Lady Bumpkin and Her Lord Villain, Vol. 6

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By Ageha Sakura and Kurodeko. Released in Japan as “Imokusa Reijou desu ga Akuyaku Reisoku wo Tasuketara Kiniiraremashita” by Overlap Novels f. Released in North America by J-Novel Heart. Translated by Vasileios Mousikidis.

This series continues to be pleasant. It has a nice cast, and after the drama of the last book, I was expecting a more lackadaisical one. That said, I’m starting to feel like Agnes does through most of this volume. I wish that the book would stop coddling me and actually go places. It’s been very clear for a while now that the author’s idea for the way the series goes began and ended with the first book. This is quite common with light novels, where the publisher says “It sold, write more”, and the author says “more what?”. I was wondering if the series might end with Agnes giving birth to her child, but no, that’s the beginning of this book, and it ends up going so smoothly and easily even Agnes is surprised. Worst of all, the author is aware that there is a certain lack of conflict in this volume, and brings back the series’ worst villain, Robin. Who is still the worst.

Six volumes in and we’re no closer to figuring out why the cover art always has a little chibi-Agnes floating around. I had wondered if it might be their future child, but no, Agnes gives birth to a healthy baby boy, named Solis. What’s more, not only does he have rare soil magic, but he’s seemingly been able to use it from inside the womb, as it turns out that was the reason behind Agnes’ magic soil powers in the last volume. That’s not to say she doesn’t do a lot of Cool Magic Tricks here, including essentially putting up a dome to protect the entire estate from a nasty storm. Unfortunately, Robin has escaped from his light novel stereotypes prison, and is helped out by an apathetic, aggrieved man from another country. They’re supposed to flee to that country, but Robin can’t help going to Sutrena to try to make Nazel’s life miserable.

To get the bad stuff out of the way, I hate Robin. I know that’s deliberate, but I hate how he’s written too. It’s interesting that one of the funnier things in the book was how Agnes got Robin to stop being obsessed with her – she put her old pancake makeup from Lady Bumpkin days back on. But yeah, Robin is stupid, arrogant, and terrible, and him being put back in prison also means we get a lot more “hah, it’s funny because prisons have lots of gay rape!” bits. On the bright side, I quite liked the aggreived foreign aide, who seems to realize that he’s on a mission where everyone will abandon him when it goes wrong, and when it does, he’s absolutely right. Fortunately, he’s in this series, so it turns out his magic is far more amazing than he expected. Also, because he’s in this series, Agnes wins him over with the sheer power of niceness, though he doesn’t fall for her.

So yeah, I’m basically reading this series on inertia, but I still want to read more, unlike her other JNC series I dropped recently. And we may get another child soon, if Nazel’s behavior at the end of this volume means anything. For fans of series with chibi-versions of the protagonist floating in the air for no reason.

Mercedes and the Waning Moon: The Dungeoneering Feats of a Discarded Vampire Aristocrat, Vol. 4

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By Fire head and KeG. Released in Japan as “Kaketa Tsuki no Mercedes: Kyūketsuki no Kizoku ni Tensei Shita kedo Suteraresō nanode Dungeon wo Seiha suru” by TO Books. Released in North America by J-Novel Club. Translated by Maddy Willette.

I do love it when a character I 100% vibe with arrives on the scene. I love, as I have said in a few reviews before, incredibly strong, powerful women who are also dumb as a bag of hammers. It just tickles me. And we get that in spades here with Julia, a vampire who’s on the side of the bad guys and actually forces Mercedes to try. See, she’s not only strong, but it seems to be entirely instinctual – she hasn’t been taught anything, but when she sees a move she’s able to work out counters and the like just on her own. And she’s also the funny kind of dumb, which is important. She will fall for them pretending to be on her side and spill all sorts of secrets. The big bad, when their plans inevitably go south, assumes it’s her fault simply because she causes chaos wherever she is. I was so happy she wasn’t killed off.

