Invaders of the Rokujouma!?, Vol. 44

May 16, 2024 by Leave a Comment

By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by HJ Bunko. Released in North America by J-Novel Club. Translated by Warnis.

It has to be said, Rokujouma!? is a very methodical series. We’ve gotten so used to seeing series derived from webnovels where the author is clearly making up each chapter… and sometimes each page… as they go along. So it’s refreshing seeing a series that really feels plotted down to its bones. I suspect the author has outlines and spreadsheets up the wazoo to keep track of all this. A “Pantser” they are not. And sometimes this can be a drawback. There are a few conversations in this short story volume between the heroines where you sort of want one of them to snap and turn evil just for the variety – everyone is polite, pragmatic, and thinks things through – even Theia, who gives the appearance of being impulsive. On the other hand, given what happened in Volume 43, I’m honestly OK with everyone being pleasant and casually discussing their polycule. It’s a lot less sad and downbeat than what I expect the start of the 45th volume will be like.

As with previous short story volumes, this consists of three short stories from HJ Bunko’s online website and a longer story at the end. In the first story, Elfaria, Theia, Ruth, and Ceileshu are ordered to take a day off after the civil war (and despite Ceileshu’s guilt about her part in said civil war), and play various board games from Japan (the Game of Life, etc.). In the second story, with Maki unavailable, Harumi and Shizuka are chosen to try to teach our resident Power Ranger knockoffs how to fight against someone who has magic. In the third story Kotori and Kiriha meet with the student council to discuss how the alien transfer students are fitting in, and then discuss Koutarou’s childhood. In the story written for the book, we see Koutarou going out on dates with all nine of his current polycule… and it becomes clear that it’s going to be expanding to more than nine.

It’s been about fifteen books since the first supposed “ending” of this series, which pretty much cemented that the nine main heroines were all quite friendly with each other and would be happy to share Koutarou in a polyamorous relationship whenever he got over his hangups. He’s mostly done that now, at least in terms of no longer thinking “if I admit I love someone they will die”, but he still feels that choosing just one girl will destroy everything. And, well, he’s not wrong. The second half of this book goes into great detail about how his marriage is now a political decision, and there is no way that he will be allowed to NOT marry someone from Forthorthe. Which… could be Theia. Or Clan. But it could also be Elfaria, who is single, the Empress, still young (for an alien race), and in love with Koutarou, something she is reluctant to admit in front of her daughter. The one thing that none of the heroines are allowed to do in Rokujouma!? is bury their feelings of love. And that’s true if you’re the Empress, or if you’re a god in disguise, or even if you’re the little sister of his best friend, who is starting to realize that maybe he isn’t just a “big brother”.

Of course, that assumes they all survive the next book. The author promises it’s back to the main plot next time. Till then, enjoy a staid and somewhat boring but also warm and comforting light novel volume.

Filed Under: invaders of the rokujouma!?, reviews

I Guess This Dragon Who Lost Her Egg to Disaster Is My Mom Now, Vol. 2

May 14, 2024 by Leave a Comment

By Suzume Kirisaki and Cosmic. Released in Japan as “Saigai de Tamago o Ushinatta Dragon ga Nazeka Ore o Sodate Hajimeta” by M Novels. Released in North America by Cross Infinite World. Translated by Jordan Taylor.

The first volume of this series had the past of Lushera hold my interest more than her present with her dragon mom, so it’s ironic that in this second volume it’s the bonding with dragon mom that is the better part of the book. Of course, some of that is due to the fact that, although names are not really clear still due to the nature of the resurrection, everyone now knows who Lushera is. As such, we’re allowed to concentrate, especially in the first half of the book, on Lushera and her mother growing closer, figuring out how to be parent and child as dragons, and parent and child as humans. Unfortunately, that leaves the second half of this book, which features one of my least favorite light novel cliches, a villain who is 100% evil, irredeemable, and sadistic. I was amazed he didn’t do a maniacal laugh. And he also tortured an abused child. This was a lot less fun to read.

