Category Archives: reviews

Umineko: When They Cry, Vol. 9

Story by Ryukishi07; Art by Soichiro. Released in Japan in two separate volumes as “Umineko no Naku Koro ni: Alliance of the Golden Witch” by Square Enix, serialized in the magazine Gangan Online. Released in North America by Yen Press.

With this volume we are halfway through Umineko proper, at least in terms of arcs. Most of the major issues involved have become fairly clear to the reader. Battler’s incompetence as a detective is not because he’s stupid per se, but because he can’t see past the who and how to figure out the why. I think he finally manages to grasp this by the end of the book, but by then it’s a bit too late for Beatrice, who is a character whose ‘who’ and ‘why’ define her, to the extent that her dying wish to Battler is to uncover who she is. As for Ange, she figures out what’s going on, and learns how magic works, but her lack of empathy for Beatrice means that she fails here as well, and gets a highly grotesque death. The only real winners in this arc are Bern and Lambda.

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There’s also the small matter of what’s happening on the “game board”, of course, in which the rest of the cast bar Battler are quickly polished off in an almost perfunctory way. You know things are ridiculous where Krauss fights a goat butler and wins. Actually, I’d argue that the manga didn’t go far enough here – the VN framed this as a long scene, showing off the goat butler’s ‘motivation’ and framing it as a video game with cliches piling up one on top of another. It was highly amusing, yes, but more to the point it shows off how overegged this pudding is. When first Jessica and then Kyrie take pains to tell Battler “you must believe in the witch god we were so wrong being all logical and stuff”, you’re meant to raise an eyebrow. Of course, with all the special effects death, magic is hard to deny. Assuming you can trust what you see.

The most important scene in the volume, which I also think the manga gives some short shrift to, is game-Beatrice asking game-Battler to remember his sin, and her complete devastation when he doesn’t. For Battler, 6 years ago is when he walked out on Rudolf, and all his theorizing about why that was wrong has to do with his place in the Ushiromiya family. Beatrice is clearly looking for something very different and more personal, and the fact that it meant so little to Battler that he’s forgotten it is what breaks Beatrice, both in the game and in meta. It’s telling that, since the whole Ushiromiya family thing is what he remembered, she takes that away from him by removing that identity. (This is where Battler truly is stupid – he knows his dad is a philandering ass, he should never have been taken in by her word games.)

So where are we now, with half the series gone? Beatrice is seemingly killed off. Battler can’t really escape the game. Everyone on the island is still dead. And even Ange is stated to have “died in 1998”, which is quite interesting given that the last we saw of her she was having the Seven Stakes of Purgatory brutally slaughter Kasumi and her yakuza goons. (Speaking of Ange, she starts to understand Eva a little better, though I worry she goes a bit too far. It’s a very hard line to walk between explaining and excusing child abuse, and I think Umineko sometimes walks across that line a bit too much.) And to no one’s surprise, Lambda and Bern turn out to be working together, or at least having mutually useful goals.

So Battler is an awful detective. Ange tried her best, but was too caught up in revenge and suicidal tendencies. Is there not a Great Detective who could possibly tell us what happened in Rokkenjima? Is there someone for whom this level of reasoning is possible? And can they actually be unbiased? Well, now I may be asking too much. In any case, May will bring us ‘End of the Golden Witch’, in which Beatrice’s tragedy reaches its inevitable conclusion. (No, it’s not the last arc.)

Hayate the Combat Butler, Vol. 25

By Kenjiro Hata. Released in Japan as “Hayate no Gotoku!” by Shogakukan, serialization ongoing in the magazine Shonen Sunday. Released in North America by Viz.

I had said last time that after the emotional catharsis and darkness of the Athena arc that we’d fall back towards comedy here, and that’s somewhat true, but the fallout from that arc still lingers. Athena describes to Hayate how she was rescued from the castle at the end of the world, and it turns out to have been none other than Hayate’s brother who achieved it. We’d seen him in silhouette before, but here we finally get to see his face, mostly so that he can have a distinguishing scar that lets Hayate reassure Athena he’s not dead or trapped. (Even though we haven’t seen him in years… he’d better have a damn good reason for leavin g Hayate to the mercies of his parents).

