I Guess This Dragon Who Lost Her Egg to Disaster Is My Mom Now, Vol. 2

May 14, 2024 by Leave a Comment

By Suzume Kirisaki and Cosmic. Released in Japan as “Saigai de Tamago o Ushinatta Dragon ga Nazeka Ore o Sodate Hajimeta” by M Novels. Released in North America by Cross Infinite World. Translated by Jordan Taylor.

The first volume of this series had the past of Lushera hold my interest more than her present with her dragon mom, so it’s ironic that in this second volume it’s the bonding with dragon mom that is the better part of the book. Of course, some of that is due to the fact that, although names are not really clear still due to the nature of the resurrection, everyone now knows who Lushera is. As such, we’re allowed to concentrate, especially in the first half of the book, on Lushera and her mother growing closer, figuring out how to be parent and child as dragons, and parent and child as humans. Unfortunately, that leaves the second half of this book, which features one of my least favorite light novel cliches, a villain who is 100% evil, irredeemable, and sadistic. I was amazed he didn’t do a maniacal laugh. And he also tortured an abused child. This was a lot less fun to read.

We open by learning a bit more about the past of Kaphal, who turns out to be the equivalent of a teenager who eloped and ran away from home and whose husband then died. Now she’s back, and she has a daughter who is this odd human-dragon hybrid. Her dad is not amused, and insists that Lushera have a test to see whether… well, mostly whether she can survive the test. Meanwhile, the kingdom is having to deal with the fact that the big, scary dragon on their mountain is now walking around the capital in human form, doing things like learning about cooking, going for a swim, etc. Lushera also ends up rescuing a Very Important Person from a golem attack, and discovers she is Monica, the disgraced and scapegoated princess of the royal family, who lives under house arrest with a group of revolving servants and her self-hatred. Meanwhile, the kingdom next door, who got most of their knights and their ruler killed off in Book 1, decide to leave things to their new psychopathic manchild of a ruler.

So yeah, getting the bad out of the way first, everything about Julian in this book sucks, which unfortunately also affects Monica’s plotline, as she is reduced to an object of peril for the entire book. It’s so bad that it actually affected my enjoyment of another very good plot twist, which is briefly hinted at much earlier in the book but then allowed to be forgotten about till the reveal. Fortunately, given that CIW deliberately put this volume out on Mother’s Day, everything that does involve the dragon family part of the book is great. I especially like how clever see see Lushera being, given that her nature and general attitude really lend itself well to “dumb muscle” and it’s great to see she isn’t. Her mom is also really trying hard, and comes a long way in this book.

Which is, I think, the final book in the series. That’s fine with me. It was long enough that I really enjoyed the dragon and her mom, the transgender subplots, and a few of the twists. Just… please, stop making all your villains puppy-kickers.

Filed Under: i guess this dragon who lost her egg to disaster is my mom now, reviews

True Love Fades Away When the Contract Ends: One Star in the Night Sky, Vol. 1

May 12, 2024 by Leave a Comment

By Kosuzu Kobato and Fumi Takamura. Released in Japan as “Unmei no Koibito wa Kigen Tsuki” by Maple Novels. Released in North America by Airship. Translated by Julie Goniwich. Adapted by Max Machiavelli.

Yes, I will admit that adding a Vol. 1 to the review title is optimistic. The book itself lacks a volume number, and there’s no sign of a Book 2 in Japan over a year after the first book. But the series has the equivalent of five books as a web novel, and this book certainly does not come to a definitive close, so I’ll include it just in case. I also realize that whenever I talk about series that are unfinished in Japan, a lot of people resolve to never read the title, showing a disdain for “abandoned” works getting a license in the first place. But this got licensed, in my opinion, because the author’s works have been coming out over here from other publishers, and they’re all quite good. And this is also quite good. It’s a normal romance novel, with a heroine who doesn’t quite realize how amazing she is, even if everyone around her does.

Fiona is a young woman who is enjoying her job as a secretary/administrator at the country’s art gallery, and wants to travel to other countries. Unfortunately, her father has decided enough is enough, she needs to be married. Which, in this very patriarchal society, means no job, and no travel. And she’s to be married off to her childhood friend Norman… who’s nice enough, but Fiona has no romantic feelings for him. Then at a party where she heads out to a remote garden to dwell on her problem, she accidentally overhears Giles, heir to an Earldom, who is also desperately trying to avoid getting married. After they meet again due to various circumstances involving a missing cuff-link, Giles’ friend Richard suggests the two of them get engaged to solve each other’s problem – after the fuss dies down, they can call it off. Unfortunately, Fiona is falling in love with Giles without realizing it, and Giles is falling for Fiona and definitely DOES realize it.

