From Desk Job to Death Beam: In Another World with My Almighty Lasers, Vol. 1

By Nekomata Nuko and Cut. Released in Japan as “Saikyō Death Beam o Uteru Salaryman, Isekai o Yuku” by HJ Bunko. Released in North America by J-Novel Club. Translated by Nolan Good.

“Excuse me, sir? Can I interest you in reviewing a fantastic debut light novel?”

“Aren’t you Aqua from KonoSuba?”

“Don’t be silly, sir, I’m nowhere close to being as well-written as Aqua!”

“…uh-huh. What do you have?”

“This is a new series about a young man who’s accidentally killed by a beautiful young goddess–”

“You?”

“(clearing throat)–and is transported to a new world with fantastic powers!”

“…what makes this different from 80 other books?”

“It has laser beams and beast people!”

“There are many other books with beast people, but I’ll grant you the laser beams. So he basically has a cool gun?”

“Oh no, his lasers can also be a shield, a broomstick so he can fly, they can heal, they can clean…”

“So it’s an “I can do anything I want” power.”

“But with laser beams!”

“And he struggles to get by and goes through character growth?”

“Oh hell no, he’s far too powerful for that! Everything is solved by the laser beams!”

“…and the beast girls?”

“Are totally in love with him, of course! One is plucky and one is tsundere!”

“Two girls.”

“Two girls SO FAR.”

“And he wins them over by…?”

“By being the only person who’s nice to them! And by stroking their ears and tails!”

“Which are erogenous zones, I’m gonna guess.”

“…only the tails?”

“How about slavery?”

“No slavery!… sort of.”

“?”

“OK, the beast people are treated like crap, and it’s legal to kill them, and they’re barely paid anything, and they are worked to death.”

“…so slavery without the actual slavery.”

“Oh, and there’s a bad guy! He’s horrible, a real loathsome person with no redeeming features!”

“Well, we know how much I love those guys.”

“Right?!”

“(stare)”

“(clearing throat) Anyway, you always talk about things you liked, what about it?”

“So we’re assuming that I read this while you were prattling on?”

“Yup!”

“The idea of a man that is so depressed about his current life that, when offered a new life, decides “no thanks”, is interesting…”

“Isn’t it?”

“…that is, until you brainwash him into only thinking of it occasionally because he’s too busy being obsessed with lasers and beast girls.”

“And collecting!”

“And collecting, yes, because apparently the whole book was based on the “pick three random words and write a story about it” meme.”

“Anything else?”

“The identity of the main villain – his actual identity, that is – made me smile for reasons that would spoil it, and his grand plan was grotesquely overblown to such an extent that I was briefly impressed, at least until our hero proved that there’s nothing he can’t defeat with the power of lasers.”

“And?”

“That’s it, really. I ended up being reminded of Rearguard, but Rearguard reveled in its ridiculousness, whereas this is content to merely be a run of the mill OP fantasy.”

“…really, that’s all you got?”

“I guess if pressed, I could say that reading it made me decide to write a review in this format. Will that do?”

“Hrmph. See if I bring you “The Boy Who Ruled the Monsters” in a month!”

“…yeah, I was planning on skipping that anyway.”

“Waaaaaaaaahhh! Kazuma, Sean’s being mean to me!”

“I thought you weren’t Aqua?!?!”

Raven of the Inner Palace, Vol. 7

By Kouko Shirakawa and Ayuko. Released in Japan as “Kōkyū no Karasu” by Shueisha Orange Bunko. Released in North America by Airship. Translated by Amelia Mason. Adapted by T. Burke.

Probably the most startling thing about this final volume of Raven of the Inner Palace is how little Jusetsu is in it, and when she appears, it’s not really her actions that save the day, just her actual presence. She’s spent her life being a vessel for a higher power, and being involved in a God vs. God battle is something that she has to get dragged into or else bad things will happen. But it’s not what she herself wants. Honestly, I think she’s still flailing around trying to figure out what she wants until this final volume, and it’s not saving the day and unleashing her inner raven. Nor is it headed back to the palace to deal with the unstated romantic feelings she and Koshun have dealt with since Book 1 – that ship has run aground already. That said, we do get to see the resolution of a ship, sort of – the trouble is that it’s Jusetsu/merchant marine life. Which, refreshingly, is not what anyone was expecting.

