Kokoro Connect: Kizu Random

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By Sadanatsu Anda and Shiromizakana. Released in Japan by Enterbrain. Released in North America by J-Novel Club. Translated by Molly Lee.

The current fashion in North American releases seems to be not to translate something if it’s already better known to fans by the Japanese. I suspect that’s why we see each subtitle in the Kokoro Connect series this way: Hito Random meant Random People, which fits well with the bodyswapping nature of the book. Now we have Kizu Random, which I personally think might have had a greater impact were it translated, as it means Random Wounds. Likewise, due to the nature of the bodyswap, the first book out of necessity had to keep the group as mostly a tight-knit group of friends. This book, however, is darker in tone, and shows how easily such friendships can be sabotaged – mostly by overthinking things, or self-loathing, or any number of details that add up to “we are teenagers”. Indeed, what Heartseed is doing is something I think ideally suited for teenagers, who are going through this kind of thing anyway, and you could argue it’s just helping them along. Of course, you could also argue Heartseed is a sadistic jerk.

A couple of weeks after the events of the first book, our five heroes are told by the alien that is toying with them that they’re going to have moments where they suddenly lose control of their emotions and desires and act on them. Having experienced this sort of thing before, and not looking forward to it at all (mostly as she was the first to be affected, stripping and getting on top of Taichi in the clubroom), Inaba convinces the others that they can get through this as long as they keep an even emotional keel and just try really hard. That… doesn’t work, and soon Yui’s beating up delinquents (which causes her to shut herself at home), Taichi has a lot more desire to “save” people than he normally does (which is amusing, given it’s quite high to begin with), and Inaba is forced to deal with a fact that she’s been avoiding for quite some time. Friendships can be fragile, especially at this time of your life, and by halfway through the book no one is speaking to anyone.

The strengths of this book are once again the writing of the characters, who feels their age and also sound it. There’s a lot of angst and melodrama here, but it’s never really overwrought except where it’s supposed to be. For the most part the book is 3rd person Taichi POV, but we also have several chunks where it’s first-person Inaba, and those show off how screwed up her mindset is and how easy it can be to filter everything you say or do through a negative, self-loathing filter. And then there’s the “love triangle”. Taichi and Iori like each other, but don’t want to date while Heartseed is messing with them. Inaba finally admits she loves Taichi and confesses, but is rejected – for the moment. It’s a very “mature” rivalry so far, but that’s mostly because it resolves itself after a huge outpouring of emotional release from both Iori and Inaba, and I’m curious as to how messy it might get in the future.

Kokoro Connect remains a well-written teen drama, and is a refreshing change of pace for those who are bored by the idea of yet another isekai. Even if you’ve seen the anime, you should pick it up.

Arifureta: From Commonplace to World’s Strongest, Vol. 8

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By Ryo Shirakome and Takayaki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou” by Overlap. Released in North America digitally by J-Novel Club. Translated by Ningen.

The last few reviews I’ve talked about Hajime as Christ figure, Hajime as overpowered author fantasy, and Hajime as nerd. Given the events in this volume, particularly near the end, it seems appropriate to talk about Hajime as asshole. Hajime’s experience in the dungeon in the first volume broke him in many ways, and aside from his power levels the most obvious has been in his attitude towards… well, almost everything. And while we’ve seen occasional nudges back towards non-sociopathy, particularly thanks to Aiko, there’s still an awful lot of Hajime making the choice that will upset people the most, either because he wants to or, more frequently, because he can’t be bothered. And the main reason he does this, of course, is that the author (and I assume readers) find it funny. Honestly, given all the attention focused on humiliation being a subset of arousal in this book, I suspect we learn a bit TOO much about the author’s mind here. But at the end of the book, Hajime seems to genuinely mellow out.

The bunny girl on the cover is one of the big reasons, to be honest. Much has been made by Hajime of the fact that Yue is the girl he loves and the rest of his harem are far, far below her. And while that’s still fairly true, Shea’s actions over the course of the series, and particularly in the last two books, have led Hajime to realize that he does, in fact, love her as well. Not the same way he loves Yue – there’s no sex here, much to Shea’s disappointment, though I’m not sure “platonic” is how Hajime feels either. But Shea makes Hajime happy, and he wants her to be with him – and not with anyone else. This is helped along by the other big thing that mellows Hajime out, which is that he gains magic that should finally lead him to being able to return home to Japan. Just the idea that he can escape this, let’s face it, pretty dystopian world makes him smile like his old self, much to everyone’s surprise.

