The Otome Heroine’s Fight for Survival, Vol. 1

By Harunori Biyori and Hitaki Yuu. Released in Japan as “Otome Game no Heroine de Saikyō Survival” by TO Books. Released in North America by J-Novel Club. Translated by Camilla L.

This is another one where I had a different idea of what it was going to be like before I read it. When I typed up the premise in Manga the Week of, I said it was an Otome Game Reincarnation Meets Survival Game. Which… is not inaccurate per se, but I think fans of both genres are going to find this a little less than what they were hoping for. For otome heroine fans, while there are multiple reincarations and a villainess to go with our heroine, it only becomes relevant at one point in the story. As for the survival game, that comes right at the start and then is mostly setup for future volumes. As for what this actually is, well, it’s an attempt to tell a “dark” otome heroine story, featuring a heroine who learns how to kill in order to survive. That said… it’s a stat head book. If you’re the sort who can’t get enough of people raising their STR stat +1, you’ll be in clover.

Alicia, an orphan who is trying to live like a plucky young girl despite the orphanage being a Pit Of Evil, is accosted one day by a madwoman. She says this is actually an otome game, and Alicia, the heroine, is destined to be the secret daughter of nobility and end up at a school with multiple men vying for her. The other woman tries to use a magic crystal to transplant her soul into Alicia’s… which only partly succeeds, then Alicia, being a desperate 7-year-old, kills her. Now that Alicia has the woman’s knowledge of this world… and, it’s hinted, a healthy dose of nihilism… she returns to the orphanage, where she was about to be sold to some pedophile, kills the old woman running it, and flees. As she walks through the forest and cities of this world, she gradually works out how magic really works in this world, self-trains, gets help from a few allies, and gradually grows incredibly overpowered. Despite this, she never loses her new personality.

As you can likely guess, someone’s been watching a lot of the “dark magical girl” shows and thinking “hey, I can do that”. And, to be fair, they can do it pretty well. The usual complaining about stats aside (and believe me, it’s very annoying), Alicia, later Alia, is an interesting protagonist, whose influx of memories from the woman who attacked her helps to ward off accusations of her being nothing like any other 7-year-old out there. The same applies to Elena, the future Villainess of this world, who is also, separately, trying her best to avoid her fate in the game. Frankly, the meeting between Alicia and Elena is the highlight of the book, and the final scene may not be yuri (they’re both too young, leaving aside their mental age), but it’s fraught with doomed Birdie Wing-style dramatics, as one pledges to do one (and only one) thing to help the other no matter what, and the other promises to kill one (and only one) person for the other no matter what. It was damn cool.

That said… again, hope you like stats. I’m definitely reading the 2nd book, though, which may have a new cast, given our heroine fakes her own death at the end of this one.

Management of a Novice Alchemist, Vol. 1

By Mizuho Itsuki and fuumi. Released in Japan as “Shinmai Renkinjutsushi no Tenpo Keiei” by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Sean McCann.

It’s been a while since I’ve come at a light novel series from this direction. Lately, the Japanese companies are getting clever, and getting an English-language company to license a series several seasons before the anime is announced, so that the anime can drive up sales of the book. But when Management of a Novice Alchemist came out in the Fall of 2022, the novel and manga were both absent here, meaning the anime was many people’s first exposure, including mine. Well, “many people” in quotes. This is not exactly Chainsaw Man. There was a small following who enjoyed a mostly laid-back series with the occasional monster battle. And now, a year and a half later, we have the novels, and good news! The same vibe carries through to the books. That said, the anime either added a lot to the start of the series, or else it was brought in from future books. Sarasa’s past is not important here. The shop is all.

Sarasa Feed has just graduated from the Royal Alchemist Academy, and is now able to call herself one of that rare profession. Her master decides to give Sarasa a gift to celebrate her graduation (and also her saving and scrimping to buy the ludicrously expensive 10-volume Alchemy Encyclopedia) and gets her her very own shop at a low low price, where she can start selling potions and remedies. There is one slight snag – the shop is in the middle of a very remote village. And is a bit of a fixer-upper. That said, the core of it is still excellent, and Sarasa is an orphan girl who’s spent her entire life surviving on pluck and guts, so Sarasa settles in, cleans up, orders furniture, and opens shop. Soon she has a shop assistant, a girl two years younger than her 15 (the age of maturity here), and she’s able to find a nearby city where… well, at least one of the shops is not there to rip her off. Most importantly: Sarasa is a totally normal, ordinary garden-variety alchemist. And not an insanely talented terrifying prodigy at all.