This book is essentially divided into two plotlines, one on and going to the island, and the other up in the mountains. They’re actually mostly completely separate. We already know about Jusetsu, who needs to somehow get past an underwater volcano exploding to get to the island so that she can reunite the two halves of the raven. She’s got to do this despite the turtle god resorting to threats, more threats, and possession in order to win the day. The other half of the book is still drenched in Saname family drama, which we already got a heaping helping of in the last book. Ko has been sent by his father to use the mountain tries to incite a rebellion, which won’t succeed, but will mean that they’ll have to kill Jusetsu in order to calm everyone down. If you think this makes no sense, well, it doesn’t make much sense to Ko either, but it’s hard to go against Daddy.

I’ll be honest, this book was not quite the big finale I was hoping for. As noted, Jusetsu is just present rather than active for the battle, which makes sense but is dramatically unsatisfying. Likewise, there’s no rebellion, because in the end the stability of the country is more important than an old man trying one last time to exercise his power. And yes, Koshun has almost been the co-protagonist of the series, and so seeing him so uninvolved in the finale – he doesn’t leave the palace – makes sense but is dramatically unsatisfying, the second time I’ve typed that. I did like Jusetsu’s career choice – she can’t stay in the palace, after all, especially not with an Empress and two kids from other wives – and so traveling the world and seeing other cultures makes sense. And I’m delighted she takes her entourage with her – I love Jiujiu.

So yes, something of a mixed bag finale, but overall this was a good series, and a worthy addition to “intrigue in the inner court of the emperor” genre.

An Archdemon’s Dilemma: How to Love Your Elf Bride, Vol. 18

By Fuminori Teshima and COMTA. Released in Japan as “Maou no Ore ga Dorei Elf wo Yome ni Shitanda ga, Dou Medereba Ii?” by HJ Bunko. Released in North America by J-Novel Club. Translated by Hikoki.

There is a moment in this book that initially made me roll my eyes at the stupidity, but upon reflection I realized it actually makes perfect sense in the context of the books. Zagan is reaching out to other archdemons, trying to ally with them before they ally with Marchosias, and Acheron is one of these powerful archdemons. He plans side side with Zagan, but then Eligor, an archdemon working for Marchosias, arrives to threaten him into joining the other side. Not to spoil too much, but Acheron is killed because it never occurred to him that she wouldn’t arrive without backup. But then I realized that at the start of the series a big deal was made about how none of the archdemons trusted each other, and that Zagan’s big change is actually forming partnerships and gaining allies. So yes, the enemy can now do that too, as our archdemon learns in his last moments. This has come down to just two sides.

Oh my God, cover, spoilers! I think the author knew what the cover would be, as we open with Zagan and Nephy in wedding outfits, blushing heavily at each other, and then flash back to try to show how we got here. As I said above, both sides are still trying to recruit the few remaining unallied powerful people to their side. We saw the fallout of one of those attempts last time, and now Zagan’s castle as additions of a porcelain robot girl trying to be human and her twitchy archangel minder. The most powerful of these people is Phenex, whose name might give an idea as to her powers, and she is (like most of the cast) deeply eccentric. She’s also lived longer than the rest of the cast, due to the nature of her existence, and Zagan might be able to do something that no one else ever has before.

I managed to get to this point without discussing the romance, go me! It’s still here, and the couples continue to be obvious, with the one exception of the love triangle between Lilith and her straight and gay options. Micca and Furfur are the newest at this, so they get the most focus, and they’re adorable. Shax and Kuroko are the old hands at this, and they also get to be adorable. Chastille and Barbatos… are still in denial, and aren’t really in this till the end, but yeah, they’re adorable in a way where you want to punch them both. As for that cover image, I admit I was expecting it to not amount to much. It’s signposted that this is a setup by Chastille as a petty revenge for Zagan broadcasting her own supposed relationship to the entire world. But for once, Zagan steps up when it comes to his love life rather than everything but his love life, and even if we don’t end up getting a wedding, we do get a punch the room, “Finally!” moment.

This is apparently Part 1 of a 2-part arc, and I expect the next one to have far more fighting. That said, it will still have schmoopy romance. The plotlines intertwine, they can’t be separated.