Maiden Railways

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By Asumiko Nakamura. Released in Japan as “Tetsudou Shoujo Manga” by Hakusensha, serialized in the magazines Melody and Rakuen Le Paradis. Released in North America by Denpa Books. Translated by Jocelyne Allen.

We’ve seen the occasional short story volume in North America, but they’re still a rarity compared to picking up long-running series. Sometimes, though, you’re in the book for quick bites… or in this case, short trips. As the title might suggest, this volume’s short stories revolve around trains and train stations. Except for one chapter, they’re not interested in makes and models in a trainspotting sort of way. The train is a vehicle into the heart, as we see various couples and singles meet, interact, and move forward around the train setting. The author is known for being skilled in the shoujo and josei world, and also has some noteworthy BL to her name, including Doukyuusei, which came out digitally here eons ago and which Seven Seas is finally putting out in print this summer. There’s no need to worry about the engineer here – this train is in good hands.

The stories are interconnected only in the setting, though there is a final chapter that shows all the protagonists of the previous stories moving past each other in a nice callback. The first story is mostly from the POV of a young wannabe pickpocket as she gets involved with a husband who thinks that his wife is cheating on him with his younger brother. It’s honestly probably a good thing she’s there, as I found the husband really aggravating (deliberate, of course, but still…) and the story works better from her semi-detached POV. Things work out well, mostly as she’s very familiar with the schedules. (OK, not so well for her, but don’t pick pockets, OK?) The second story involves a love triangle/square among high school students who are graduating, and also involves catching a lover by knowing the timetables- I was reminded of the Monty Python skit about murder and train schedules.

The third story, if I’m honest, may be what a lot of readers are here to see, as it’s the “yuri” story in the book. A high school girl who’s getting romantic attention but isn’t interested… at least not in that person… runs into an older woman who’s breaking up with her lover. Loudly. The difference between the two personalities is the reason to read this (though the height difference is also cute). The fourth story may have been the one I enjoyed the most, as a husband buys cakes every Thursday from a shop, but is hiding a deep, dark secret. Is he cheating? His wife resolves to follow him, but we know the answer isn’t that. This is the story in the book most closely related to trains and their makes and models, and I found it rather sad and sweet. The last story is also sweet and sad, and has two women bonding at the station after the last train leaves about their boyfriends. This is really the only story with a spoiler, so I’ll leave it at that, but it was also quite good.

As noted, the book ends with a story that interconnects all the other ones (though I could have done without the implication that the pickpocket might be romantically involved with the security guy) and shows that this sort of thing happens all the time on this train. It’s a nice gimmick that leads to some well-told stories. Definitely worth a read, and I’d love to see more by this author.

An Archdemon’s Dilemma: How to Love Your Elf Bride, Vol. 4

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By Fuminori Teshima and COMTA. Released in Japan by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Hikoki.

De-aging characters is an old and honored narrative tradition, usually used to show how characters who are currently emotionally broken/closed off were adorable little sweeties when they were kids. And that’s exactly what happens here, as during a visit to her abandoned hometown, Nephy runs afoul of a mystery villain and is turned back into a five-year-old girl. Much of this is played for comedy, as you might expect – Nephy as a child is “adowable”, and when you combine the effect with Foll as a “big sister” and Gremory, who has shown that she can not only turn into a young woman but also a little kid, the “cuteness” factor is overwhelming, especially to Zagan. That said, there’s a serious point being made here: Nephy was once a sweet and optimistic child, and years of abuse at the hands of everyone she knew made her emotionally dead. It’s why Zagan ends up wanting to burn the entire town to the ground as a sort of belated revenge.

The main cast continues to increase. Nephteros returning is not really a surprise, but we also see Gremory and Kimaris, the two most visible sorcerers from the previous book, stick around. Nephteros is mostly there to be a grumpy tsundere, which she excels at. It does make you wonder about Chastille, whose role that was originally supposed to be but it quickly went off the rails when the author realized that he just liked her freaking out and crying all the time. That said, the author has realized this and actively points it out in this book, where Zagan sees Chastille “on the job”, so to speak, and she’s revealed to be quite competent and analytical. This is mostly used for comedy, with Zagan repeatedly asking why she can’t just be like that all the time, but is a semi-serious attempt to do something with her. There’s also one or two hints of ship tease with her and Barbatos, which might end up going somewhere, because lord knows she’s not getting anywhere with Zagan.

