By Shiki and Wan Hachipisu. Released in Japan as “Jishō Akuyaku Reijō na Konyakusha no Kansatsu Kiroku” by Regina Books. Released in North America by Hanashi Media. Translated by Ethan Holms.

I realize that, given that most of the Bakarina fans I follow are mostly interested in the lesbian side of the polycule, this may not sound like that much of a recommendation, but it is: if you read My Next Life As a Villainess and wondered what the series would have been like if it were ENTIRELY narrated by Jeord, then this is the series for you. Bertia is the villainess, and her actions are sort of what drives the first book, but by the second book she’s become a supporting character in her own series. Cecil, on the other hand, remains fascinating, continuing to try to grope his way towards figuring out why it bothers him so much that Bertia keeps shoving him towards the heroine and insisting on her own doom, and also what in the world this “otome game” is in the first place. His growth, and emotional opening up, is the main selling point of these novels.

Cecil is in his final year of school, and Bertia in her first year. Unfortunately, Heronia is there as well, and is still being the worst heroine ever, trying her hardest to prove that Bertia is evil despite Bertia… well, ALSO trying to prove that she is evil, except she remains sweet as pie, so that’s not working. Bertia’s biggest danger is gaining weight, as everyone likes her so much they keep giving her sweets. Meanwhile, Cecil is still trying to figure out what his feelings for Bertia are, even as he really, REALLY knows what his feelings for Heronia are: he wants nothing to do with her. Things come to a head at the graduation party for Cecil, where Heronia presents her “proof” of Bertia’s evils, and when this fails, decides to simply go for death from above.

The second half of the book really digs into the otome game aspect of this world, and I appreciated that, while Cecil was initially baffled as to why Bertia would be doing any of this, when it’s all laid out for him he totally understands. In a world in which Bertia was normal and not, y’know, the girl who wants to be knocked down and go “gah!”, Cecil would never find anything that would fill the dull void in his life. The routes are laid out so that, when the heroine tries for anyone OTHER than Cecil, it’s a happy ending of sorts, but there’s war and death. When the heroine ends up with Cecil, there’s peace. THIS, more than anything else, is why Bertia has been doing all this: she wants a safe and happy world. And this Cecil, who readily admits the only thing keeping him from being a possible nightmare is her, agrees with her.

The series ends with this volume, though there is a three volume sequel that we may see someday showing Bertia as a wife and mother. That said, Bertia is not the reason to read this. I really liked Cecil as a tin man trying to locate his heart, and am happy I read this.

By Shiki and Wan Hachipisu. Released in Japan as “Jishō Akuyaku Reijō na Konyakusha no Kansatsu Kiroku” by Regina Books. Released in North America by Hanashi Media. Translated by Ethan Holms.

I am, frankly, a little sick of every new villainess book forcing me to say how much it reminds me of My Next Life As a Villainess. And given that this book stars a dumbass who everyone loves, that’s a trap that I want to avoid. So let’s try something else. You know the works of Sarasa Nagase? The kind where the clever heroine has to think on her feet and not let her guard down for a minute or else fate will slot everything back into place and she’ll be killed? And this is helped along by an evil but equally clever heroine? This series is the mirror opposite of that. Both the villainess and the heroine are desperately trying to NOT fight fate, for reasons that we don’t really find out in this volume, but the problem is that they are both not particularly clever, so fate is constantly changed so that things are better. Congratulations on falling face first into success.

While visiting his fiancee on her eighth birthday, the Crown Prince Cecil is rather surprised to hear her say that she’s actually a villainess, and she will do her best to grow up to be a fantastic one so that he can dump her and her family will fall into ruin. And she can go ‘GAH!”. (The “GAH!” is very important!) Cecil is baffled by all this talk of “otome games” and “routes”, but he finds Bertia amusing and interesting, which frankly almost nothing does as he’s the most jaded ten-year-old in the world. Each chapter in the book is “one year later”, and we see that Bertia’s schemes and plans do things like tell everyone where those trying to overthrow the country really are, or making sure that people get together with their true loves, or telling Cecil enough information that they can stop a deadly plague. Isn’t she actually sweet as pie? Why does she want to be a villainess? And what’s with the new girl named (sigh) Hironia?

I read the first volume of the manga when AlphaPolis put it out here, and reviewed it in a Bookshelf Brief where I mentioned Cecil was who interested me most. That goes double for this first book, though Bertia is also interesting for reasons that I don’t think we’ll get explained till the next book. Cecil regards Bertia as a fun toy when he’s a kid, but as he grows older and grows to appreciate her as a person… he’s still not quite there. It’s mentioned many times that Cecil is fundamentally broken, and that gets more clear as we get closer to the climax, when we realize that Cecil has never expressed any affection for Bertia besides “you are my fiancee”, and that he doesn’t really get that he’s fallen in love with her at ALL. We never get Bertia’s POV, for reasons that, again, I think will make more sense in Book 2, but I think she has realized her feelings, but is desperate to avoid them for the sake of the greater good.

This is a series that will end next time, though I think there’s a sequel that Hanashi Media has also licensed with their marriage. Till then, this is a fun Villainess book that starts off very wacky and gets increasingly less so as the book goes on.