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Athena’s parting is also bittersweet, though there’s a tease that implies that she isn’t giving up entirely. But she sees Hayate talking about how much of his life he owes to Nagi, and realizes that she can’t take that away from him now. So she confesses to him, again, but in the past tense, implying that she’s moved on. I try to remain unbiased in my reviews, but I fully admit to being an Athena fan, so this saddened me. Don’t get me wrong, I love Nagi and Hayate’s relationship, but if they’re going to end up together I do think that a) she needs to mature a bit, and b) he needs to show at least a smidgen of attraction to her. We’re slowly seeing the first but not the second, and with Athena is was very nice to see two people who really did desire each other.

After this, it would be hard for the rest of the volume not to feel like an anticlimax, and it does struggle to keep the same level. Hina being cursed with donkey ears is amusing but goes nowhere, and Hayate trying to figure out what’s haunting an old mansion (turns out to be cats) is a bit pointless. Possibly the most interesting part of the volume is a flashforward showing Nagi rushing to the top of a tall building to scream in pain and frustration about someone named Ruka, followed by a title page featuring a new character (spoiler: it is Ruka). We wonder if we’ve done some sort of time skip, but no, it’s just a tease, and we’re soon back to the aftermath of Greece, with Nagi having to leave the mansion.

Nagi’s idea to be a landlord and rent out a building is actually quite clever, and of course will lead to many comedic situations – don’t be surprised to see the building fill with many of our cast. But it’s also a symptom of her biggest flaw, which is her dedication to inactivity – this is a way to make money by sitting around and doing nothing. Nagi can’t apply herself to any hard work that doesn’t pay off instantly, and it will come back to burn her in future volumes. For now, though, Athena is gone, and Hayate the Combat Butler prepares to enter a newer, less dramatic story arc. That said, don’t expect the drama to simply disappear. It just won’t be 24/7 like it was in the last two volumes.

Akame Ga Kill!, Vol. 1

By Takahiro and Tetsuya Tashiro. Released in Japan by Square Enix, serialization ongoing in the magazine Gangan Joker. Released in North America by Yen Press.

I frequently say to people that I don’t read depressing manga, or horror manga, or anything where the basic plot is “let’s try to find a dim light of hope in between the chapters of lovingly detailed murder and torture.” And to a certain extent this is ridiculous, given how much I love Higurashi, Umineko, Kurosagi Corpse Delivery Service, etc. So I tend to give these series a try, to see if they’re my thing, or to see if they would appeal to their intended audience. So, regarding Akame Ga Kill!, I will admit straight up that it is not my thing. That said, if you like dark fantasy along the lines of Berserk, but with a few more strong women kicking ass, and don’t mind the constant brutal violence, this is absolutely a good title to start picking up, as it does those things very well.

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I think most manga readers by now have learned never to read the solicitation or back cover copy for any given volume, as it has a tendency to spoil, especially for first volumes. That said, I think most readers would be savvy enough to know that when our hero, already depressed at how the big city is nothing but a pack of lies, and having all his money stolen by a buxom thief, is taken in by a very beautiful and nice young princess and her also beautiful and nice young family, that SOMETHING HORRIBLE IS COMING. Particularly when said girl is not the stoic swordswoman on the cover. And sure enough the sweet young thing has not only tortured to death many young people in the name of… well, being insane, but her older sister has a taste for the research scientist from hell. And worst of all, his two best friends are the last two victims, one surviving just long enough to tell him he he has to be strong and go on.

Enter our heroes, who the main lead will end up joining. They’re a wacky band of misfits, and include the cover girl, the buxom thief (who I notice never does give his money back, and seems to essentially be Mitsune from Love Hina), and the tsundere with twintails who totally isn’t falling for him (and also drags out a ‘wheel of morality’ with all of Gangan Joker’s main series on it, including many other Yen licenses, though they haven’t picked up Corpse Party just yet). Gradually our hero shows what he’s made of and begins to impress the others despite himself, and they open up to him, telling their backstories so that we don’t need flashbacks at all.

This may seem a bit cliched and yes, it is. But it’s laid out nicely, the art is good, and you begin to like this ragtag band of assassin misfits even as you realize that this is the soft of series where you shouldn’t get too attached to anyone. That last point is likely why I won’t stay aboard, but if you like dark fantasy with a bit of an otaku bent, Akame Ga Kill! should be right up your alley. Also, fear not, Akame does in fact kill in this volume, thus proving the untranslated title correct.