This book doesn’t really take off until about a third of the way in, when Giles’ sister talks about getting a new painting from a famous reclusive artist. Fiona takes one look at the painting – a fake – and absolutely destroys the man selling it to her, incandescent with rage. As it turns out, she has a very personal reason to be extremely angry. In fact, most of this book is made up of reasons like that – it turns out that Fiona has accidentally become a beloved contact and ally of most of the truly important people in the kingdom, and they love her all the more because she never uses her contacts for any personal gain. As a result, Giles suddenly finds everyone giving him the stink-eye, telling him he’d better treat her like the wonderful creature she is. And rivals suddenly find that this plain lady from a backwater barony can somehow get an appointment for a dress fitting in two days at the ritziest place in the city, where the wait time is normally months.

In other words, it’s an “unpolished diamond” romance novel, and quite fun to read, if unoriginal. But you don’t necessarily want originality in romance novels. I hope we get more of it.

Filed Under: reviews, true love fades away when the contract ends

Fiancée No More: The Forsaken Lady, the Prince, and Their Make-Believe Love, Vol. 2

May 10, 2024 by Leave a Comment

By Mari Morikawa and Bodax. Released in Japan as “Konyaku Haki no Sono Saki ni: Suterare Reijō, Ōji-sama ni Dekiai (Engi) Sareru” by DRE Novels. Released in North America by J-Novel Heart. Translated by Adam.

This series really does enjoy piling on, doesn’t it? Our happy couple are pretty happy, even though, alas, Estelle still doesn’t have much self-esteem and is thus convinced this is still a relationship of inconvenience. Arcrayne is trying to show off his more loving side, but he’s usually too calculating to pull it off, and also not very good at spotting why Estelle might be upset. Then there’s the plot of this second book, in which Arcrayne almost dies due to the machinations of “the Trickster” from the first book, and then Estelle almost dies when a dragon attacks their hunting party and she is forced to use her “this will kill dragons but also probably blow my arm off” gun, which fortunately does not blow her arm off but will likely add to her collection of scars. Worst of all, her wedding ring is broken, and reminds us that they are still not QUITE married. Which I think may be the main plot of Book 3. Not the wedding, but the “not married yet” bit.

The fact that Estelle and Arcrayne are now engaged has made a lot of people mad. The Queen is mad because, well, she hates Arcrayne and Estelle. We find out here why she hates Arcrayne, and it isn’t pretty. Adeline, Olivia’s mother, is mad because Olivia is now a former fiancee and, worst of all, is not all that devastated by it. Olivia’s father is possibly also mad, but sadly he collapses from a stroke and spends most of this book in hospital. This allows someone to infiltrate the Rainsworth household and slowly twist everything. As if that weren’t bad enough, Arcrayne’s brother is also mad, because Arcrayne is still first in line for the throne, and also because he’s forced to do what his grandfather wants, while Arcrayne is free to do as he pleases. It’ll all end in tears, I know it.

Easily the best part of the book is Olivia, who ended up being a much better character than I was anticipating. She’s pissed off at Estelle and Arcrayne, yes – especially Arcrayne, as she blames him for her father’s hospitalization – but she’s trying to stay positive, determined to move forward, and is actively working to help her family. Which makes it all the more irritating that her mother has a mind-controlling charm that turns Olivia into a puppet for the climax of the first half of the book. I feel the author didn’t want Olivia to be evil, but didn’t know how to make the plot work without her being evil, thus mind control. Oh well, at least she’s not punished for it. As for Estelle, again, her low self-worth drives most of her actions, but she’s getting better. And her knowledge of dragons and dragon hunts comes in quite handy. If she’ll only realize that Arcrayne has actually fallen for her, than this series can end.

That said, I’m pretty sure it will end in Book 3, like every Drecom series not named Blade and Bastard has done. A good romance novel with a heroine who’s not a villainess or reincarnated at all.

Filed Under: fiancee no more, reviews
Next Page »