Secrets of the Silent Witch, Vol. 6

By Matsuri Isora and Nanna Fujimi. Released in Japan as “Silent Witch” by Kadokawa Books. Released in North America by Yen On. Translated by Alice Prowse.

So, first of all, a word of warning: this is the first of a two-parter, and the second part has not been scheduled in English yet. Secondly, for those folks who felt that perhaps Monica was getting a bit too relaxed recently, no fear: this volume has her in a state of constant stress and panic for nearly the entire book. From the first volume, the danger has always been that Monica has to keep her identity as the Silent Witch secret, and that any number of things come along to try to break her cover. This volume has attacks on that coming from multiple angles, and having to try to avoid all these people who know who she really is has made her a scared, twitching mess. And, the most important thing, we now have ALL of the Seven Sages in the same book at the same time. And their infighting may be what destroys Monica’s mission once and for all.

The book starts still at New Year’s, after Monica has gotten such a huge response from the crowd she literally passes out standing up. Later, she meets the last, missing witch, who feels like “what if Luffy was a gardener?”, and also confronts Duke Clockford, who she is fairly certain was responsible for her father’s execution but can’t prove it. He, of course, is trying to use her like he does everyone. Then, when she returns to school, she finds two horrible transfer students. Robert Winkel is merely annoying, trying to force Monica to play chess with him and acting like the geekiest geek ever. Far more dangerous is Huberd Dee, an old classmate of Monica’s from the magical academy. He’s been held back twice for essentially being a sadistic lunatic, and his one goal in life is to duel Monica Everett forever in magic battles – and if she’s here as Monica Norton, well, too bad.

This isn’t quite as funny as previous books, though Monica’s reactions can be amusingly over the top in an anxiety disorder sort of way. The highlight there is definitely Robert Winkel, who suddenly has awakened to liking girls and takes his four older brother’s horrible advice – which ranges from “show her how buff you are” to “write her a poem” to “tell her you’ve got a big dick”. Monica, thankfully, doesn’t get his meaning on the last one. As for the actual plot, it’s strong, with the villain turning out to be another witch, and the witches’ position in general is precarious enough that they need to take care of this quietly without it blowing up into a scene, because if it does Monica will be under the thumb of the man who had her father killed forever. And Felix, well, he doesn’t do much, but I suspect that to change when the seventh book comes around.

Unfortunately, the seventh volume is not scheduled yet. Fortunately, there is a spinoff out next month focusing on out favorite annoying witch, Louis. That will help tide us over.

Goodbye, Overtime! This Reincarnated Villainess Is Living for Her New Big Brother, Vol. 4

By Chidori Hama and Wan Hachipisu. Released in Japan as “Akuyaku Reijō, Brocon ni Job Change Shimasu” by Kadokawa Beans Bunko. Released in North America by J-Novel Heart. Translated by Rymane Tsouria.

This book feels very different from the three books that preceded it. Oh, don’t get me wrong, the core of “incest? Or no? I’ll keep you guessing because I hate you” from the author is still in place. However, Alexei is absent from the bulk of this novel, which allows it to not only lean into Ekaterina basically making everyone around her fall for her even harder, but also allows her to lean even harder into her past life, the death, and Japan in general. This world has gods, after all, and they notice she’s different. This also leads to leaning harder on the environmental concerns as well – the deforestation had already hinted at this, but it’s emphasized even more. That said, I’m burying the lede here, which is that there’s a dragon and he’s here to make sure that the reader has someone to root for who isn’t incest boy or a wussy prince. The dragon is cool.

Alexei is VERY busy after the events of the third book, to the point where he can’t make a pilgrimage to the mines to visit his uncle and greet the gods. So Ekaterina volunteers to do it for him. Of course, she has to go with a retinue of knights and attendants, because everyone around her is overprotective. And, well, this book is exhibit A for why they should be overprotective. On the way there, they encounter a monster and Ekaterina learns she does not like to kill monsters (especially if they’re mandrake sugar beets that she immediately assigns personalities and backstories to). She learns the tragic backstory of a local legend, and then runs into said legend herself, who is the bride of death. The gods warn her that the local volcano is going to erupt… sometime. And then she meets the dragon, who is so impressed with her that he proposes.

