Category Archives: reviews

Oh My Goddess!, Vol. 47

Leave a reply

By Kosuke Fujishima. Released in Japan by Kodansha, serialized in the magazine Afternoon. Released in North America by Dark Horse.

The final volume is not going to have much time for this, so it’s very fitting that this penultimate one is devoted to the greatest love affair in the entire series. No, not K1 and Belldandy, though they’re cute too. I’m referring to the love affair between Fujishima and motorcycles, one which reaches its obvious zenith here as we wrap up a mini-arc where Keiichi must justify his life and earn the right to love Belldandy by driving a really difficult motocross race, something that would sound a bit ridiculous to anyone who hasn’t read Oh My Goddess! before. In fact, ‘really difficult’ may be underselling it – Keiichi’s failure at one point leads to his limbs being broken and his organs tearing apart, something he feels every bit of.

omg47

That said, he ends up perfectly fine, even if his bike is totaled. But wait! A new arrival comes on the scene, who wants to play up the old ‘did you drop this gold motorbike or this silver motorbike’ schtick, but K1 and Bell aren’t having any of that – it’s the Lake Goddess, fresh from the tragic story of Vol. 46. Yes, she is now freed, and yes, it was due to the sheer power of the feelings Keiichi and Belldandy had for each other. This may seem like a hoary old cliche, but honestly, it’s exactly what readers of this title wanted. No one wants to read a grim and gritty Oh My Goddess where our heroes learn that life is pain and suffering.

So yes, she’s free, and able to make fun of Tyr as well. Yes, he’s still testing the couple in his guise as the Gate, even after Keiichi wins the final race, possibly due to the sheer joy of being on a motorcycle – it wouldn’t be the first time he’s won a race for that reason. But there’s one final test, and it’s one that many Oh My Goddess fanfiction writers have theorized about – Tyr offers Keiichi a chance to be a god, so he can stay with Belldandy forever, according to the terms of his deal. Naturally, though, Keiichi is never going to accept that – he is a living embodiment of all that is good about humanity. Take that away and you waste it a bit. Of course, that was a test as well.

The ‘cliffhanger’ ending has Hild explaining exactly over a game of Koi-Koi (and Skuld reading what appears to be Nakayoshi) how she managed to get pregnant with Urd despite losing the same contest that K1 and Bell are going through. But really, the real cliffhanger is knowing that this all wraps up in Vol. 48, and we’re still in the middle of Hell. Will everyone be able to get out? Will K1 and Bell live happily ever after? Is this series really as optimistic as it seems? Yes, yes, and yes. Again, what series have you been reading that these questions aren’t a surprise?

Master Keaton, Vol. 2

Leave a reply

By Naoki Urasawa, Hokusei Katsushika, and Takashi Nagasaki. Released in Japan by Shogakukan, serialized in the magazine Big Comic Original. Released in North America by Viz Media.

This is another solid volume of Master Keaton, with a bit more attention paid to the mysteries and a bit less to the leading man this time around. As I kept reading, though, one thing kept coming back to me. There were stories of a man stealing to try to help the poor in Italy; Olympic runners who also fell afoul of running for money so they could give to charity; old revolutionaries who have found that betraying a cause or lying for the sake of a woman doesn’t make one happy; and even Keaton’s class, unable to finish its final lesson as the school is being shut down and evil bureaucrats want the mural on the wall behind him. Only occasionally tragic, what this manga really is deep down is sad. It’s about chasing dreams, even as you realize that it destroys your life and you likely won’t succeed very well in any case.

keaton2

This is likely not a surprise to anyone who has followed the career of Urasawa, a man who wrote one of the most depressing manga ever and called it “Happy!”, or Katsushika, who wrote for Golgo 13, another series that tended to end in death and disappointment, just with less focus on the emotions involved. But Master Keaton seems to go that extra mile. it’s the tail end of the Cold War in these stories, and everyone is simply weary. Even the terrorists are giving themselves up as they’ve had enough. The bounty hunters are ex-cops who got tired of letting the criminals get away. Little girls are cynical before their time as they see adultery and cruelty in their daily lives. And even Keaton, a man who loves his ex-wife but let her go anyway because he thinks it helped him grow up.

