Category Archives: unshelved

Sailor Moon MMF: Day 1 links

We’ve got some excellent links from Day One of this Manga Moveable Feast!

Aaron Kooienga tells us all why he’s so find of the magical girl genre, and also reviews the second volume of Codename: Sailor V.

Erica Friedman wrote a great article for Hooded Utilitarian a while back about why Sailor Moon was such a huge influence on North America.

Ed Sizemore found that he had issues with Usagi as a heroine in his review of Volume 1, but he was able to get behind Minako more. Ed also did a podcast about the series with Erica and Emily Snodrass.

Erin Jamison gives us a look at what lessons one can learn from Usagi Tsukino.

I’ve reviewed the first two volume of both Sailor Moon and Sailor V here, and I also discussed the character of Makoto Kino/Sailor Jupiter.

And that’s just Day 1! What will other days bring?

MMF: Makoto Kino

When I thought about what I wanted to write about for this month’s Sailor Moon MMF, I decided I wanted to get away from my two favorite senshi, Minako and Hotaru, mostly as I’ve discussed them to death. (You can argue I’ve done the same with Setsuna, but I reserve the right to come back to her later this week anyway.) So I started to wonder if there were senshi that I liked but hadn’t really delved into why I liked them in great detail. Makoto was the first that came to mind. Because really, she’s terrific.

Introduced at the end of the first re-released volume/halfway through the first season of the anime, Makoto pretty much makes an instant impression. She is 5’6″, which given she’s 14 and Japanese, is really significantly tall. She also has many of the features and clothes that a fan of Japanese shoujo manga would instantly associates with ‘yanki’, or a girl in a gang – she has ‘wavy’ hair (the manga goes to great pains to have her note that it’s naturally that way and not a perm), she wears a long skirted school uniform, a carryover from her old school, which one could easily hide weapons in (it’s noted she’s so tall the school can’t get her a new uniform right away – in fact, she doesn’t get one till high school). And of course she’s rumored to have been expelled from her old school for fighting. (Apparently Takeuchi’s original plan was for Makoto to actually *be* a yanki, but her editors told her to dial it back.)

Of course, we eventually find out that Makoto is quite feminine, and loves to cook and do gardening. The interesting thing about this, though, is that this is not followed by her explaining everything else is a misunderstanding. She does fight at school – she fights bullies picking on others. And even though she gets ostracized by her classmates for her scary appearance and tendency towards fights, she’s not going to stop doing this. This becomes even more obvious when she awakens to her role as a senshi, Sailor Jupiter. She takes her role of protecting her princess, Sailor Moon, very seriously, and does not hesitate to treat youma exactly the same way she would treat a bully. Makoto hates injustice as much as the rest of the senshi, and if she can use her height and strength to stop it, well, that’s fine.

I feel I should also mention something else – of the entire inner senshi, Makoto is the only one with no parents – or even parental figure – at all. Takeuchi actually gives us this information offhandedly in a comedic side-story – Makoto gets terrified when she hears an advertisement for an airline, and tells us her parents were killed in a plane crash. Now, Ami and Rei also have parental issues – Ami’s parents are separated, and Rei’s mother has died and she’s estranged from her father. But Ami does at least live with her mother, and Rei has her grandfather. Makoto, from what we can tell, lives alone. How she manages to swing this we’re never quite shown – one fan idea is that she’s given enough for an apartment and necessities from a distant family member – but certainly it does give another reason why she’s good at cooking.

And then there’s the old boyfriend. Now, the manga briefly touched on this in her debut, but the anime began to use it as a running gag. And then once fans got a hold of it and began using it in fanfics… let’s just say that if you ask Sailor Moon fans about Makoto, one thing they will always discuss is that “she always things every guy reminds her of her old boyfriend”. A constant source of humor, it also underscores the loneliness in Makoto’s life. From what we see, Makoto was devastated by the breakup (this is even more true in the anime – the manga downplays it somewhat by having her awaken to her destiny) and is having a lot of trouble getting over it. Sailor Moon is not a series short of girls wearing their hearts on their sleeves, but even among those Makoto stands out.