Sarasa is pretty much THE main reason to read this. Her matter-of-fact, blase narration sucker punches the reader as well into underestimating her, but we do notice right off the bat that she spent her entire school life studying and making no friends, that her mentor is a Master Alchemist revered the world over, and that she’s not only terrific at alchemy but, when she physically strengthens herself, can easily lift huge logs and take out grizzly bear monsters. She is essentially Twilight Sparkle as a human light novel girl. Two warnings, though, which the anime watchers noticed as well. First, this is another series where the lead cares far more about breast size than I ever will (she’s relatively flat, of course), and it does not go away. More importantly, Sarasa believes everything has a cost, and she will be enforcing that, even if you bring in an adventurer who’s lost an arm and is on the verge of dying. We do not do things out of the goodness of our heart here. Well, mostly. She is a bit of a softy. But the girl still owes Sarasa a huge amount of money for saving her life.

If you liked the anime, you’ll like this. If you never tried it, this is a good one for girls who say they’re typical but are anything but, misers, and a slow life that really isn’t.

My Stepmom’s Daughter Is My Ex: “Within Arm’s Reach”

By Kyosuke Kamishiro and TakayaKi. Released in Japan as “Mamahaha no Tsurego ga Motokano datta” by Kadokawa Sneaker Bunko. Released in North America by J-Novel Club. Translated by Gierrlon Dunn.

This is the first volume taking place after our main couple have gotten together… again… and as you can imagine, it’s leading up to one big scene. That said, it certainly does meander before it gets there. This series has always played with viewpoint – from the start, the main chapters alternated between Mizuto and Yume, usually with some variation on how they used to be in love but are older and wiser now. As the series went on, we got more and more viewpoints from the POV of other characters, such as the best friends of our lead couple, or the rest of the student council. And honestly, with this volume I think we may have finally gotten an answer to the question “how much is too much”. I think everyone in the entire cast with the exception of Isana gets a look in here, and it makes the book too scattered. It’s only in the final dramatic battle/love scene that it settles down – ironically, when the POV switch is at its worst.

Mizuto and Yume are now a couple once more, but there is a slight problem – they’re still stepsiblings. As a result, they have to hide their relationship from both their parents and from everyone at school. The latter is only slightly successful – Minami and Kawanami figure things out pretty fast – but it does mean that there are a certain amount of repressed feelings that are happening. And, of course, this book also takes place around Valentine’s Day and White Day, with all the plots that you’d expect with that. We get another couple getting together here, despite some truly amazing amounts of self-hatred and loathing to get through in order to accept it – and as for Minami and Kawanami… it may be a bit longer, but they’re making real prgress as well. As for Mizuto and Yume, their parents taking an extended away trip means that they may finally be able to go all the way this time… provided this does not turn into Kaguya-sama: Love Is War again.

I will admit, I was schnookered by the author. The moment the two of them decided that this was going to be some sort of contest to see who admitted to wanting to have sex first, I was fairly certain that they were going to end up just doing nothing till their parents came back. But no, for once the two have semi-matured enough – and are prepared enough to buy nice lingerie and condoms – that they actually do end up getting past the competitiveness and having their first time. The sex, as you can imagine, is elided rather than explicitly described, but the elision is actually very clever, relying on the swapping narrative POV to give us the rhythm of two lovers coming closer and closer to a climax. Also, as with the previous sex scene in this series, the first time is not necessarily “the best sex ever” – it’s typical first sex – but they’re both happy, which is all that matters.

That competitiveness may end up returning after the cliffhanger ending to this book, though thankfully it will be in the classroom rather than the bedroom. I just hope we can get back to primarily being Mizuto and Yume’s narration.