Imperial Reincarnation: I Came, I Saw, I Survived, Vol. 1

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By Masekinokatasa and Kaito Shinobu. Released in Japan as “Tenseishitara Koutei deshita: Umarenagara no Koutei wa Konosaki Ikinokoreru ka?” by TO Books. Released in North America by J-Novel Club. Translated by Jason Li.

I pay more attention to publishers than most, as readers of my reviews know very well. I’ve talked before about how, if I see something is GC Novels, my rate tends to be 9 failures for every 1 success. If I were to name the opposite, it would probably be TO Books, which is not quite the reverse ratio, but I do find that books I would not normally have tried (Otome Heroine’s Fight for Survival, for example) tend to be better than I’d expect. This was the main reason why I took a flyer on this title, which is in a genre I have mostly forsaken at this point. And, sure enough, I found it quite interesting. Well, let me clarify that. I found the actual plot and characters interesting. There is, however, a MASSIVE PILE of backstory in this book, which our emperor is not only expected to learn, but expects US to learn. It feels like homework.

Our dead Japanese man, who can’t recall much about his past life than that it was rather boring and unfulfilling, gets his memories back RIGHT from birth, and finds that he is now Carmine, the new Emperor of the Bundarte Empire. Unfortunately, he is an actual baby, and has not gained his isekai memories (such as they are) when he’s 7 or 8. Or perhaps that is fortunate, as our newborn emperor knows very well what fates historically await child emperors, and decides that the best thing he can try to do is pretend to be a good little puppet, and perhaps a bit stupid, while trying to secretly find out what’s really going on. Unfortunately, what he finds out is that his Empire is on the verge of collapse, and that everyone has taken one of two sides in the political maneuvering, neither of which are his side. On the bright side, he discovers magic exists, and that he’s good at it.

As mentioned above, the thing I least liked about this book was the history lessons, which will likely be important later but which I promise you I have already forgotten. The best part was probably the alternate narrative that I was slowly sussing out as the book went on. Carmine narrates most of the book, and shows us that he’s trying to put on an “I am an incompetent child” persona to avoid getting assassinated, and that, for the most part, folks buy it. Whenever we focus away from Carmine on other characters, we see that he’s actually very bad at the facade to anyone with half a brain. His eyes simply look too clever. I also very much liked his betrothed, Princess Rosaria, who pretty much immediately spots that he’s faking but also falls for him relatively quickly because of this dissonance. She then turns around and shows that she is even smarter than him, which impresses him in turn. This is still a relationship too young to go anywhere (and some concubines are promised as well – I think we meet both of them here, if I’m right), but it’s cute nevertheless.

The first book is about the first eight years of his life. It’s still ongoing in Japan, and later books promise we’ll see him reach adulthood. I’ll keep reading to discover how. Good stuff if you like reincarnation and college textbooks about Prussia.

The Tanaka Family Reincarnates, Vol. 2

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By Choko and kaworu. Released in Japan as “Tanaka-ke, Tensei Suru” by Dragon Novels. Released in North America by J-Novel Club. Translated by Sasha Schiller.

I was a bit reminded of the Dirty Pair while reading this, mostly as Emma tends to think that it’s not her fault a lot of the time she gets into these situations. It kind of is, though? When you create misunderstandings by being an airhead, even if they are good misunderstandings, you have to accept the consequences of your ditzy actions. Here we see Emma take control of the low-level villainess trying to ruin her debut and end up befriending her (and not in a Nanoha way either), we see Emma destroy a noble trying to traumatize her through simply seeing the trauma as a sweet treat, accidentally solve a crime by watching a guy paint, and finally, fail to realize that all these fantasy worlds always have a Japan equivalent, and accidentally just start speaking perfect Japanese to the agog crowd. Sorry, Emma, just as with your brothers, who are also doofuses of their own making, it pretty much IS your fault.

