The Devil Princess, Vol. 4

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By Harunohi Biyori and Geso Umiu. Released in Japan as “Akuma Koujo” by K Lanove Books. Released in North America by Airship. Translated by Julie Goniwich. Adapted by Emlyn Dornemann.

I’ve talked before about the sort of series that has a clear ending but keeps going as the publisher wants it to. I’m not sure that’s what’s going on here – the author seems to indicate they had this in mind at the start – but it’s pretty blatant, complete with an “End of Part One” at the finale. Yulucia spends most of this book marching towards the demon lands, where the demons are getting ready to invade humanity, and where her not-quite-ex-boyfriend is currently being held after being summoned. Once she gets there, she’s quickly so insanely powerful that everyone else just immediately agrees to do what she says – well, almost everyone. But she still has to go after a really tasty soul, and ends up dimension hopping, which does not have an easy fix. So while I have no doubt we’ll end up back in this world eventually, for now Yulucia looks to be playing around in one far more familiar to readers.

This series remains mostly half-horror half-comedy, and the funny bits still work well. Yulucia’s description of her entourage that goes with her to the demon lands is hysterical, and Nia’s accidental slaughter of 1/3 of the demon forces is darkly funny. That said, there are a few bits here that are even emotionally heartwarming. One of the bad guys is (like several people in this series) isekai’d from Japan, in this case via truck, and he’s made a deal with a demon so that he can get a chance to return to his newly wedded wife before she moves on and marries someone else. The resolution to this, which I was sure was going to be about as cynical as this series can get most of the time, proved touching. Even Yulicia’s “taking care of” her sister, which is kind of appalling, is at least appalling in a kind of sweet way?

If that sounds ambiguous it’s because this is still, at heart, a series that wants to be horror. Yulucia is after tasty souls. Some of her friends are also. Her relationship with the Demon Beast could be defined as “toxic” even in the most romantic sense. And the reason the series works well at showing this off is that she really is also the Saint who heals thousands at a time, or the goddess who can stop a major war just by talking to the other side, and be so gorgeous that some men just faint when they see her, and both her main love interests feel incredibly inadequate when they try to stand by her. (Oddly, the other sweet romance in this book ends up being between two of its most pathetic people, who decide to simply abandon the plot of this series and go be pathetic but happy together.) As for Yulucia? She’s a nightmare, but she does love her family… in her own way.

So next time we start… a new life? Transfer students? Not sure, but I’ll be here to see what’s next. A dark fantastic comedy.

7th Time Loop: The Villainess Enjoys a Carefree Life Married to Her Worst Enemy! Short Story Collection

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By Touko Amekawa and Wan*Hachipisu. Released in Japan as “Loop 7-kaime no Akuyaku Reijou wa, Moto Tekikoku de Jiyuukimama na Hanayome (Hitojichi) Seikatsu wo Mankitsusuru” by Overlap Novels f. Released in North America by Airship. Translated by Amy Osteraas. Adapted by Vida Cruz-Borja.

Oh God, microstories. My old nemesis. (Yes, I know Monthly Comic Alive is supposed to be my nemesis, but I feel that was a me-from-20-years-ago nemesis. Sorry, Monthly Comic Alive.) It was going to be hard enough to review this, given it’s been almost two years since the last book and I’ve forgotten so much about the series. But now I find that most of the stories are the 3-5 page ones you get as freebies when you buy it at a certain chain store, or ones published exclusively to the web. It’s also the most recent volume in Japan, where it came out over a year ago, so get ready for me to forget even more of this when the 7th volume comes out whenever. On the bright side, the stories do remind us of the main reason why people enjoy this series and it got an anime. and it’s not the hair. Well, not JUST the hair.

While this came out after the 6th book in Japan, the stories here only go up to the fourth book. They’re even grouped by book, i.e. the Vol. 1 extra stories, then 2, etc. Among the more interesting ones, we see some flashbacks to Rishe’s past as a merchant, as as a maid, and rescuing Raul and learning to be a hunter. We see a number of stories where Rishe and Arnold go out “in disguise” to go shopping, or scout some area, etc., which shows how very bad at it they are. There’s an AU where this is a Magical Academy story, which honestly seems a lot more relaxed and pleasant than this one is. The largest story, written for this book, has Rishe and Arnold on another trip, and this time they’re pretending they’re already married. Which leads to, well, the reactions that we’ve gotten from Rishe the entire volume, if I’m being honest.

If you read this series to enjoy Rishe being clever and badass, with perhaps an action scene or two, feel free to skip this one and wait for the next, as there’s none of that here. If you read this series to see Rishe blush and get embarrassed around her very hot fiance, then this is going to be catnip for you, as that’s all it is. Story after story of Rishe being in love, not wanting to admit it, and blushing and getting embarrassed. That said, this author does excel at making this as cute, adorable and sexy as possible, so it never feels boring even if it is a bit repetitious. There’s also some stories about Theodore and Oliver as well, which don’t really add depth, but that’s the trouble with microstories. Everyone is who they are in the main books.

And now we wait for the next book. But boy, those kids are cute, aren’t they?

The Tanaka Family Reincarnates, Vol. 7

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By Choko and kaworu. Released in Japan as “Tanaka-ke, Tensei Suru” by Dragon Novels. Released in North America by J-Novel Club. Translated by Sasha Schiller.

As this series has gone on, the circle of ‘this person is completely bonkers’ gets larger and larger. At first, at the start of Book 1, it was just Emma. Then it enclosed her brothers, her father, and eventually even her mother. Then it took in their immediate family and close friends in their territory. Then they went to the capital and we saw that the King was a bit bananas himself, as well as Emma’s friends, who are all more normal than Emma, but that’s by a matter of degree. And now we get this book, where an invading army, with the help of some monsters that allow people’s fears to get out of hand, see everyone in Emma’s country as perverts who are being led by Emma, who they deem a “debutart”, which I assume has an equally awkward Japanese equivalent, but basically they spot her leering at the old men. What this ends up meaning is that, as expected, the invasion dies on its ass, mostly as everyone is now convinced Emma has broken everything. Just as planned?

We pick up where we left off, with our main party facing off against a passel of Rainbow Raccoons, who basically hit up against people’s fears. Unfortunately, while they kill most of them, one gets away and teams up with another monster sent in by the invading Empire, a fire fox, which basically burns people with flames that are all in their heads but convinces their brains that it’s reality… forever. This proves to be a much harder monster to take out, requiring both more references to obscure Japanese foodie culture and also Emma having to pretend that she’s the Saint so that everyone’s beliefs can turn her healing into reality. Unfortunately, as everyone worships Emma already, apart from her family, this doesn’t go quite the way she wants.

This book has a few bits that did not quite work for me. The climax to the battle really probably is much funnier if you recognize whatever brand of instant noodles the monsters are meant to be, and while I got that’s what they were going for, it was a lost in translation climax for me. The backstory for Juana was overly convoluted for me, and I kinda wanted it to get into more of a trans narrative than it was prepared to get into – which is to say it mostly ignored that part. That said, there was also the usual pile of fun. The climax of the book, with Emma discovering how to get all the cotton they need, is absolutely wonderful, and very Emma – for once you can see just why Joshua is infatuated with her. There’s also a strong anti-war message in this book, as all the Tanakas are dedicated to not only stopping the invasion but making it as hard as possible to ever think of war breaking out again. This is a humans vs. monsters world, they want to keep it that way.

So good stuff, and next time we’ll start a new arc. For those who like very silly books.