Der Werwolf: the Annals of Veight, Vol. 3

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By Hyougetsu and Nishi(E)da. Released in Japan by Earth Star Entertainment. Released in North America by J-Novel Club. Translated by Ningen.

The author described this as being a “slow” volume, which is a bit of a stretch given that one third of the way in our heroes are fighting a kraken. The plot of this book is essentially “Veight goes around to the rest of the Southern Territories and convinces them to join forces”. One area has the aforementioned kraken that needs to be taken out. Another, a town made of labyrinths designed to trap enemies, is already being targeted by the villainous Senate, and Veight and company have to convince people that a) they’re not responsible for the assassination of the ruler, and b) stop all the assassins who are. Fortunately he has help from a number of old friends as well as a new character, Parker, who is… well, he’s Brook from One Piece. Though he can at least disguise himself as “not a skeleton”. The puns, unfortunately, are still there. That said, does Veight even need help?

Veight continues to be the best reason to read these books. We’re used to harem protagonists that are clueless about the girls who like them, but Der Werwolf has little to no romance as of yet, so with Veight it’s more “he is unaware of his nature”. It’s not clear if he’s doing this deliberately to avoid the issue or not, but Veight’s tendency to pick the most dangerous solution has been noticed by most of his subordinates, and they aren’t very happy. It’s especially funny when he chastises others for the exact same thing, and is somewhat amazed when called out on it. To be fair, Veight probably COULD take out everything that goes against him by himself. We see more of his ludicrous “I can use magic and am also a werwolf” combos here, and they’re enough to get an enemy army to run away in fear.

The rest of the characters are not as good as Veight, sadly. I’d mentioned Parker was Brook from One Piece, and am wondering if “undead skeleton + puns” is a thing in Japan. There’s also a viceroy who decides, to make himself stand out, to act flamboyantly gay, and all the little stereotypical tick boxes are checked there, but fortunately he only shows up near the end. And we also get a glimpse of the Senate, which seems evenly divided between “evil” and “stupid AND evil”. Probably the best new character was Shatina, the daughter of the murdered viceroy, who starts off as a terrified teenager but, by the end of the book, has to be talked down from turning her city into a tool to get monstrous revenge on all those who have wronged her. The author would seem to agree, as the short story after the main book has her and Firnir, the centaur girl, bonding as they explore the underground labyrinth below Shatina’s own labyrinth of a city.

Der Werwolf’s most impressive feature continues to be its readability – you never get bogged down in prose the way you do in so many other light novels. I look forward to seeing more of Veight being ridiculously overpowered and totally unaware of it.

Aria The Masterpiece, Vol. 1

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By Kozue Amano. Originally released in Japan by Enix, serialized in the magazine Stencil. This edition released in Japan by Mag Garden. Released in North America by Tokyopop. Translated by Alethea and Athena Nibley.

Third time’s the charm? This is definitely the year of lost causes getting another break. First we had Urusei Yatsura, cancelled over and over by Viz back in the 90s, getting a deluxe omnibus treatment. And now Aria, beloved by bloggers and a cult classic, but cancelled when ADV Manga collapsed and then cancelled again when Tokyopop hibernated, is getting its own deluxe treatment. These editions came out in 2016 in Japan, and this volume has the “Aqua” volumes, i.e. the start of the series before the Enix split that led to Kozue Amano moving to Mag Garden. It is a standard Japanese omnibus, meaning that it looks great but also eliminates most of the author’s end comment pages and extra side stories. What you get here are the first nine chapters, looking significantly better in this format than they did on first release here. The translation is the same, I’m fairly sure.

