By Fujino Omori and Kiyotaka Haimura. Released in Japan as “Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka? Gaiden – Sword Oratoria” by GA Bunko. Released in North America by Yen On. Translated by Dale DeLucia.

So, this wasn’t bad. It didn’t do anything wrong, and the climax moves up to “pretty good”. That said, it’s been a while since I last read a volume of Danmachi and my main reaction was “eh”. I think I can put some of this down to the basic premise, and how little it deviates from the expected. If I was to tell you that the plot of this book is “we find out how Finn, Riveria and Gareth ended up joining Loki Familia”, and asked what you thought would happen in the book, I bet you’d come up with something pretty similar to this. It hits the beats it needs to hit. Finn is clever and smug, Riveria is powerful but haughty, Gareth is strong but stubborn. And Loki is, well, Loki. This gives folks the backstories they wanted, but it has exactly zero surprises, unless you count Eine’s mom (who, as Loki tells us a few times, has got it going on).

Loki Familia is having a big celebration – though admittedly one close to home, as they’re short on cash to go to a bar right now – to celebrate the big news. Finn, Riveria and Gareth have all hit Level 7, and they did it at the same time, too. After a raucous feast with the whole family, the three of them and Loki have a quieter drink afterwards, and get to reminiscing. We see a Loki who’s just come down to the human world and has zero followers. She meets Finn, who has a tragic backstory but is also determined to show the world not to look down on prums, even if he has to give up his first love to do so. Riveria is shown as a princess who’s trapped in the forest with the high elves, and her escaping with her attendant and best friend Aine, despite her father and the other elves pursuing her. And we see Gareth in a small, poor mining town, doing his best to make sure everyone can live even though he’d really rather be out adventuring.

As always with this author, the fights get better as they go along, which means Gareth’s story is probably the one that hit best for me. I could have done without Loki’s sexual harassment, but honestly I’ve seen worse from her, and I know by now it’s meant to be her THING. I did mention Aine, and she does not do much, and clearly is not suited to be part of Loki Familia. Unfortunately, we don’t see how she married a human here – maybe there’s a side story or game that talks about it. The bulk of the book is “elves and dwarves hate each other”, with a side order of “hobbits are weak” – sorry, prums – and about the three of them learning to get along and discovering how strong they are as a fighting team. And Loki does manage to be clever once or twice in amongst being a horny brat.

So yeah, this is exactly what it says it is, no more, no less. The next book promises to tie back in with the main series, and also have more of Ais.

By Fujino Omori and nilitsu. Released in Japan as “Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka? Shohenshu” by GA Bunko. Released in North America by Yen On. Translated by Jake Humphrey.

If you thought it was hard for me to write 500 words or so on the first SS collection, imagine how hard it’s going to be with this one, where I can’t even waste 100 of them describing what it is. That said, at least here there is slightly less of the “everybody loves Bell” show, mostly as he’s far more of a supporting character. These short stories, with one or two exceptions, focus on Loki Familia, and the majority are about either Aiz or Lefiya. Which means it is about romance somewhat – after all, Lefiya has a crush on Aiz at this point in the story (the stories go up to the 12th volume), and Aiz has vaguely warm feelings for Bell. Both of them have something in common, which is they can’t quite work out what Bell is to them. Lefiya settles on rival, and Aiz, strangely, settles on rabbit, but they’re both watching him dash ahead and wanting that.

The cover shows Aiz and Lyu, possibly as this also takes in the first Lyu volume and the Freya volume. That said, those wanting lots of Lyu will be disappointed. Most of these, as with the first, are 1-2 page stories that don’t impact much. They’re also mostly comedic, again with one or two exceptions, usually focusing on Leene, that one character we got to know well before she was brutally murdered. There are larger stories in here as well, which focus on Loki Familiar catching a unicorn, Tiona and her book nerd friendship with Bell, a romcom disaster set around the events of DanMachi 7/DanMachi SO 8, Aiz dreaming of various pasts and futures she could have, Aiz walking around the city talking with most of the regular cast and trying to figure out her own heart, a sequel to the Freya book focusing on Shalzad’s new king, and seeming to tie into Memoria Freese, and the last story, which I’ll go into below.

The final story takes place sometime after DanMachi 19 and Sword Oratoria 13, but not much longer after. It starts off silly, tying back to the first SS collection as Loki Familia are looking at the “character poll” and Lefiya is getting very, very angry that Bell beat Aiz in some categories. She goes off to find out who was responsible for this travesty… and runs into Syr, who is spreading the word of Bell, partly as part of her punishment (which goes over Lefiya’s head, as she missed everything and has no idea why Syr is) and partly as she’s still madly in love with Bell. Meanwhile, Aiz ends up running into Ryu, and the two are super awkward around each other, especially when they recall their first meeting. Naturally, the four eventually come together. This, the most recent story (it was written for the book itself) mostly made me happy as it shows that Syr is not going to just be a meek little good girl, even though she’s given up being Freya. She’s here to spread the word of Bell, and if Lefiya says “rival” and Aiz says “rabbit”, well, that’s fine with her.

So this was solid, but again, for fans only. Next up should be Sword Oratoria 14.

By Fujino Omori and NIRITSU. Released in Japan as “Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka?: Familia Chronicle: Episode Lyu” by Softbank Creative. Released in North America by Yen On. Translated by Dale DeLucia.

So technically this is the second volume, the first having come out seven years ago. It was the one with Lyu and Syr in the casino, if you forgot. And it’s also the bit that the author cut out of the 18th volume, because that would have made it 700 pages. But in reality, this feels like Astrea Record, Vol. 4. We even get extra scenes with Adi, to remind us that she’s still tragically dead but oh so very, very shiny And of course the rest of the Astra Familia that Lyu was with five years ago? Also still dead. Fortunately, Astrea is not dead, and it turns that she has new Familia in a remote smithing town. And so it’s time for Lyu to run very fast, so that she can break down, get forgiven, level up and get stronger, and then run back to help Bel. Of course, it turns out to not be as simple as that.

Lyu groveling for forgiveness, which comes relatively easily, takes about the first 10 pages of this book. the rest is harder. When Astrea levels her up, she levels to 5, and anyone who read Book 18 of the main series knows that there’s something fishy going on here. Then Lyu tries to train with her new level, and discovers there’s a big difference and she needs to practice. Fortunately, she has three adorable Level 1 juniors to beat up… erm, play tag with, as well as a forest spirit who is really looking for an excuse to go all out… possibly a mistake given this is Lyu. Unfortunately for Lyu, the current captain of Astrea Familia, a Level 2 smith named Cecille, hates her guts. Despite, or perhaps because of, the fact that Astrea has entrusted her with something very important in regards to Lyu.

This is a book about Lyu, so it’s not a surprise that the plot is as straightforward as hell. Lyu is not quite completely healed, and also needs to go from Level 4 to Level 6 in about 5 days, something which no one has EVER done before, so strategy is called for. Fortunately, most of the strategy is “keep hitting things till you get it right”. As for Cecille, she’s not hard to figure out either, mostly as she’s very similar to Lyu, something Lyu knows as she very awkwardly tries to take on a mentor role. It turns out that trying to create the perfect weapon for someone you’ve only heard stories about that drive you crazy with envy can be very hard! It’s only when Lyu opens up and shhares her own tragedy that Cecille manager to find her own inspiration. That said, “straightforward” does not mean bad. This series has never really been known for narrative curveballs anyway.

Good stuff, and if you want to know what happens next, go read 18 again. I think next for us is the Sword Oratoria SS volume.