Yearly Archives: 2018

In Another World with My Smartphone, Vol. 6

By Patora Fuyuhara and Eiji Usatsuka. Released in Japan as “Isekai wa Smartphone to Tomo ni” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Andrew Hodgson.

Last time I said that the volume was jam-packed, and that goes double for this one – if I didn’t know this was based off of a webnovel, I’d start wondering if the author was being told to wrap it up. The anime’s last episode spoiled the fact that Touya would eventually end up with nine wives, and now the light novel does the same thing, though we only get one “official” new fiancee at this point. But if the first volume of Smartphone read like “Baby’s First Isekai”, then this one s the isekai of a hyperactive teenager who wants to tell all the stories at once. So Touya gets to help take down ANOTHER evil usurper, and we get to fight more magical beasts, as well as more of the enemy Phrase, who continue to be lurking in the background as a threat. I’d say the book is just watching Touya be cool, but honestly half the time it’s Touya passively watching the other women around him be cool – something he lampshades.

It’s sometimes difficult to know what to actually criticize with this series, as to a certain degree being exactly what you’d expect is part of its charm. For all I talk about the “strong female characters” in this series – and we get even more of them introduced here, including Battle Maid Training – they have the depth of paper. But so do the male characters, so everything’s equal there. More seriously, I am very grumpy about the villains in the first half of the book. I know that a lot of Japanese works seek to make the villains as bad as possible, and the evil prince here gets some rape and murder, and is also a pedophile. He’s also described as ugly and with a bowl cut, and his mother is described as ugly and fat. That’s far more annoying, and I didn’t like it at all. (The afterword implied it was deliberate, so no excuses.)

As for new things, Sue is now a fiancee, though Touya admits she’s really too young, so it’s more provisional in order to stop the evil guy. (There’s a brief line about the years in this world being much longer than our own, which I wish were made a bit more explicit.) We’re also introduced to a young woman Touya rescues from near-death, who has unfortunately lost her memories (Touya names her Sakura for now), as well as a genuine Princess Knight named Hildegard, who Touya rescues from some Phrase and gives cool swords to. At the moment, they’re both basically laying down new plots and then moving on, but again, anime watchers will likely recognize the faces. Touya also helps fight against counterfeiting, brings caramel corn to the world, and fights monsters that turn people to stone, which serves mostly as a way to give Some Lu fanservice (and remind the reader that Lu exists).

So everything’s Smartphone as usual, and honestly, I suspect I’m more grumpy about the villains being stereotypically “ugly and fat = evil” than the average reader will be. Those who have already read the book will note I left out the most important part of it. I like to think I’m saving it as a surprise for the reader. Let’s just say that Smartphone is moving ever closer to becoming Mazinger Z.

Fire Punch, Vol. 1

By Tatsuki Fujimoto. Released in Japan by Shueisha, serialized in the magazine Shonen Jump +. Released in North America by Viz Media. Translated by Christine Dashiell.

Wow. It’s hard not to read the first volume of Fire Punch without picking your jaw up off the floor a few times. As with some other titles of this nature, I will try to do a vague and ambiguous review in the first paragraph, then spoil things after the picture. So… well, Fire Punch is a hell of a well-crafted manga. The art is good, the plot is stark and horrifying, and there is certainly enough punching things with fire to satisfy even the most hardcore. I will say that this title is rated M for a reason, and there are innumerable horrible deaths, rape threats, actual rapes, and very nice people having very bad things happen to them. This is not surprising, as the story is about a young man who is burning (literally) with a desire for revenge on the man who killed his sister (and village, but, well, mostly his sister). I am not sure this journey is for me, but if you like dark dark fantasy and horror, you should like this.

