Sasaki and Peeps: Betrayals, Conspiracies, and Coups d’État! The Gripping Conclusion to the Otherworld Succession Battle ~Meanwhile, You Asked for It! It’s Time for a Slice-of-Life Episode in Modern Japan, but We Appear to Be on Hard Mode~

By Buncololi and Kantoku. Released in Japan as “Sasaki to Pi-chan” by Media Factory. Released in North America by Yen On. Translated by Alice Prowse.

The joy of this series is the genre mashup, of course, but that can also make it very hard to take at times. When the author does a genre, they go all in. This means the fantasy world is filled with throne wars, elves, dragons, and last minute plot twists. The “psychic” part of the story involves people using powers to control others and create chaos all around them. It also veers into a sentai show here, and it’s very deliberate. The Neighbor Girl’s supernatural part is very much standard “death game”, even though she and her demonic partner don’t get to wipe out anyone this book. But Neighbor Girl (who we get a last name for at last – Kurosu) also brings another sub-genre to the plate, which is hideous abuse. That’s the “slice of life” in this volume’s subtitle, and it absolutely goes off the rails when she, Sasaki and Futarishizuka attend the wake from hell. This is getting an anime soon, and I imagine making this all cohere seamlessly will be a nightmare.

Sasaki has a lot on his plate. He’s attending the aforementioned wake, where we learn that apparently Neighbor Girl’s family has money, but also that literally everyone in the family despises her; he’s dealing with the aftermath of the sea monster from the last book, as he and Hoshizaki are almost lured to America with the promise of a ton of money, stopped only by their complete lack of English skills. An unknown enemy decided to mind control people into causing a riot near Hoshizaki’s apartment, presumably to do to it what they did with Sasaki’s old place; and there is, of course, the fantasy world, where it appears that the first prince has betrayed the nation and is collaborating with the enemy. Can he even find time to settle down and get some actual sleep? He can in the fantasy world, but certainly not in Japan.

I tend to go on about Neighbor Girl too much in these reviews, and her story vanishes after the first third of the book, so I will just note that that slap made me scream out loud, and also that she is a ticking time bomb that Sasaki is ignoring but Futarishizuka certainly isn’t. We do get to learn a lot more about Hoshizaki in this book, though I suspect she would not be happy with that fact. Unsurprisingly, at school she seems to have no friends and looks the stereotypical bookish nerd – her overly made up face on the job is the attempt to look “grown up”. Her younger sister straight up thinks her part-time job is sex work, and Sasaki has to reassure her while also giving nothing away about what the job actually is. She’s also clearly got a crush on Sasaki, but is sadly running a very distant third, behind Futarishizuka (easily the front runner) and Neighbor Girl.

This is a good book, and has an excellent plot twist near the end I did not expect. It’s also a book that rewards close character analysis, which I like. If you can put up with the occasional lolicon joke, it’s a definite winner. And it appears next book we’re adding aliens.

Sasaki and Peeps: The Psychics and the Magical Girl Drag the Death Game Crew into the Fight ~Alert! Giant Sea Monster Approaching Japan~

By Buncololi and Kantoku. Released in Japan as “Sasaki to Pi-chan” by Media Factory. Released in North America by Yen On. Translated by Alice Prowse.

I observed as I was reading this new volume of Sasaki and Peeps that I felt the author had read a lot of the Bakemonogatari Series. Their writing style isn’t anything like NISIOISIN, but this is a story of a guy who saved the world while being surrounded by underage girls, and it also has a tendency sometimes to actively drive its audience away. There’s a scene halfway through the book where Sasaki is trying to rescue the first prince, a rival to Sasaki’s group in the other world, and comes across the aftermath of a sexual assault, which is described in detail. This then turns out to be a trick to get him to lower his guard, and what follows is sort of mind control but also involves homoerotic flourishes and… just describing the scene is difficult. I felt like screaming out, WHY? And yet the rest of the book is quite entertaining. This is, in my mind, very much the same experience I sometimes have with Bakemonogatari, especially when Araragi molests Mayoi for the lulz.