Again, among the Inners, Makoto has a tendency to be “the normal one”, who can play straight man when any of the others go insane. One can argue Ami also fills this function, but Ami is a “genius type”, whereas, height notwithstanding, Makoto is far more easy to identify with as “one of the girls”. We usually find Makoto talking Usagi and Rei down from a fight (anime only – manga Rei rarely gets that hotheaded) or trying to walk Minako and Usagi back from a harebrained scheme. But as a character, she’s just as notable. Showing female readers and viewers that you don’t have to be either a ‘tomboy’ or a ‘girly girl’, but can feel free to love aspects of both. Oh yes, and also feel free to take no guff from any bullies who might be picking on your friends. Makoto is a fantastic part of the core Sailor Moon cast.

And she’s ‘talented’, too. (Sorry, had to get that in there.)

Christmastime: Thoughts on 2011

In two days it will be my 2nd anniversary of manga blogging. Of course, I won’t post about it then, as I’ll be far too busy writing up and linking the new Manga Moveable Feast, which will be discussing Sailor Moon. But since my stack of books to review keeps getting higher, and Lord knows I’ll do anything to avoid doing things that are pressuring me (hi, stack of Viz books!), I thought I’d discuss what I thought of this year.

Overall, a mixed bag. (And I’m pretty sire that art is final, sadly.) Tokyopop had its faults as a company, God knows, but they also put out a pile of series I adored. Viz slowed to a crawl a number of series I follow, presumably for sales reasons. Kodansha’s reboot was great, and Sailor Moon is fantastic, but they give the impression of working with a very small staff, given the number of obvious proofreading errors that plague their books. And in general a lot of 2011 was watching the economy continue to contract, and seeing it affect everyone in the business.

But it certainly had its high points as well. JManga, even if it’s not what we hoped it would be, has introduced me to a number of stellar series. Viz also came out roaring with their digital platform, and are doing the speedup to (near) simultaneous release that folks clamored for. Yen Press and Kodansha also rolled out digital platforms. I admit that a lot of the digital manga arena seems to be ‘won’t you buy this proprietary device that you can only get our manga on?’, but I’m hoping 2012 will include more options for those of us who don’t own iPads.

Series I love ended in 2011! Fullmetal Alchemist, Eyeshield 21, Seiho Boys’ High School, Black Jack. New series I love began! Blue Exorcist, Oresama Teacher, The Drops of God. New reprints of Love Hina and Sailor Moon. And yes, some series were cancelled: Gintama. And, in non-manga high points, the big news of the year was Pogo *finally* coming out from Fantagraphics.

There’s a lot to look forward to in 2012. New series like Devil and Her Love Song, which promises to be awesome. Shonen Jump Alpha, even if it doesn’t have Medaka Box just yet. Vertical trying to change its image a bit from ‘they don’t publish mainstream’ by picking up GTO and Flowers of Evil. More from JManga, hopefully at a faster pace than the 1-per-week they settled into after their debut. Some great stuff from Yen, including the Durarara!! manga and Until Death Do Us Part. And, of course, Vol. 23 of Excel Saga. I’ll be there, shouting from the rooftops as always.

Any wishes for the new year? I wish that some of the mid-range publishers who were all giving stuff to Tokyopop got together and figured out what they’re going to do now. Hakusensha in particular is in trouble if their one venue is now “One Viz license per year”. Yes, I realize that they probably feel pretty burned by Stu Levy and reluctant to deal with North America right now, but still. I’d like to see some titles available digitally that are back catalog titles – such as Ranma, or Excel Saga, or Please Save My Earth – rather than just “new and popular”. I’d also be interested in companies doing some digital only – maybe that’s how we can see ‘tricky’ series such as Medaka Box or Sket Dance. Of course, I realize digital only is very unpopular with folks, but… And I’d like to see the economy turn around, and folks buy more manga, so that we can get even more licenses.

I’d ask for a pony, but I did discover Friendship Is Magic this year, so I am content with Pinkie Pie, Rainbow Dash and the others for now. :D

Lastly, thanks to everyone who reads and comments at my blog for a great year. I particularly want to thank Melinda, Kate, Michelle and David at Manga Bookshelf, both for asking me to join and for immediately welcoming me. It’s been a rough December for our group, as you are no doubt aware, but I hope that 2012 finds joy and happiness all round, for both the Manga Bookshelf team and its readers.

Merry Christmas and Happy New Year!