One Piece, Vol. 85

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By Eiichiro Oda. Released in Japan by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz. Translated by Stephen Paul.

It goes without saying that the revelation about Charlotte Pudding in this volume does not come as a complete surprise. It will also not come as a surprise to me if she reverts later on, as Oda’s general treatment of women has gotten a lot more sexist and predictable over the years. The best thing about said revelation is Sanji’s reaction from outside the building, which is a simple grim silence. Oda’s panels can verge on chaos much of the time, and certainly do here, from Luffy trying to rip his hands off in order to escape to Chopper and Carrot’s pell-mell running through the mirrors, everything is traveling at 100MPH. So when Oda pauses to let a scene breathe, it has that much more impact. Charlotte’s ability is also a clever use of Devil Fruit to make what amounts to “memory erasure” look cool and also creepy at the same time. I tend to read One Piece slowly because little details always matter in it.

Reading One Piece slowly also helps you to notice the repeated themes Oda uses in his work, though to be fair this theme could be noticed from quite a ways away. Like Nami in the Arlong Park arc, and like Robin in the Enies Lobby arc, Sanji is desperate to get everyone to abandon him and save themselves. And of course when Luffy confronts him about it, his response is the same as the others: yes, I want to go with you. Please save me. I’m not entirely certain how many of the Vinsmokes are actually going to survive this arc, particularly after learning what Big Mom’s real wedding plans are. As I’ve said before, Reiju has “tragic sacrifice” written all over here. Still, I’m confident Sanji will survive, as he is a crew member. Speaking of which, will we get a new crew member at the end of this arc (which is still going in Japan)? Will it be Carrot? Or Jimbei, who rescues Luffy and Nami and joins the fun here.

Other things I noticed: I am vastly impressed with Brook for how he hid the poneglyph copies. That was clever thinking, and also clever on the part of Oda, who had to figure out where to hide a mass of paper on someone like Brook. Nami’s top takes some fire damage as part of her being rescued, and there’s some brief “will we see a breast? No.” fanservice, but I was amused she simply tied it back immediately – I wonder if she chooses her outfits so they can easily be fixed in case of ludicrous fighting? The alliance with Capone and Caesar Clown (who we simply can’t seem to get away from – Oda must love him as comedy relief) seems like it will be a disaster, but it does give us the opportunity to see Luffy in a nice mob suit. And why does Oda’s version of American football have the women wearing hot pants… wait, I know the answer to that one.

One Piece is not what it once was, but it’s still compelling, and should remain on your reading list for the foreseeable future.

Log Horizon: Homesteading the Noosphere

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By Mamare Touno and Kazuhiro Hara. Released in Japan by Enterbrain. Released in North America by Yen On. Translated by Taylor Engel.

At last, after four volumes that focused separately on various groups and their growth and development, everyone is back together and ready to deal with fresh new problems. Which is good, as there are quite a few fresh new problems. Westlande is about to go to war with Eastal, and the adventurers are caught up in the middle of things. They have to defend the young crown prince, Raynesia’s little brother, from assassination attacks. They’re being attackied by killer moths that put people into a deep sleep. Shiroe is feeling that he’s inadequate for the job (well, OK, that’s more a leitmotif for the entire series, as Akatsuki and Minori both point out). And, perhaps worst of all, due to various screwups in real life, will there ever be a Log Horizon Book 11? Yes, as it turns out, but we were wondering for a while there.

Shiroe’s inadequacies are part of a larger theme in this book of growing up and becoming an adult, and what that means to various people. For Serara, much as I might not like it, that means getting stronger so that Nyanta might notice her in a romantic way. (To Nyanta’s credit, his interest is still zero.) For Minori, it’s realizing that her feelings for Shiroe AREN’T romantic, and that they’re more a function of who she is and how she handles situations. For Isaac, it’s simply living from day to day, not really thinking deeply about things, and watching all the idiots around him. And then there’s Shiroe. He has to deal with Roe2’s letter, which goes into much greater detail about what sort of world they’re trapped in, and that it’s not just a weird “we’re caught in the actual game” thing. He has to think about how to get back home, and whether some people WANT to get back home. Nazuna describes him at one point as a “wimp”, and that’s true, but when he calms down and stops his self-loathing barrage, he can also be brilliant.