Elf Bride is not meant to be a harem book, I think, despite the increasing number of women in the cast. Age4 regression or no (and thankfully Nephy is treated purely as a little girl when she is a little girl), Zagan and Nephy are both over the moon for each other, and the only thing holding them back has been their awkward personalities. Seeing what Nephy had to go through as a child has galvanized Zagan, though, and the two finally confess to each other in a scene that would be the most heartwarming in the book if it weren’t for the rest of the cast watching and undercutting it. As to whether this will lead to them going any further romance-wise in future books… I doubt it, somehow. This kind of series runs on adorable.

The cliffhanger implies that next volume will focus once more on Nephy’s dark twin, who’s rapidly coming to be a second protagonist, possibly as she has a more varied emotional response than our favorite repressed elf. I look forward to seeing what happens.

Today’s Menu for the Emiya Family, Vol. 1

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By TAa, based on Fate/Stay Night by TYPE-MOON. Released in Japan as “Emiya-san Chi no Kyou no Gohan” by Kadokawa Shoten, serialization ongoing in the magazine Young Ace Up. Released in North America by Denpa Books. Translated by Ko Ransom.

In the beginning there was Fate/Stay Night, a visual novel with three routes, a whole lot of dead cast members, and infinite anime and manga spinoffs. Then there was Fate/Hollow Ataraxia, a sequel to the visual novel which asked the question “what if everyone in the cast was still alive?”. That too has a manga. This… is not that manga. Sorry, Bazett. Instead we have Today’s Menu for the Emiya Family, which asks the pertinent question “what if we adapted FHA but removed everything that wasn’t making food and sweet, heartwarming scenes?”. This also had an anime, which was just as heartwarming. Now we have the original manga, which is kind enough to not only give us the recipes, but also still has Shirou talking himself/the reader through each meal. The result is the perfect Fate adaptation for those who want to see everyone stop dying and just being really nice to each other. It’s as sweet as pie.

The “Emiya Family”, at its core, are the five who tend to eat dinner at Shirou’s house almost every evening: Shirou, Saber, Sakura, Rider, and Taiga. That said, worry not if you’re a Rin fan, she’s all over this volume and a frequent visitor, as are Illya, Lancer and Caster. Heck, even Assassin gets a chapter devoted to him and delicious sandwiches. Archer is around as well, though for most of the volume the joke is that we never see his face. Each chapter follows a similar trajectory: we set up a situation, find the perfect food for the situation, and the food is made over the course of the next few days. This could be salmon Lancer recommended, sweets celebrating Hinamatsuri nd Illya growing strong and healthy, Chinese food to celebrate Rin and Sakura’s new bond, etc. Even when there’s a brief hint there may be conflict, such as when Saber sees Shirou teaching Caster how to cook, it’s quickly defused.

The manga does, I will let you know, assume that you are familiar with the original Fate visual novel and what happens in it. (Though my guess is that, in regards to the chapter with Shinji, they’d rather we forget about it. It’s the only chapter that left an unpleasant taste in my mouth, though at least it’s less “Sakura is trying to please her abusive brother” and more “Shinji is the pickiest eater around.) In particular, if you don’t know the relationship between Rin and Sakura, you might wonder why they’re flirting with each other. They’re embarrassed for a different reason. That said, apart from that, the manga can be read by anyone who enjoys Fate and doesn’t mind a complete lack of conflict. Even Caster is on her best behavior here.

Most importantly, as every good foodie manga should, this volume made me hungry, and wanting to try some of the recipes. If you are like Shirou, Rin and Sakura and love to cook, or are just like Saber and love to eat, this is a terrific pickup. And for anime fans, there are one or two things here that weren’t animated, though future volumes should have even more of that.