Spoiler time HOLY ZARQUON’S SINGING FISH, WHAT THE HELL WAS THAT? From the very first few pages, where we see a teenage girl chop off her brother’s arm, and then be told to do it over and over again (he regenerates, it’s OK), to the copious discussions of cannibalism and which teen would taste more succulent, to the sister deciding that she wants to have babies with her brother, to the horrific massacre that ends by killing everyone except the brother, who is cursed to be ON FIRE FOREVER, the first chapter is an amazing and appalling experience. Sadly, the rest of the volume can’t keep the pace, though it tries, particularly at the end with, well, the man who asks people to love his dogs, I’ll leave it at that. We do meet a young woman who might be a regular in the future, and who seems to resemble our hero’s dead sister, but honestly this is the sort of series where you can never really count on anyone to survive more than 30 pages or so.

This is a story well-told, but I would not remotely call it enjoyable. There’s no hope and joy to balance out the unrelenting awful that is this world, from the deep freeze everyone seems to be in, to the village resorting to chopping off a boy’s arm over and over again to eat so they don’t starve, to endless rape threats, actual rape, and degradation of just about everyone. I’m not actually sure where the book is going with this – the cliffhanger to the first volume has our hero meeting the guy who killed his sister, but there’s apparently seven other volumes after this, so I assume revenge may be more complicated than he thought. In the end, it’s rare I read a title that I can intellectually know is well done while still getting a visceral “HELL NO” emotional reaction from me. If you like that sort of thing, and don’t mind feeling icky, give Fire Punch a try, because it’s a trip.

Arifureta: From Commonplace to World’s Strongest, Vol. 4

By Ryo Shirakome and Takayaki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou” by Overlap. Released in North America digitally by J-Novel Club. Translated by Ningen.

We’ve been waiting for some time for Hajime’s path to intersect with the rest of his high school class, and it finally arrives in this volume, which appropriately has Kaori on the cover. It also provides us with a nice comparison between the two lives the groups are currently leading. Hajime, at the start of the volume, is trying to date his rabbit girl (with Yue’s permission, of course), but cannot help but accidentally get caught up in a string of ludicrous situations that end up with him semi-adopting a small mermaid-ish girl and also casually destroying an underground slave ring and mob over the course of, oh, an hour or so. Meanwhile, his class has gotten down to the 90th floor, and suddenly run into a demon with a bunch of monster minions, many of whom are invisible, and get their clocks absolutely cleaned. It’s serious and dramatic and… you’re counting the pages waiting for Hajime to show up again.

There are a few interesting characters among the class herd, of course. Kaori is still just as obsessed as she ever was – in fact, we get a hilarious extra story showing off how obsessed with Hajime she was from the moment she first saw him – and it’s no surprise that the volume ends with her joining Hajime’s party, though not without difficulty – it’s hard to topple Yue from the top, and she doesn’t, but like all the other girls, Yue’s absolute strength of love for Hajime gives her the courage to confess her own. Shizuku rises from “snarky best friend” to top-tier in this volume, proving smart, capable, and wielding an amazingly sharp tongue. The way she gets Hajime to promise not to mistreat Kaori is the funniest part of the book, and I won’t spoil it. She also gives excellent advice to Kouki, the actual cliched “hero called to save the world”, though I’m not sure it will stick. Kouki sounds like the author will always want him to be teeth-grindingly wrong in a Dudley Do-Right way, so I suspect the next time he meets Hajime things won’t go well – particularly after that cliffhanger.

But yeah, I had a lot of trouble remembering who was who in the rest of the class, and those I did remember didn’t appeal to me (sorry, Suzu, you need more in your quiver than “comedy lesbian”). And to a degree that’s the point. Interesting as it was to see the class struggle and mostly fail against a string of monsters far beyond their abilities, and deal with the idea that they’ll actually have to kill enemies, that’s not what we’re reading Arifureta for. The reader wants Hajime impaling monsters with one blow, Yue burning everything in sight, and Shea swinging her hammer around (and also riding Hajime’s faux motorcycle, the other contender for “funniest moment” in the book). Like other ridiculous isekai series (hi, Smartphone), it works best when it’s ridiculous. That said, the contrast between ridiculous and desperately serious here made this an excellent volume.