By Fuyutsuki Koki and Masami. Released in Japan as “Kanpeki Sugite Kawaige ga Nai to Konyaku Haki Sareta Seijo wa Ringoku ni Urareru” by Overlap Novels f. Released in North America by Airship. Translated by Amelia Mason. Adapted by Shaenon K. Garrity.

I always enjoy it when a series that has long since evolved away from its title decides to backtrack and remind us of it. Sure, we remember the “tossed aside’ part, mostly as her fiance is such a clown, but it’s easy to forget the ‘sold’ part, especially because she was sold for a lot of money – money that had to come from somewhere. It’s never really come up since then, mostly as the purchase of Philia as the Saint turned out to be the best one they’ve ever made, but it does make you wonder where the money to pay for her came from. As it turns out, their world is not all that different from our own, and it turns out that a lot of the money came from grants being given to various research and development facilities around the kingdom. Which can be a problem if some of those researchers are, shall we say, a bit obsessed.

Having finally wrapped up the wedding (and sent Mia home, so alas she is not in this book), Philia and Osvalt are finally ready to embark on their honeymoon… but Philia is still Philia, which means their honeymoon involves a lot of research. She’s touring the ruins of the country to try and figure out if there’s a way to stop the magic fluctuations in the volcanic area so that they can get more flowers. While there, unfortunately, they come across what seems to be an attempted break-in… and then, at another site, they catch those responsible. The main culprit is a merchant named Harry, who smiles but seems to lie as easily as he breathes, has been selling arms to the country just in case of foreign invasion, and has a far closer connection to Philia… or rather, Philia’s attendants… than anyone realizes.

Leaving aside the spoilery relationship that makes up the bulk of the last half of the book, it is entertaining seeing Philia actually coming to terms with herself as an emotional being. Getting married seems to have freed up her body to actually do things like smile and cry, and I don’t think she’s come to terms with it yet… nor has she come to terms with losing somebody near and dear to her, which we come close to this time around. She’s mirrored by Osvalt, who his brother doesn’t trust to deal with tense political situations because he’s too empathetic, but he ends up doing really well here, showing off that empathy can also be “really good at reading people”, which is actually quite handy for political situations. Lastly, a brief wish: I really hope we’re not suggesting Grace will marry Reichardt when she grows up. I like her as the little sister of the group, and hope she stays in that role.

That said, if she keeps saying things like “I’ve never seen a magic tool that large before”, I may have to reconsider. Oooooh, Matron!