Yearly Archives: 2018

Infinite Dendrogram: Franklin’s Game

Leave a reply

By Sakon Kaidou and Taiki. Released in Japan by Hobby Japan. Released in North America by J-Novel Club. Translated by Andrew Hodgson.

Last time we had the setup, and this time we do get the payoff. Well… most of the payoff, as this fourth volume unfortunately does end mid-battle. It is somewhat puzzling that the author says the climax was too long to fit into this book, given that this book is significantly shorter than the previous three. But that said, it’s a solid volume overall, provided you like fighting, because that’s pretty much all that it is. We get a nice punchable villain, get to see Hugo agonize about the life choices he’s made, and get some more detailed backstory on a few of the others, including Rook, who turns out to have been the offspring of Saint Tail all along. (OK, not really.) The fights are also solid, with each of the characters helpfully narrating every single thing that’s happening, which may be annoying to some, but I have difficulty with visualization so I find it quite refreshing.

Again, one of the more unique things about the Dendrogram series is that it is actually a game, and not people trapped or living in a game-like environment. As such, Franklin, our sneering villain, can feel free to kill off a bunch of Masters with impugnity and the reader is not inclined to think of him as history’s greatest monster the way that we did when the NPC children were being slaughtered in the second book. Franklin, in order to make things fun and also make sure that he gets the one battle he wants to have, ensures that low-level masters – like Ray and Rook, conveniently – can escape the arena and go to try to stop him. Naturally this is going to backfire horribly on him, because Ray and Rook are not just any old newbies. Again, we’re informed of the difference between those who simply treat this world and those in it as a game, and those (like Ray) who can’t help but see the people suffering inside it as real. (Marie also gets something to do, by virtue of who she is, but her fight with the conductor, while cool, felt more like an excuse to pad the book out than anything else.)

One thing I really liked about this book is the addition of three minor female masters who follow Ray and Rook to go do battle. They’re introduced as tagging along because Ray and Rook (especially Rook) are really handsome, and I was expecting them to be either a) cannon fodder, or b) a source for annoying gags. Imagine my surprise when they get (admittedly brief) characterization and backstory of their own, team up well to take out some minor monsters, and do fairly well for themselves. I’m not sure if we’ll see them in future books, but it was nice to see them taken seriously even though they’re fangirls. As for Ray’s battle with Franklin, it’s still in media res, so to speak, but I was amused by the fact that everyone thinks of Ray as a big dumb shonen hero filled with justice and righteousness, which isn’t wrong, but when we switch to his POV his mind is filled with analysis and quick thinking. This is no Luffy.

It took a while to grow on me, but I’ve come to quite enjoy Dendrogram. If you like “game-style worlds” and aren’t annoyed that it’s an actual game for once, this is a good series to follow.

Kitaro: Kitaro the Vampire Slayer

Leave a reply

By Shigeru Mizuki. Released in Japan as “Gegege no Kitaro” by Kodansha and Shogakukan, serialized in various magazines. Released in North America by Drawn & Quarterly. Translated by Zack Davisson.

I’m sure that if I looked at my previous reviews of Kitaro they would find me saying the same thing as I’m about to say here, so I apologize for the repetition, but I love Nezumi Otoko. He is the number one reason to read this series, even more than the cool adventure plots of the weird, goody and terrifying yokai. And that is simply because he is SO TERRIBLE. He is just the worst. When Mizuki wrote his Hitler book, and needed a narrator who could enchant the reader while still being able to get away with throwing his arms around Hitler as if they’re buddies, there was only one real choice. This volume shows Mezumi Otoko getting in a fight with Kitaro (meaning he slaps him across the chops – his signature move), team up with the titular vampire, sell out his friend and have Kitaro reduced to a skull, etc. Even when he is supposedly on the side of our hero, you’re reminded that his stench is repellent and his farts are lethal. He’s so much fun.