Things are going pretty well for Mercedes, though she’s still struggling with the whole succession thing. Unfortunately, Sieglinde may be the official princess, but the country does not really want her to rule, especially since the empire next door were all misandrists. So she’s got to get married, and the person who marries her will have all the power. Then Mercedes gets a visit from a guy named Basil, who she notes looks exactly like a typical anime bad guy (he looks a lot like Gin from Bleach, in fact). Basil says that there is, in fact, another royal with a claim to the throne – and he has a dungeon. Sure, he’s a naive ten-year-old who is clearly being set up as a puppet king, but that’s irrelevant – he has a dungeon, and he’s male. How are they going to handle this?

As it turns out, the backstory that led to all this turns out to be rather convoluted, especially since it means that there’s another person with a connection to the royal family. My favorite part of the book was possibly Mercedes’ unreliable narrator moment. To be fair, it’s not without signposts – there are several points where she notes that she’s being too kind or too soft, and we think “wait, back up, Mercedes? Too soft?”. But her father clocks her right away, and instantly lays out her entire thought pattern in three paragraphs. It’s very clear that whenever this series ends (I’m estimating 1 or 2 more books), it’s going to end with Mercedes battling her father for supremacy. In the meantime, congratulations to the country, which now has its royal who can be king, and he’s at least semi-competent. Oh yes, and the little boy who was being manipulated is not killed but put in prison instead. I’m sure that will be FINE.

The 5th volume is not out yet, so get ready to wait. This is a decent little OP cynical vampire series, even if I could have done without hearing about how vampire’s breasts never sag because of their eternal youth (or, in the case of Mercedes, eternal tweenhood).

True Love Fades Away When the Contract Ends: The Secret of the Rose

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By Kosuzu Kobato and Fumi Takamura. Released in Japan as “Unmei no Koibito wa Kigen Tsuki” by Maple Novels. Released in North America by Airship. Translated by Sarah Moon. Adapted by Max Machiavelli.

There’s not actually any art forgery in this book – all the paintings that Fiona gushes over throughout the book seem to be genuine. This is probably because the mastermind behind everything is behind bars – note that I did not say safely behind bars. A novel needs a climax, after all. This allows the book to delve deeply into the other outstanding plotline, which is Fiona and Giles’ fake relationship. Both really don’t want to break it off, but know they have to. Well, Fiona knows she has to. Giles has an epiphany in this volume, and suddenly is finding that he’s absolutely not in favor of that anymore. Unfortunately, he’s still an earl and she’s still the daughter of a baron, so there are issues. What’s more, her father is unhappy with the idea. And this book sees her uncle returning to town, and Fiona just loves him. (No, not that way.) That said, we may be more familiar with him than we thought…

After the events of the last book, Gordon has been taken into custody, which means that Fiona can finally go home and stop imposing on the Heywards. (She is the only one who thinks it is imposing.) As it happens, she gets home just in time, as her uncle Reginald has returned from abroad, and he’s brought paintings to sell. In fact, they’re paintings from the famous Raymond, which is even bigger news. Reginald, however, does not like Giles at all. He knows Fiona wants to be independent, and having her as the plaything of an earl is the last thing that’s good for her. Unfortunately for Reginald, Fiona is not the only one unaware she’s fallen in love – Giles is as well, or was, until Reginald makes him realize that he is. Things will all come to a head at the grand ball which is supposed to be their final one as a couple…

As noted, 4/5 of this book is a romance. Reginald doesn’t like Giles, but he quickly realizes that Giles is not a manipulative bastard and just settles for glaring at him a lot. There is, though, the last fifth of the book, where you realize that both of the main antagonists of the series aren’t dead, and so of course bad things can still happen to Fiona, who has a kind heart even when facing off against a broken woman calling her a whore. Sadly for Caroline, who has spent her entire life planning to be Giles’ wife, reality is not kind to her. I’m frankly stunned by her fate in this book, which is more than she deserves, as everyone else points out. As for Gordon, well, guess what, they never found the body, so I guess we’ll see him again in Book 4. At least he gave us some good royal backstory and angst.

The webnovel is done, with enough material to finish with Book 4. When the published book will be out in Japan is beyond my predictions. Till then, if you like romance and nobles and art, this is still a very good sampling of all of those.