Speaking of ‘harem tiers’, the majority of this book is spent clearing another dungeon, this one designed to tend the bonds of love, friendship, and teamwork. Along for the ride are the B-team Japanese group, and let’s just say they don’t do really well. Dungeon-wise, the ‘tiers are Hajime & Yue -> Shea, Kaori and Tio -> big gap -> Shizuku -> Kouki, Ryutarou, and Suzu. You’ll notice Shizuku is a level higher than the others, and indeed we also see it becoming more obvious that she’ll be part of the harem eventually, which everyone else seems to have accepted but her. Indeed, at the end of the dungeon the bottom three don’t get the reward for clearing it – they weren’t good enough. That said, props to Suzu for stepping up and asking to go try the next one anyway, especially because she tells Hajime her reasoning is to be powerful enough to try to talk sense into Eri when they next see her. I suspect the reader knows this is futile, given the epilogue, but I was honestly surprised that the whole group is going to stick around. Even Kouki, who was on his best behavior in this book.

The author says we’re in the home stretch, though I suspect that still means about 3-4 more books. Till then, this volume is very long but satisfying, particularly if you like sweet, heartfelt scenes – that last short story was almost pure sugar. On the other hand, when you get to the scenes with the “slime creatures”, take my advice and skip a few pages. What is it with Japan and “fake bukkake”?

Magi, Vol. 32

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By Shinobu Ohtaka. Released in Japan by Shogakukan, serialized in the magazine Shonen Sunday. Released in North America by Viz. Translated by John Werry.

Once again, I finished a volume of Magi and thought about how to convey what I felt about it into a 150-word brief only to realize that I would need a bit more space. And so here we are, with Magi heading into what proved to be its final arc. You get the sense of a lot of strings being drawn back together here, as Sinbad’s ambiguity is becoming a bit less ambiguous – is he going to be the final Big Bad? – and we also get some excellent political drama. And yes, cynical readers will be shaking their heads and saying “you just wanted to gush that another of your ships is canon, didn’t you?”. And there is a bit of that, yes. I have been very fortunate – or perhaps my tastes are merely dull – in that most of my shonen ship preferences have tended to work out over the years. So I am happy to see Alibaba and Morgiana happy, no doubt. But there’s more to this volume.

Shinobu Ohtaka has come a long way as a shonen author from the days when I was reading Sumomomo Momomo and was thoroughly unimpressed. The fight scene that opens this volume is one of the best in the series, with lots of dynamic action and plot twists that are entertaining but don’t verge on ridiculous. It’s always hard to find a way to amp up the drama in scenes like these without heading into meme territory, with “this isn’t even my final form!”, etc. In fact, we even seem to make fun of that sort of thing, as Hakuryu makes a big dramatic deal of being stung by Arba’s possessive scorpion only for it to be him essentially mocking her (and the audience). It also helps that Arba is wearing Hakumei’s body here, as it’s entertaining to see so many insane and evil expressions on such a pretty face.

The second half of the book is romance and politics, as Alibaba and Morgiana reunite (though, in one of the few ‘bad art’ parts of the book, Morgiana looks about twelve years old in the panel where Alibaba sees her) and he almost immediately proposes. It’s a good proposal, as he draws on the fact that peace has returned to the land and many are starting families to express the desire to start his own. We also get judicious flashbacks that show off just how far Morgiana and Alibaba have come from the start of the series (Morgiana also gets in some awesome kicks in the fight scene I mentioned earlier, by the way). Still, the spotlight may be taken away from them a little by Kogyoku, who is struggling with being the leader of the Kou Empire but finds her inner resolve and decides to break away from Sinbad and have the nation struggle on its own. It’s a brave decision, and I suspect Sinbad is really not going to like it.

Magi does not get as much attention as the other big shonen series out there, possibly as it’s in Shonen Sunday and thus couldn’t get the buzz of weekly updates that Jump subscribers get. But it’s really stayed at a high level of quality for some time. With only five volumes to go, readers should look forward to seeing how the series handles its big finish.