The Irregular at Magic High School: Visitor Arc, Part 1

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By Tsutomu Sato and Kana Ishida. Released in Japan as “Mahouka Koukou no Rettousei” by ASCII Mediaworks. Released in North America by Yen On. Translated by Andrew Prowse.

Nothing quite says “The irregular at Magic High School” quite like introducing one of North American’s top magician agents, almost ungodly in her strength, speed, and power, and then having her get crushed by Tatsuya and Miyuki as a reminder that it’s their series. There are various “outs” given for Miyuki, as Tatsuya has to remove the limiter she has on him to let her fight with the strength to defeat Lina, and the occasional reminder that North America does have the occasional magic tech that Japan does not have (to Tatsuya’s irritation), but for the most part the first of this three-volume arc is meant to introduce a new girl and then show how she’s not QUITE as good as the dynamic duo. This is not something limited to this series, of course, it’s pretty standard in light novels/anime/manga. But there is a certain smugness in Irregular at Magic High School’s narration that makes it grate just a bit more.

As you can see by the cover, Lina is out new American transfer student, who is also not so secretly a soldier with the North American forces sent to Japan to try to find out who was responsible for what happened in Yokohama two volumes ago. She’s a terrible spy, as she herself admits, but she’s better as a supersoldier, complete with secret identity superhero costume, which helps her feel very “American”, along with her stubbornness and desire to see everything as a competition. It’s more of an exchange program, so we also see Shizuku leave the stage and go off to UC Berkeley for (I assume) the remainder of this arc. This is a shame, as I quite like Shizuku, and also with her gone Honoka does not get much to do except have a crush on Tatsuya. The plot is about a “vampire” who is killing magicians, though it turns out that it may be more than one.

Irregular at Magic High School is not at the point (and I don’t think it ever will be) where it can kill off one of its regulars to amp up the drama. But some drama is required, so Leo runs afoul of the ‘vampire’ folks and is hospitalized for the rest of the book, and it’s noted that without his monstrous (and bioengineered) constitution he’d likely be a lot more dead. This leads Erika to start prowling the streets as revenge for what happened. The relationship between Erika and Leo continues to be very odd – the rest of the group seems to treat them like they’re going to be a couple and are just in denial about it, but if that’s the case there’s a curious complete lack of romantic tension between them. We see Erika flush in embarrassment later on, but that’s when she gets her outfit torn to shreds in a fight and is showing off to Tatsuya and Mikihiko a bit more than she feels comfortable with.

The Irregular at Magic High School continues to be a series that’s easy to read but hard to like. At times it feels like, just like its main character, the author seems unable to write strong emotions beyond the surface. Still, this is just the first part of a long arc, and I’m hoping for stronger depth next time. Mahouka fans should enjoy this – or enjoy complaining about this.

Eromanga-sensei, Vol. 1

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By Tsukasa Fushimi, rin, and Kanzakihiro. Released in Japan by ASCII Mediaworks, serialization ongoing in the magazine Dengeki Daioh. Released in North America by Dark Horse Comics. Translated by Dinky Spatz.

I’m pretty sure most of my regular readers are surprised to see me reviewing this title at all. I do try to give most Vol. 1s a chance, but let’s face it, this is by the author of OreImo, which reminded fans that yes, incest ships CAN sometimes piss off a fanbase. It features another brother/sister romance combo, only they’re stepsiblings so it’s “safer”… but they’re also far younger. There’s an obnoxious princess-type rival, also very young. If I’m going to be honest, my favorite character in the first volume is the editor, and that’s half because she resembled Bazett from Fate. And of course the final indignity, I have to type “Translated by Dinky Spatz” with a straight face. Even the pseudonyms are mocking me. Now, with all of that said… if this IS your sort of thing, I see nothing wrong with reading it aside from the occasional “Christ, how old are they?”. It does its job.