After managing to resolve the cliffhanger stand-off from the previous book, Sasaki, Hoshizaki and Futarishizuka end up spending most of the book dealing with, as the title might give away, a giant sea monster. Sasaki pretty much feels he has to deal with it, as Peeps confirms the monster is actually a dragon from the other world, somehow brought over here. It draws in a worldwide response, which not only brings in Sasaki and company, but the magical girl from previous books, who works with her five-person magical girl team to try to destroy it. Unfortunately, bullets can’t stop it, rockets can’t stop it, we may have to use nuclear force! And then of course there’s also the death battle between angels and demons, which ends up affecting Sasaki very personally when his apartment building is bombed.

As always with this series, I find the neighbor most fascinating, even though it’s been four books and we’re no closer to learning her name. (She in turn does not refer to Sasaki by his name, even after she heard other people use it.) She’s growing more confident and outgoing now that she’s around Abaddon all the time – frankly, he’s a better romantic match for her than Sasaki, though I wouldn’t wish that on him. The aforementioned bomb was meant to kill her, and does kill her mother. Sasaki spends the rest of the book thinking that her somewhat remote attitude is due to processing her grief. In reality, she doesn’t even think of her mother a single time after the bombing. This is not unexpected, given her mother’s abuse of the neighbor girl, but Sasaki’s idea of what she’s like versus her own POV (she’s the only other character who gets POV narration) can be amazing.

As for who Sasaki will end up with in his harem of little girls and girls who look like little girls, if I were a betting man I’d say Futarishizuka, but this volume also makes it clear he has no real romantic or sexual drive at all. That’s not what this series is about. It’s about mashing genres together, making salaryman jokes, and occasionally throwing in truly appalling scenes to weed out the casuals. If that floats your boat, read on.

Sasaki and Peeps: Psychic Battles, Magical Girls, and Death Games Can’t Contend with Otherworldly Fantasy ~Or So I Thought, but Now a Storm Is Brewing~

By Buncololi and Kantoku. Released in Japan as “Sasaki to Pi-chan” by Media Factory. Released in North America by Yen On. Translated by Alice Prowse.

It’s getting better. There are still a few times where I wince while reading the series, mainly whenever the neighbor girl is trying to manipulate Sasaki into sexually assaulting her (he doesn’t), but for the most part the series is doing what it does best: mashing up genre after genre and watching our deadpan salaryman crush all of them as he flies past. Sasaki may be a bit of a stoic sad sack, but the series wouldn’t work at all if the protagonist were, say, Kazuma from KonoSuba. It not only requires his experience as a Japanese salaryman to drive a lot of the plot, but also his reserve helps the reader glide through the plot without taking anything too seriously. Which is good, because this series is still mostly a comedy, but also bad, because there are a lot of things I think could do with being taken more seriously, such as getting the neighbor girl some therapy.

Sasaki continues to juggle the various light novel plots he finds himself in. In the fantasy world, the count’s daughter Elsa is being taken as a “concubine” by an evil Duke, so Sasaki agrees to help fake Elsa’s death and take her with him to Japan, where she can hide out in a hotel. In the “psychic” world, he continues to investigate mysterious happenings (most of which have to do with one of the other genres he’s in) while trying to get enough blackmail material on his suspicious boss. In the “magical girl” part of the book, he finds her trying to murder another psychic. Sadly, before that gets anywhere, he’s dragged into the “angels vs. demons death game” genre we started to see last time, and finally discovers what the neighbor girl has been up to. Unfortunately, everything completely is blown to hell and back due to one fatal mistake: he lets Peeps get drunk.

I do suspect a lot of the salaryman humor in this lands better in Japan than it does here – he’s constantly apologizing to the girls around him, and thanking them for their support of him, in a way that is meant to evoke the office even as it happens while they’re watching demons blow teenage girls’ heads off. The best part of the book was seeing the neighbor finally get drawn into the main plotline as opposed to being a very uncomfortable side story. She’s still very uncomfortable – I hate using the word yandere, but it does apply here, and her rape/suicide fantasies are deliberately disturbing – but now that she’s involved with everyone else, hopefully she can get a little help? Maybe? The book ends in a four-way Mexican standoff between all of the various underage girls Sasaki has pulled into his orbit – none of whom he’s remotely romantically interested in, but I see what you’re doing there. And that doesn’t even count the traditional “looks nine but is decades older” girl. Which, again, light novel trope.

It appears we’re adding aliens to the stack of plots if the cliffhanger is to be believed, though if I were Sasaki I’d worry more about calming down his not-harem first. This series is absolutely not for everyone, but if you have drenched yourself in light novel plots over the years, it can be a lot of fun.