By Hiromu and raemz. Released in Japan as “Chitose-kun wa Ramune Bin no Naka” by Gagaga Bunko. Released in North America by Yen On. Translated by Evie Lund.

I have found that Chiramune is one of those series that glides along for a while till the author has a sudden explosive burst of inspiration where everything gets really good for the rest of that scene, and then it goes back to normal. This can sometimes be frustrating, especially if you’re reading it for the ongoing plot, but it does make those scenes instantly memorable in your head. Which is good given how this does not exactly release every three months or so. Here we get two such scenes, one short and one long. The short is the second conversation between Yuzuki and Kureha, where we start to see exactly why Kureha is doing things in this particular reckless way. The second is the final scene in Saku’s apartment, where Yuzuki drops all pretense of reserve and straight up tries to seduce him into sleeping with her. If you know Saku, you can guess how well this goes. But as a scene, it’s dynamite. The series works best in sprints.

The culture festival is almost upon us. While the core cast work on their cheer routine, Yuzuki also has a heart-to-heart with Kureha, and realizes that she’s going to have to stop trying to be “Yuzuki Nanase” and remove her limiters. This means suddenly she’s blowing away everyone else on the basketball court… including a dispirited Haru. This means that, when the Snow White play they’re putting on turns out to be literally the author writing the love triangle between Saku, Yuuko and Yuzuki into the plot – and having Saku improvise an ending – she wows everyone with her amazing acting skills. And it means that, when she gets the opportunity to cook dinner once more for Saku at his apartment, she puts on her best underwear and pins him to the couch. Unfortunately, talking to Kureha also gave her Kureha’s desperation.

I liked Kureha better here… or at least understand her more. Everyone’s annoyed at her for upsetting the status quo, but to her it feels like she’s started a race where everyone else is on the last lap. When you literally can’t catch up, sterner measures are needed. I also really loved the conversation between Yua and Asuka, where they both reflect on their breakdowns from the last book and both admit it’s their fault rather than Kureha’s. This book has a lot less Saku narration than usual, which makes sense as the series is getting into the second half and needing to resolve things, but also as Saku is discovering that trying to figure out who he loves and trying to figure out what he wants to do in the future involve the same things… and he’s reluctant to do anything – STILL – as he knows how much pain it will cause. Hence the final scene, which manages to be very painful and also pretty erotic.

This is the first of a two-parter, and I’m not sure when Book 9 will drop, but Chiramune fans should be quite pleased, especially if they think Yuzuki is best girl. Though the book is also hinting we should enjoy that while it lasts, like Yuuko.

By Hiromu and raemz. Released in Japan as “Chitose-kun wa Ramune Bin no Naka” by Gagaga Bunko. Released in North America by Yen On. Translated by Evie Lund.

Throwing up the spoiler warning here: I discuss the big revelations in this book, but not till the third paragraph.

I was expecting something else, to be honest. After the trauma of the last few books, the sturm und drang and Yua playing Baker Street over a sobbing Chitose, that we would sort of go back to everyone smiling, going back to their normal high school lives, and have a nice, relaxing 7th book. And, to be fair, so was the author. There is an extra-long afterword describing their thought process while writing this book, and you can see how the first, oh, third of the book is written by a very different person from the one who wrote the last two-thirds. Because the author is correct, that is what the characters want. It’s what the readers want. We do not want more angst. We want to relax. Unfortunately, for the sake of the story, the author cannot give that to us. And so… see the girl on the cover>? She’s a first-year. She’s spunky, cute, and loves the whole cast. And she’s also a bomb.

After the events over the summer, Chitose is hoping that everything will go back to normal. And, aside from Yuuko having the traditional “moving on” haircut, they do. Which means it’s time to plan for the culture festival, which is two months away and seems to involve both a sports day AND a culture day. Naturally, Chitose and company are very involved, especially since, in his first year, he was not in the right headspace to handle a festival. Now he and the rest of the group want to be on the cheer squad. They’re joined by Asuka, who is happy to do something with them before she has to graduate. They are also joined by Kureha, a first-year who has heard all the stories about the very famous Chitose and his very famous friends, and is star-struck. She rapidly becomes part of their group. A bit too rapidly. The reader gradually feels that things are about to go very, very wrong.

