Anonymous Noise, Vol. 1

By Ryoko Fukuyama. Released in Japan as “Fukumenkei Noise” by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz. Translated by JN Productions.

It was always going to be difficult to live up to that cover, let’s face it. Manga readers, even in North America, have been somewhat trained to think of one thing when they see high school girls wearing cold masks: gang members. That’s not the case here, but I’d argue that Nino, the girl on the cover, does not need to convey her repressed emotions through violence, like many shoujo gang members. She can do so through song, and in fact the best thing about this new manga is the way that her voice is portrayed. Nino loves to sing, but due to the events of the first chapter, her voice comes out as a cry from the heart, a scream to be heard, a cry of loneliness. It’s primal, and the art portrays it beautifully.

The premise will be very familiar to readers of manga – in fact, it may remind people of Chihayafuru, which debuted last month. Nino and her best friend and next door neighbor Momo sing together to try to forget about the fact that their parents fight. But then one day Momo’s family moves away suddenly, and if devastated. The cold mask is to stop her simply screaming out in rage and distress at what’s been taken from her. Fortunately, she meets another young boy, Yuzu, who’s not much like Momo, but he likes to write music. Nino can sight read even at that age, and begins to sing his songs after a brief argument (Yuzu is a lot less nice and cute than Momo was, being more of a brat). But then he has to vanish suddenly too (why are childhood goodbyes always avoided in stories like these?), and all Nino has left is her voice.

Cut to high school, and the hot new band is called In No Hurry To Shout, a terrific name, which is unfortunate as the band is breaking up. No, it’s not Nino’s band – she’s an anonymous high schooler, and still wearing the cold mask. But it is Yuzu’s band, and it quickly becomes apparent that the songs are being written for Nino, even if they’re being sung by her substitute, Miou, who I suspect is going to take Nino coming back into Yuzu’s life very badly. For indeed the two reunite, and before you know it Nino has to be the band’s lead singer at the high school event. This was the scene I alluded to earlier that’s the best in the book – Nino doesn’t even try to follow the actual lyrics, and her hands clutches her face as if she’s doing the Careful With That Axe, Eugene scream by Pink Floyd.

By the way, if you know shoujo you know what happens by the end of this volume – yup, Momo shows up as well, and he heard Nino. This seems to be one of the more dramatic Hana to Yume manga, a magazine that usually has a few more jokes in its material. But honestly, I’m totally on board as long as I can see more of Nino singing. It turns out the cold mask on the cover was holding her back from the reader as well – once you see her pouring her soul into her voice, you’ll have to read more. Definitely recommended.

Mixed Bathing in Another Dimension: The Fervent Sand Baths

By Nagaharu Hibihana and Masakage Hagiya. Released in Japan as “Isekai Konyoku Monogatari” by Overlap. Released in North America digitally by J-Novel Club. Translated by Sophie Guo.

The difficulty with coming up with a really wacky idea or gimmick in your otherwise fairly standard light novel is that you need to keep coming up with fresh new ways to use the gimmick. After all, that’s why some readers are there in the first place. So it is somewhat disappointing for me to say that in this second volume of a series where a hero is transported to another world with nothing but the ability to make a bathroom appear out of nowhere, there’s not nearly enough bathroom used here. We do see it “level up”, so to speak, as it’s now essentially a small hot tub with a changing room (and sleeping room by the end), and the villain is disposed of rather gruesomely via the bath, but really our hero ends up solving most problems through his newly learned earth magic. Which is fine, but makes him a bit more generic.

Having set up the premise in the first volume, much of this second is devoted to world building, as Touya and his companions set out to discover the truth about what happened five hundred years ago and the missing kingdom that is shrouded in myth and legend. Indeed, there may be a bit TOO much world building – the book could have used another good fight, and suffers occasionally from Touya feeling the need to tell us every action that’s being done as he does it – “We did this and this and this and this and this”. We see him in a different city which looks like it might be interesting in future books – the concept of semi-slavery used here is still uncomfortable – but it doesn’t really end up going anywhere.

I’m still enjoying the book, mind you. The hero is a nice guy, if obsessed with nude bodies the way a teenager would normally be. The girls are nice girls, sometimes to an unbelievable degree – Clena in particularly is like a tsundere that forgot to pack her tsun. We do check in with Haruno, the girl from Book One, and it’s nice to see that the two of them still really like each other – Touya is adding to his harem (sorry, party), but it’s clear that Haruno is Best Girl, and the others are having to come to terms with that. Again, the hero is very good about communicating whatever he’s about to do, searching for discomfort and consent. I still appreciate that. But the trouble with nice people traveling through a world nicely is there is a need for conflict. The Goldfish who is the villain of this book (no, really) is refreshingly duplicitous and evil, and it was nice to see.

So yes, the bloom is off the rose a bit. I wasn’t as taken with this as I was with Book 1. But it’s still a good series, and I really like everyone, despite that making them the teensiest bit dull. And now we appear to have added loli #2 in the form of the Goddess of Darkness. That should go well. Recommended to those who like harems but hate tsunderes.

Skip Beat!, Vol. 38

By Yoshiki Nakamura. Released in Japan by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz. Translated by Tomo Kimura.

This volume has been a long time coming. 38 volumes, to be precise. And I’ve sort of known in the back of my head that we would eventually have to deal with it, and I’ve been half dreading and and… well, no, all dreading it. Because Kyoko is a child of abuse. Not physical abuse – as this volume takes pains to point out, by the way – but mental and emotional abuse. Along with Sho’s casual cruelty, it’s what has shaped Kyoko’s actions to this day. Her mother was cold, always regarded her with scorn, and later on insisted she had no child. Kyoko has had nervous breakdowns just thinking about her. And now we’re finally getting the backstory and explanation for what happened with Saena in the past and how, presumably, she came to have Kyoko. And of course it’s very well written, because Nakamura is excellent at this sort of thing. But I will stay worried till the 39th volume comes out. Thinking “will this be another easily forgiven abusive parent?”.

As I mentioned earlier, the writing in this volume is top notch. 38 volumes in, we know these characters better than almost any other translated shoujo manga out there, and we’re still getting new depth and layers. (Watch for Maria here, who I don’t think we’ve even seen in over a dozen volumes, being mature enough to realize that now is not the time to talk to Ren.) Oddly, it’s Ren who provides most of the lighthearted comedy in this otherwise serious volume, as his reactions to Kyoko’s moodswing flipouts are brilliant, and his teasing of Yashiro is also wonderful. But the volume is subsumed by the confrontation between Kyoko and her mother. Again, we get to see Kyoko’s growth and maturity in action – in fact, Nakamura lampshades it, showing that Kyoko is now able to look at Saena’s seemingly cold face filled with hatred and see nuance and layers that she had missed as a child. This comes from her observational skills as an actress, and I feel proud of her.

It just so happens that it was Kyoko running off to be with Sho at the start of the series that really set Saena off, as it reminded her of her own manipulation by a man in the past. (Speaking of which, Misonoi is a top tier smiling villain, and I hope he gets the shit kicked out of him in the next volume, though am realistic enough to know he likely gets away with everything.) Saena is really well done here, much as my teeth were grinding at times. “I was terrified that I would hurt you” made me want to reach out and slap a “YOU TRIED” sticker on her forehead. But of course, the main issue with this otherwise excellent volume is that we end mid-flashback, and I don’t know how things will ultimately be between Kyoko and Saena. And since we’re caught up with Japan, I have till September to cool my heels. But either way, this volume is a must read for any shoujo fan.