The premise has a young high school writer, Masamune, trying to deal with the fact that his stepsister Sagiri hasn’t left her room in about a year. He brings her food and attempts to get her to leave the room, but no dice. He’s also dealing with the fact that he recently ended his light novel series and has to start another one, despite mediocre sales and a 4-chan style board that is tearing him apart. In fact, it turns out that the instigator of the online abuse is none other than his illustrator, who goes by the name Eromanga-sensei. I will now pause to see if the reader can guess the stunning plot twist. (pauses, sips tea) Yes, that’s right, the illustrator is none other than his shut-in sister. After discovering this, he slowly attempts to break her out of her shell, and she starts to open up to him, though her heavy tsundere personality is not really helping. Can he get her to school? Can he establish a familial bond. Or… something more?

Please God, not something more, though I know I’m likely fighting a losing battle there. In any case, I was not entirely grumpy. Masamune’s approach to getting Sagiri out of her room is respectful and subtle, and he seems a lot more “with it” than most protagonists of this sort. Nor does he have an immediately obvious little girl/little sister fetish, which is sadly refreshing in this genre. The classmate of Sagiri’s who goes to the house to try to get her into school takes a refuge in audacity that made me laugh in a horrible sort of way, and her solution on how to get Sagiri out of her room was dead on. And the ojou rival girl is also over the top in an amusing way, and I liked the way not-Bazett shut her down and threw her out when she grew too arrogant.

This is based on a light novel series, which mercifully is not licensed here. I think it may work better in manga format anyway. There is an audience for this sort of title, and if you are that audience, or enjoyed OreImo, then this is definitely a title worth picking up. It just hit all the wrong buttons for me.

Strike the Blood, Vol. 10

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By Gakuto Mikumo and Manyako. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Jeremiah Bourque.

I debated copying and pasting the start of my review of the 9th volume of Strike the Blood into this one, because the verses and chorus are the same. We get a new girl in peril, this time a Latin American girl (or the Strike the Blood equivalent) who is the titular Bride of the Dark God, and who gets mailed to Kojou in a suitcase to keep safe. She’s abusive and rude to Koujo, but gradually warms up to him after he keeps trying to save her life. Meanwhile, we get a new girl added to the “help Kojou summon a new Beast Vassal and regenerate to 100% health” rack, as Kanon (and Astarte, for added erotic appeal) allows him to drink her blood. And he and Yukina spend the entire book avowing that they aren’t boyfriend and girlfriend, while acting exactly like a couple would. There are no surprises, there is no ambition. It’s a predictable story, well told.

The cast is starting to get a little large and unwieldy, and so we winnow it down a bit for this book. Kojou and Nagisa’s dad takes Nagisa off for a shrine visit for the duration of the book, and Sayaka doesn’t even get mentioned, much less make an appearance. As for Asagi, who can’t actually leave the island, she ends up being locked in the computer room for her own safety, much to her annoyance. This allows Kanon and Astarte, who had not really done much at all lately, to make more of an impact. And then there’s Vattler, who sparks the plot here but doesn’t really show up till almost 2/3 of the way through the book. You get the sense he’s trying to be a trickster mentor to Kojou, putting him in life-or-death situations so that he can finally come into his own as the Fourth Primogenitor.

There’s also Celesta, the new girl I mentioned above. Her fury towards Kojou has a bit of the “Latin Spitfire” cliche to it, but she’s also the weak point of the book, as she’s a normal girl, so mostly exists to get into peril. Unlike a lot of the other heroines we’ve met in previous books, I’m not sure if we’ll actually end up seeing her again. Her peril does lead to some well-choreographed fights, though, and I expect that when this was animated it turned out quite well, given (as I’ve also said before) this reads like an anime novelization. She also resonates with Yukina in the “call Kojou a pervert” running gags, which are as tiresome as ever – I wouldn’t even mind the standard shonen jealous girl stuff if it were done well, but it’s tedious. The author is much better at drama than comedy, as most authors are.

So, in the end, Strike the Blood 10 doesn’t bring much new to the table. It’s a book to read if you’ve read the previous nine. But if you’ve read the previous nine, you won’t be too disappointed.