supernatural aspects… provided Heartseed doesn’t get there first.

As for the new kids, well, Chihiro is deliberately written to annoy the reader, I suspect. He’s standoffish and arrogant, annoyed at the school’s “you have to be in a club” policy, and not particularly enamored of anyone in the group apart from the “gorgeous” Iori. That said, it’s pretty clear from the narration we get from hi8m that a lot of this is defensive and a front. The cliffhanger implies the next book will delve further into him. As for Enjouji, she’s a very entertaining combination of fluffhead and blunt, and I admire her dedication and her desire to be with those that she admires the most. That said, her obsession with Taichi’s voice is both strange and hilarious. They both look like good additions to the club. It’s also highly unusual to see a major plot point happening in a short story collection, and I once again emphasize that if you’re following the novels you do need to read this one as well.

I’d honestly skip the first two stories in this book (though the Yui story was popular enough to get adapted into the manga AND a PSP game). The final half, though, is very strong, and makes me eager to read the next book in the series.