As always, the best reason to read these books is the main character. The most interesting moment in the book comes right after the dragon proposes (where he also points out the very good reasons to marry him), where her Japan-persona completely breaks down… and the original Ekaterina, who is still a terrified child dealing with her family trauma, comes to the fore. This was the biggest surprise of the book, and I hope it’s picked up on in later books, because I had assumed that Ekaterina’s Japan side basically “won”. The other thing I liked is something I also enjoy in other series with characters like this, which is trying to see how others view her. “Goddess” is thrown around a lot, her genius uncle thinks she’s a genius, and the idea that she might have been abducted by a dragon sends the previously 100% stoic Mina to completely freak out. She’s rapidly become the most valuable asset in the world, and that’s concerning. Though possibly good news for those who worry she’ll just marry her brother.

Which is still in play, but I hope it doesn’t go that way. I’m fine with it kicking the can down the road. Next time we should see the return of the rest of the cast. An excellent volume.

My Fiancé Cheated, But a New Love Rings!, Vol. 1

By Ehito and Koyukomu. Released in Japan as “Konyakusha no Uwaki Genba wo Michatta no de Hajimari no Kane ga Narimashita” by Mag Garden Novels. Released in North America by J-Novel Heart. Translated by Chris Craigo.

This book was all over the place, frankly. In terms of the pacing and structure – we start where a lot of villainess novels start, but then circle back over and over to pick up the backstory, most of which is shoved into the “side stories” after the bulk of the book. In terms of the characterization – Sophelia and Livionis may be the only two people in the book who are not completely bananas, and that’s only by a matter of degree. And in terms of tone, where we’re shown the wretched and soul-crushing life that Sophitia has had to date, but we also get a love story so utterly cheesy that even the narrator turns into Tearmoon Empire’s narrator halfway through and starts mocking them. Hell, even the horse is sick of them. The horse, by the way, gets a narrative POV for a bit. As I said, this is all over the place. I loved it.

Sophitia von Lotus, the fiancee of the Prince Regent, screams loudly as she comes across her fiance in bed with her younger sister. Except this all appears to be part of a master plan that everyone in the world is in on (except, perhaps, the fiance and the sister) to rescue her from her crappy life. Especially her knight, Livionis Warrion, who has been madly in love with her for several years, ever since the traditional “meet while hiding at a tea party” childhood moment. Now there’s no time to lose, as they fake their death and flee the country. While the rest of the country deals with the fallout, Sophie and Livio (as they rechristen themselves) find themselves dealing with something neither of them were prepared for – they’re both adorable dorks embarrassed at the slightest thing.

As I said above, the main plotline is only about 2/3 of the book, with the rest being side stories that fill in the backstory. Which tells us that the king and queen are sociopaths, but good guys, Sophie’s family and fiance are sociopaths, but bad guys, and every single knight in the regiment has been drafted into the Sophitia fan club, because it turns out the king was not raising her as a fiance to be a good little wifey, he was raising her to run the kingdom as he knew his son was a prat. Everyone else also knew this, but no one else bothered to tell Sophitia, so she gradually ground her sense of self-worth into spackle. The main reason to get this volume is the sheer chasm that separates the way that everyone treats this young woman with the goopy schmoopy romance she ends up in with her gorgeous knight (we’re told he’s gorgeous every three pages, so I feel I can bang it in here). Special mention must go to the king and queen, whose relationship I can only describe as “toxic (affectionate)”.

I have a feeling that the next volume will be a bit more normal, though the addition of a runaway king (different king) and his magic-obsessed fiancee will help keep it from just being days of nothing but blushing. Fans of villainess books should definitely check this out.