By Nozomu Mochitsuki and Gilse. Released in Japan as “Tearmoon Teikoku Monogatari” by TO Books. Released in North America by J-Novel Club. Translated by Madeleine Willette.

It’s honestly rather surprising that we haven’t had one of these yet for Tearmoon Empire. Other light novel series are very fond of their .5 volumes or added bonus story collections – hell, Spy Classroom almost has more short story collections than regular volumes. But Tearmoon Empire has pretty much been too busy with Mia trying to save history and make it so she’s not guillotined, poisoned, or does not otherwise live to see her grandchild grow up. As a result, we not only have this collection, which seems to go up to about the 9th or 10th book in the series in terms of the timeline, but there’s a second already out in Japan. I’m not certain if they’re bookstore exclusive-type short stories or if they’re written for this volume. One thing is for sure, though, which is that while Tearmoon Empire is hilarious, and also a thriller, and sometimes a mystery, one of the things it does best is show off that doing good things, and paying it forward, makes everyone happier.

There are too many short stories here to give a breakdown as I sometimes do. I will therefore note some of my favorites, starting with the wraparound plot. Empress Mia, now a grandmother, is having trouble sleeping because her husband Abel is away visiting Sion, no doubt for another sword battle. As it turns out, Bel is also awake, mostly so she can get into mischief. To prevent this, Mia starts telling Bel old stories from back in her teenage years, i.e. around Book 1-10. Anne later shows up, and the whole vibe of these sections is just so nice to see. Seeing Mia at rest, having accomplished what she set out to do, and everyone else living their best lives, just puts a big silly grin on your face. I also loved the glimpses into Mia’s mother, and how this passes down into the wedding dress she shows her father before she marries Abel.

There’s also another ongoing plotline throughout this, which has to do with how Mia’s story is being retold. I’ve talked before about who I think the identity of the snarky narrator of this series is, and while we don’t delve into that we do get two other strands of the story escaping from the bounds of reality. Mia and company go to see a theater group putting on a “fictional” play that seems a little too real to Mia… it’s her life, right down to the time travel! The writer seems to get divine inspiration, rather than it being sinister, but I did love Mia wondering when she’ll tell Abel the truth about herself, as she knows she’ll have to one day. The other subplot shows Mia trying to stop everyone overselling her accomplishments – Elise’s history books have Mia literally flying, something that causes the actual Mia to cringe in embarrassment. She reassures herself that everyone will realize it’s exaggerated. That does not, in fact, happen. Sorry, Mia, you’re just that amazing to everyone. Even Ludwig. (The fountain pen gift, and how Mia makes him accept it, was also brilliant.)

Basically, these stories put a smile on your face and a song in your heart. Now let’s get back to the main plot, as if Mia is killed off in Book 17 all this may be irrelevant.