There are moments of triumph here, but they’re less in the emotions and more in the action and deduction. You see Keaton figure out the story behind a “werewolf”-inspired serial killer, or fend off neo-Nazi assassins to save some Turks in West Germany. There’s also one emotional high point in the story, where Keaton reminisces about his old mentor, who he named his daughter after, and finds his friends and family have managed to track him down for a reunion. Even then, though, the event is muted: Professor Scott looks at Keaton and says he’s turned out well, which brings the man to silent tears. I get the feeling as I read this series that despite being an archaeologist/insurance investigator/ex-SAS soldier/detective/awesome guy, Keaton really doesn’t like himself all that much.

But for this sort of series, I think that’s OK. It’s evocative of a mood, one that fits its time: Europe in the late 80s, with the Soviet Union starting to crumble and the last vestiges of the old guard left with nothing but regrets. I will even forgive this volume for trotting out the old “a man has his dreams” cliche. Keaton is the type of series you want to read while swirling around a glass of brandy and listening to Sonny Rollins. Just don’t be surprised if you’re counting your own regrets after you finish it.

Attack on Titan, Vol. 15

Leave a reply

By Hajime Isayama. Released in Japan by Kodansha, serialization ongoing in the magazine Bessatsu Shonen Magazine. Released in North America by Kodansha Comics.

This volume continues to examine the morality of our heroes and the military in general, but doesn’t quite hit all my hot buttons like the last one did, so I enjoyed it more. We start off resolving the cliffhanger from last volume, and Armin’s defense of Jean, which horrifies him so much he’s throwing up. Armin is an interesting character, balancing the ‘innocent’ Survey Corps member side we’ve seen in Jean, Sasha and Connie with his tactical genius side, where he can casually come up with horrible plans and then toss them off with a ‘just kidding’. But he’d never killed anyone before. Levi fares much better here than he did in 14, telling Armin he did what he had to in order to save Jean while also saying that this does not mean getting his hands dirty is a good thing. Sadly, I’m led to believe that Levi is kinder to Armin than to Historia as he values Armin more as a soldier.

(I do sometimes wonder if Levi and Hange have a plan for what to do when/if Eren dies. I have to think step 1 is “Kill Mikasa by any means necessary before she becomes a berserker”.)

titan15

Meanwhile, back in the city, Erwin’s on trial for his life, and everyone still believes the Survey Corps have become terrorists. Indeed, we see two of the MPs, Marlowe and Hitch, looking for Levi and company, and it’s startling how little they know given that they’re supposed to be part of the ‘bad guys’ group. (They were probably my favorite part of the volume – I love everyone talking about how Marlowe’s idealistic dumbness reminds them of Eren, and Hitch’s mourning for Annie, and subsequent horror when she finds out Annie was the Female Titan, is beautifully portrayed, a rare case where I will praise the art.) Hange’s job is to try to convince the little people of the city, those who hide in its slums and those who report on it in the newspapers, to stop doing what the government says out of fear. She offers the Survey Corps’ protection, but more importantly, Flegel Reeves finds his inner badass and becomes someone that a town can rally behind.

Erwin’s trial resolves itself in a fairly cliched way, but the fact that the government falls for the cliche so easily shows off how stupid and corrupt they’ve become. There’s several people who were simply waiting for a good time to make a move, and this isn’t so much ‘doing what’s right’ as ‘getting revenge’. Also, the town is unsurprisingly a bit dubious about the military seizing power, and no one really expects them to ever let it go. I suspect that whatever’s happening with Historia and Eren will put that on the back burner for a while – she’s seemingly been ‘converted’ by her father to their cause, and the Royal Family definitely seem to have SOME power in their bloodline, enough that touching Eren brings back some old and horrible memories.

So next time we finally get an explanation for what’s been going on with Eren’s father, and (I’m hoping) find out that Historia is playing an elaborate double bluff. Till then, I will freely admit Attack on Titan has won me back, and as long as it stops torturing for the greater good or emotionally abusing young women to get what it wants, it can stay there. Recommended.

(As a side note, Sasha is barely in this, but I loved her simply wrapping her entire body around Mikasa’s head in joy when she finds out the Corps has been cleared. And then Hitch’s as well. Sasha may not just be into food is what I’m saying.)