In non-Nezumi Otoko discussion of this new volume of Kitaro, I admit that when I saw the cover, I was expecting more of a Beatles parody than I actually got. Sure the vampire has a Beatle haircut, and carries a guitar with tempting music, but otherwise he’s just a garden-variety Mizuki villain. Not that this is entirely a bad thing, as Mizuki’s yokai can be real pieces of work – Kitaro needs a lot of help to triumph here. There’s also a second vampire story in the book involving, of all things, a vampire Marilyn Monroe. Kitaro needs a lot of help here as well – in fact, in this book, his eyeball father may get more heroic things to do than he does. But sadly, such is the way of adventure thrillers, where the new villain has to be shown to be impressive by making mincemeat of the hero – at first.

The last two stories in the book feature Kitaro in a bit more of a heroic mode. All the stories, however, are exemplary in their economy. The non-yokai cast may be a bit bland – honestly, between the dialogue and the hangdog expressions he gives everyone you’d be forgiven for thinking that all the humans in Kitaro’s universe speak in a monotone – but there’s something happening on every page, and we rarely get too many subplots or sidesteps, even in the longer tales such as the title one. These stories are not really here to make people debate backstory or create Kitaro High School AU fanfiction, like other, more modern manga. They tell a story well, fast, and then move on to the next story. As such, Kitaro should be a lot of fun to anyone who enjoys reading a good story. And, as previously stated, they have Nezumi Otoko. Who is just awful. Seriously.

My Big Sister Lives in a Fantasy World: The World’s Strongest Little Brother vs. the Evil God?!

Leave a reply

By Tsuyoshi Fujitaka and An2A. Released in Japan as “Neechan wa Chuunibyou” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Elizabeth Ellis.

We did not break up, we are merely taking a break from each other. I wasn’t fired, I chose to do other things. My light novel series isn’t cancelled, I just have a new idea I want to work on. I will totally get back to it. In due course. At the appropriate juncture. In the fullness of time. Sometimes you have people saying one thing but hearing the subtext behind it, and that’s sort of how I felt about the end of Big Sis Fantasy World, whose epilogue and afterword even hint at this by talking about “And the adventure continues”, one of the stock bullet points you see on the final page of a series that has been cancelled (usually in Shonen Jump). To a degree this is intentional, as like so many other things in this series the author is making fun of the genre it’s also swimming in. But unfortunately, this sort of thing only works if you’re thinking “Damn, I want to see what happens next”, rather than “Oh thank God.”

I think that my main issue with this series, with is taken to eleven here on purpose, is Yuichi’s inability to really grow or change because he has no need. All the training from Mutsuko happened before the start of the series, and made him who he is today. Which is fine, but he makes a really crap protagonist as a result. And this is in a book that even features a villain who is a parody of harem protagonists. Yuichi’s actions at the start of the book frustrate Mutsuko, which is unsurprising, but they also frustrate the reader, who wants to see him be proactive by choice rather than because he’s blackmailed into it or just thinks “oh well, guess it’s time to fight”. For an author that loves Haruhi Suzumiya so much, They’ve certainly missed the point of Kyon, who had an entire book set in an alternate world to come to terms with the fact that he IS having fun and SHOULD be proactive.

The book isn’t terrible. The prose reads fine, events happen quickly and make sense. Even the semi-incomprehensible plot involving the demon god starts to make a bit more sense as it hits its climax, though it’s mostly there to give us a good final battle. (Mutsuko, sadly, is sidelined because she’s mad at her brother – I kept waiting for Yuichi to briefly be defeated to teach him a lesson, but it never happened. Instead Mutsuko is beaten bloody… offscreen.) There are a few amusing gags, though once again the series seems to regard its non-regular cast as little more than cannon fodder – in fact, it gleefully points it out. If you’ve been reading Big Sis Fantasy World all along, you should read this too, as it provides a conclusion to the series, even one that is open ended and resolves nothing. But I’m not remotely holding my breath waiting for Book 8.