The series is a LOT more popular than it was back in the day, though, mostly as the anime was a bigger hit than expected. For those still unfamiliar, the series takes place on Mars, now renamed Aqua, sometime in the future. It’s been terraformed to be a water planet, and Neo Venezia is one of its stunning cities, done up to be just like Venice. This means they need gondoliers, and that’s where our heroine, Akari, comes in. She’s flying up from Earth… erm, Manhome… to join Aria Company, one of three companies in the city that are considered the cream of the crop. Of course, when she gets there she discovers that the company is just her and her mentor, Alicia. Plus President Aria, who I will discuss later. Even worse, her rowing technique, while awesome in terms of speed and flair… is less awesome as she’s rowing backwards. Fortunately she quickly gains skill, and also acquires a best friend/rival (who has a crush on Alicia) and a teasing guy friend/rival (who also has a crush on Alicia).

That said, as Aria fans know, the plot and characters are great, but they’re secondary to the scenery. Neo Venezia is the star here, and the larger format shows off the art to an even better degree. I especially loved the chapter that introduced Cait Sith, the huge, vaguely supernatural cat that will also, in a way, mentor Akari throughout the series. I was also very amused at how quickly everyone falls for Akari’s shining optimism and love of life. Aika attempts to be grumpy, with “no sappy lines allowed!” being a running gag, but it doesn’t work at all. It’s also not hard to see why everyone (including me) loves Alicia… she’s a fantastic gondolier, clearly cares for those around her, especially Akari, but most importantly, is the very definition of “ara ara”, the phrase that she spouts constantly in the original Japanese.

Manga or anime, Aria is the equivalent of a peaceful breeze running through your hair as you go down the river in a slow boat. It’s worth buying again.

Kokoro Connect: Michi Random

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By Sadanatsu Anda and Shiromizakana. Released in Japan by Enterbrain. Released in North America by J-Novel Club. Translated by Molly Lee.

A running theme of both Kokoro Connect and Book Girl, a series I’m finding it very easy to compare to, is that, unlike your typical anime or manga, problems and traumas are not magically “solved” or gotten over just because the characters now realize they exist. The first volume of this series had Iori talking about how she’s never been able to really figure out who her true self is, and theoretically she had moved past that. But it’s not that easy, especially when you’re a teenager, and Kokoro Connect is pretty much using a sci-fi plot to examine the mindset and foibles of emotional teens. And the phenomenon this time around, where the five protagonists occasionally broadcast their thoughts to each other, is the absolute worst for someone like Iori who’s hiding her darker self. As a result, everything blows up after Taichi decides to finally confess to her on Valentine’s Day. The confession does not succeed, but that’s only the start of everything being terrible. Oh, and they also have to save their club from losing its advisor.

The rest of the cast also gets a good look in. Yui and Aoki both have POV scenes, which is important as they both individually meet Heartseed, something that’s unusual. Yui in particular is getting a lot more aggressive and natural, and is slowly coming to terms with liking Aoki, though despite her inner thoughts she’s not ready to act on it yet. And of course Taichi confessing means Inaba is on the losing end… but let’s be honest, most readers never saw Taichi and Iori as the main couple, mostly as, due to her core issues, Iori is a lot less developed than Inaba is. I think Taichi is better off with Inaba, particularly if he’s going to remain as stupid as he is in this volume, sacrificing first his reputation and then his body in order to solve the issues. Sure, Inaba’s main character description is basically “hot mess”, but at least the two are sure of themselves. That said, we aren’t even halfway through this series of books, so who knows?

I was not all that enamored of the dramatic ending, which featured Inaba getting kidnapped and tied up by thugs (somehow I doubt THAT fear will linger into future books) and everyone coming to the rescue. Better was confronting Iori, which amounted to Inaba basically yelling at her until she broke down. It’s something that should be obvious, but the entire book talks about how it’s easier to think of solutions than to actually put them into action. The book also amusingly has a lot of “but this isn’t fiction, this is real life” references, which I might have appreciated more were it not for the rescue from thugs fictional drama. That said, the dialogue (wonderfully translated as always, though with Inaba in this book it’s at least an R rating just for language) is fantastic and quotable, and I really like these kids. Next book is short stories, so perhaps we can take a break from teen angst and move into teen comedys being SNAFU.

Oh yes, and “Random Paths” seems to be the translation of the title.