As our little bomb sent everyone into a coma over the course of the last third of the book, I noticed that Yuuko was pretty much absent. She’s not like all the others, after all. She actually confessed and was rejected. So Kureha can’t really do much about her. It’s worth noting that Kureha is being written as a horrible villain after the reveal, and the reader sees her as one long before that, but to all the other girls, she’s not. Particularly Yuzuki, who is on the cover of the next two books in this series, and I strongly suspect is going to step past Yuuko to steal the main girl spotlight. But the way that Kureha demolishes Haru, Asuka and Yua with “innocent” ease shows off that much as we’d like all the girls to be equal in their chances to win Chitose, that’s not how love works. You have to commit. You have to be ready to hurt others to get what you want. Yuuko understood that, and the hurt was devastating to her. Kureha is able to hurt far more easily, but so far only Yuzuki, who has always been the most aloof of the group, is ready to take things to the next level.

As the anime seems to be polarizing people, the novels are hitting another high point. Just… be ready for things to not be safe and fun.

By Hiromu and raemz. Released in Japan as “Chitose-kun wa Ramune Bin no Naka” by Gagaga Bunko. Released in North America by Yen On. Translated by Evie Lund.

To my surprise, this isn’t a normal short story volume, where the author inserts either stories that fit in in the earlier volume timeline, or uses the chance to officially release all those stories that came as bonuses with various giveaways in Japan. This says Vol. 6.5, but that’s mostly as it doesn’t feature Chitose’s POV in it. What we really get is the continuation of the fallout from the 5th book, in the form of four very long short stories. All the girls have “what now?” on their minds, either wondering how to interact with Chitose again after confessing and getting rejected (Yuuko) or realizing that just continuing to do what they’ve been doing and hope those days last forever isn’t really an option (everyone else). There’s a lot of talk of college and the adult world in this book. The future is coming. And these girls want Chitose in their future, even if he’s still not chosen them. So, they move forward. Bit by bit.

If you’re wondering who that is on the cover art, why it’s Nazuna, the girl who seems to clash with Yuzuki a lot and has been the one supporting female cast member who’s not in love with Chitose. She’s in the first short story, where Yuuko, after the events of the 6th book, is still struggling with reconnecting with her friends and figuring out how to treat Chitose, so invites Yuzuki and Nazuna on a shopping trip in a nearby city. The second story has Asuka get to see what editing is like in a local ‘style’ magazine, and she invites Chitose for moral support… only to come up against the giant wall she still has to climb. In the third story, we get the mirror image of Yuuko’s story, as now it’s Yua who is trying to figure out how to treat Chitose after the last book, and she decides to ask him on a date to try and shake things up. And in the last story Haru is a mess, and it’s affecting her basketball, so the coach asks some old graduates to stop back at high school and be incredibly mean to her until she snaps out of it. This… doesn’t work till she gets a “remember to actually like the sport you like” call from Chitose. Then it works.

The Asuka story was easily my favorite one in the book. In a volume discussing where everyone’s going to be headed in the future, it makes sense that it’s the one closest to that future that would resonate the most. The moment Asuka started to “interview” the editor on her time at the magazine, I winced, because I immediately recognized what she was doing wrong. Worse, when Chitose is given the chance, he doesn’t make the same mistakes, and gets a much better interview. But, as multiple people point out, she has passion, and feels the frustration and anguish at her inadequacy, whereas Chitose doesn’t really mind how he does. It’s the passion that she has to hold on to. I also enjoyed Yua’s story – she’s possibly my favorite at this point, despite the fact that I know she won’t “win” – where she tries to figure out what happens to her current role in Chitose’s life – being his wife figure – if he gets an actual girlfriend. The scene where Chitose meets Yua’s dad is also a big highlight.

So yes, this actually is a short story book you need to read. Next volume we’re back to the main plot, and with a girl I don’t recognize on the cover art, we’re sure to shake things up. One of the best romcoms out right now – well, romdram.