Towards the end of the book they find a sort of radio transmitter, which makes contact with Kanami and company, who are still making their way slowly to Japan, and who seem to have a surprise new member in their party. As I noted in the last book, it’s hard to focus on Kanami as a character as she’s designed to be “perfect”. As such, she instinctually comes up with the idea that Shiroe and the rest couldn’t – instead of thinking about how to get back home, think about how to connect the two worlds, so they can come and go as they please. For Kanami, this is simply because she wants to show her three-year-old daughter back on Earth the wonders of this land. For Shiroe and company, it’s a revelation – they can try to have their cake and eat it too.

There’s lots of other things that Log Horizon fans will enjoy in this book – the fights, as usual, are well-written but rely a bit too much on gaming terminology for me to really get deeply into them. At least I get some more Naotsugu/Marielle ship tease, which is nice. There are also a few appendices showing amusing and informative background on several things (Log Horizon is one of the few print-only series left from Yen On – it’s print-only in Japan too – and the appendices would certainly be a pain to convert.) As I indicated above, for various reasons (search Anime News Network for the author’s name if you’re curious), there was a huge gap between Book 10 and 11, which likely means we won’t see 11 for a while. But it’s coming out in Japan soon, and will answer a question many have been wondering: what’s Krusty been up to?

Oh, My Sweet Alien!

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By Kouji Miyata. Released in Japan as “Yome ga Kore na Monde” by Enterbrain, serialized in the magazine Harta. Released in North America by Yen Press. Translated by Sheldon Drzka.

This sort of premise will be very familiar to anyone who reads books or watches television, aliens aside. The story of a normal man who ends up marrying a wife who has a supernatural secret – or even is just of an amusing foreign nationality – has been around forever, and Oh, My Sweet Alien! is simply adapting that premise to suit its own needs. That’s not to say that this manga is dull – predictable, yes, but I was entertained throughout, mostly as the author manages to find a nice balance between the wife being a “funny foreigner” type and the wife being a genuinely weird, unnerving alien. It never gets too horrific – this is a sweet comedy, after all – but we do see the collection of human skins she has to wear to pass herself off in this world, and at home she’s not above using her tentacles as easily as she does her hands – in fact, more easily. As the story progresses and they have a child, the complications remain the same – predictable, but fun.

As we find out in a flashback, Nobuo, our young man, was abducted by aliens to be fitted with an implant, seemingly as some sort of rite of passage for a young alien girl (who is referred to as “the wife” throughout, I believe). Somewhat delirious from the abduction, and touched by the fact that she doesn’t want to give him the implant, he proposes to her, and they move in together. The rest of the book could be described as “wackiness ensues”, really. We get alien in-laws, Nobue’s grumpy mother, and two more aliens (from Venus, no less) hell bent on breaking up the couple by seduction. All of these could easily be rewritten from “alien” to “foreigner”, as I said, but seeing how :”alien” plays out is what makes this fun. I was a little frustrated at times (Madoka, the female alien homewrecker, can be quite annoying before she’s gradually toned down a bit), and the gratuitous nudity feels a bit out of place (without it, honestly, you could lower the age rating a bit), but the sweet moments are really sweet, and the humor can sometimes be fantastic – I loved the “I will reveal my secret” gag of the final chapter, for example.

Sadly, this is all we’re going to get of this title – the author died of a brain hemorrhage three years ago. It’s a shame, because of the many varieties of western publishers’ “Monster Girl” series that have been flooding the market faster than you can say Alice in the Country of Hearts, this was on the cute, fun side, and it’s nice to see one that stars a happily married couple who love each other despite all of the obvious differences. It’s not for everyone (I will mention the nudity again, there really is quite a bit of it), but fans of the genre should definitely give this a try.