The Tanaka family have arrived in the royal capital, though MUCH later than planned, mostly as Emma can’t stop looking for rare bugs. They barely have time to move into their gigantic mansion they all feel uncomfortable in before Emma and her brothers have to attend a royal ball, where… she’ promptly has wine spilled on her by a petty noble girl… who, admittedly, has been ordered to do it by higher-up petty noble girls. Fortunately, Emma salvages the situation and ends up making a friend of her tormentor, as well as twin sisters from a wealthy port city, a handsome girl who likes to wear the boy’s uniforms, and of course the various boys in love with her, which now includes the handsome girl’s brother. Are there any bad nobles in this series? No fear, we’ve got a nasty one.

There continue to be a few things that I’m not fond of. William as an 11-year-old lolicon is less funny than it sounds, and Emma being a 13-year-old who loves older men is not much better. Mostly it just assures us that this series is not going to be about romance, despite all the men in love with Emma, it’s going to be about the Tanakas upending society. Which has already started, but seems to be getting a few pushes in this book. Emma’s complete lack of trauma after her near-death experience is read my all and sundry as repressed trauma, which works out well for her. Finding that red paint/dye sounds like it will lead to more innovations for their business. And I suspect Emma’s “wait, women just stop education after they get married?” question will be relevant later. Nothing, though, will be as relevant as that cliffhanger, because “I know a foreign language” is going to be hard to explain away.

All this and twins who speak the same thing twice, which I found cute rather than annoying. This remains completely loopy fun.

Observation Records of My Fiancée: The Misadventures of a Self-Proclaimed Villainess, Vol. 2

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By Shiki and Wan Hachipisu. Released in Japan as “Jishō Akuyaku Reijō na Konyakusha no Kansatsu Kiroku” by Regina Books. Released in North America by Hanashi Media. Translated by Ethan Holms.

I realize that, given that most of the Bakarina fans I follow are mostly interested in the lesbian side of the polycule, this may not sound like that much of a recommendation, but it is: if you read My Next Life As a Villainess and wondered what the series would have been like if it were ENTIRELY narrated by Jeord, then this is the series for you. Bertia is the villainess, and her actions are sort of what drives the first book, but by the second book she’s become a supporting character in her own series. Cecil, on the other hand, remains fascinating, continuing to try to grope his way towards figuring out why it bothers him so much that Bertia keeps shoving him towards the heroine and insisting on her own doom, and also what in the world this “otome game” is in the first place. His growth, and emotional opening up, is the main selling point of these novels.

Cecil is in his final year of school, and Bertia in her first year. Unfortunately, Heronia is there as well, and is still being the worst heroine ever, trying her hardest to prove that Bertia is evil despite Bertia… well, ALSO trying to prove that she is evil, except she remains sweet as pie, so that’s not working. Bertia’s biggest danger is gaining weight, as everyone likes her so much they keep giving her sweets. Meanwhile, Cecil is still trying to figure out what his feelings for Bertia are, even as he really, REALLY knows what his feelings for Heronia are: he wants nothing to do with her. Things come to a head at the graduation party for Cecil, where Heronia presents her “proof” of Bertia’s evils, and when this fails, decides to simply go for death from above.

The second half of the book really digs into the otome game aspect of this world, and I appreciated that, while Cecil was initially baffled as to why Bertia would be doing any of this, when it’s all laid out for him he totally understands. In a world in which Bertia was normal and not, y’know, the girl who wants to be knocked down and go “gah!”, Cecil would never find anything that would fill the dull void in his life. The routes are laid out so that, when the heroine tries for anyone OTHER than Cecil, it’s a happy ending of sorts, but there’s war and death. When the heroine ends up with Cecil, there’s peace. THIS, more than anything else, is why Bertia has been doing all this: she wants a safe and happy world. And this Cecil, who readily admits the only thing keeping him from being a possible nightmare is her, agrees with her.

The series ends with this volume, though there is a three volume sequel that we may see someday showing Bertia as a wife and mother. That said, Bertia is not the reason to read this. I really liked Cecil as a tin man trying to locate his heart, and am happy I read this.