We open by learning a bit more about the past of Kaphal, who turns out to be the equivalent of a teenager who eloped and ran away from home and whose husband then died. Now she’s back, and she has a daughter who is this odd human-dragon hybrid. Her dad is not amused, and insists that Lushera have a test to see whether… well, mostly whether she can survive the test. Meanwhile, the kingdom is having to deal with the fact that the big, scary dragon on their mountain is now walking around the capital in human form, doing things like learning about cooking, going for a swim, etc. Lushera also ends up rescuing a Very Important Person from a golem attack, and discovers she is Monica, the disgraced and scapegoated princess of the royal family, who lives under house arrest with a group of revolving servants and her self-hatred. Meanwhile, the kingdom next door, who got most of their knights and their ruler killed off in Book 1, decide to leave things to their new psychopathic manchild of a ruler.

So yeah, getting the bad out of the way first, everything about Julian in this book sucks, which unfortunately also affects Monica’s plotline, as she is reduced to an object of peril for the entire book. It’s so bad that it actually affected my enjoyment of another very good plot twist, which is briefly hinted at much earlier in the book but then allowed to be forgotten about till the reveal. Fortunately, given that CIW deliberately put this volume out on Mother’s Day, everything that does involve the dragon family part of the book is great. I especially like how clever see see Lushera being, given that her nature and general attitude really lend itself well to “dumb muscle” and it’s great to see she isn’t. Her mom is also really trying hard, and comes a long way in this book.

Which is, I think, the final book in the series. That’s fine with me. It was long enough that I really enjoyed the dragon and her mom, the transgender subplots, and a few of the twists. Just… please, stop making all your villains puppy-kickers.

Filed Under: i guess this dragon who lost her egg to disaster is my mom now, reviews

True Love Fades Away When the Contract Ends: One Star in the Night Sky, Vol. 1

May 12, 2024 by Leave a Comment

By Kosuzu Kobato and Fumi Takamura. Released in Japan as “Unmei no Koibito wa Kigen Tsuki” by Maple Novels. Released in North America by Airship. Translated by Julie Goniwich. Adapted by Max Machiavelli.

Yes, I will admit that adding a Vol. 1 to the review title is optimistic. The book itself lacks a volume number, and there’s no sign of a Book 2 in Japan over a year after the first book. But the series has the equivalent of five books as a web novel, and this book certainly does not come to a definitive close, so I’ll include it just in case. I also realize that whenever I talk about series that are unfinished in Japan, a lot of people resolve to never read the title, showing a disdain for “abandoned” works getting a license in the first place. But this got licensed, in my opinion, because the author’s works have been coming out over here from other publishers, and they’re all quite good. And this is also quite good. It’s a normal romance novel, with a heroine who doesn’t quite realize how amazing she is, even if everyone around her does.

Fiona is a young woman who is enjoying her job as a secretary/administrator at the country’s art gallery, and wants to travel to other countries. Unfortunately, her father has decided enough is enough, she needs to be married. Which, in this very patriarchal society, means no job, and no travel. And she’s to be married off to her childhood friend Norman… who’s nice enough, but Fiona has no romantic feelings for him. Then at a party where she heads out to a remote garden to dwell on her problem, she accidentally overhears Giles, heir to an Earldom, who is also desperately trying to avoid getting married. After they meet again due to various circumstances involving a missing cuff-link, Giles’ friend Richard suggests the two of them get engaged to solve each other’s problem – after the fuss dies down, they can call it off. Unfortunately, Fiona is falling in love with Giles without realizing it, and Giles is falling for Fiona and definitely DOES realize it.

This book doesn’t really take off until about a third of the way in, when Giles’ sister talks about getting a new painting from a famous reclusive artist. Fiona takes one look at the painting – a fake – and absolutely destroys the man selling it to her, incandescent with rage. As it turns out, she has a very personal reason to be extremely angry. In fact, most of this book is made up of reasons like that – it turns out that Fiona has accidentally become a beloved contact and ally of most of the truly important people in the kingdom, and they love her all the more because she never uses her contacts for any personal gain. As a result, Giles suddenly finds everyone giving him the stink-eye, telling him he’d better treat her like the wonderful creature she is. And rivals suddenly find that this plain lady from a backwater barony can somehow get an appointment for a dress fitting in two days at the ritziest place in the city, where the wait time is normally months.

In other words, it’s an “unpolished diamond” romance novel, and quite fun to read, if unoriginal. But you don’t necessarily want originality in romance novels. I hope we get more of it.

Filed Under: reviews, true love fades away when the contract ends
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