Category Archives: reviews

Breaking Up Was the Plan, the Duke Falling For the Villainess Was Not!, Vol. 1

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By Kotoko and Ataka. Released in Japan as “Hakyoku Yotei no Akujo no Hazu ga, Reitetsu Koushaku-sama ga Wakaretekuremasen!” by B’s-Log Bunko. Released in North America by Cross Infinite World. Translated by Dawson Chen.

I’ve often wondered what would happen if I ended up in one of these “oh no, I’m dead and now in the world of my favorite game” books. Well, OK, I haven’t wondered it often. But I wondered it as I was reading this latest version of it. It’s all very well and good for the reader to think “well, certainly I would not be so wedded to the plot of the book that I would lose all common sense”. But we’re not stuck in a world that will be going to war unless we make the right decisions. Or in this case the wrong decisions. It’s a lot to ask a young woman who’s already dealing with the fact that she’s now stinking rich and ludicrously evil. If I were in a similar position, would I do my best to forget about the book and just live life as it comes? Would I slavishly adhere to the books events no matter what? Or would I break down in front of my favorite character and start eating weeds?

Our heroine was a poor salarywoman who worked herself to the bone to earn money for her equally poor parents, scrimping and saving. Then she wakes up as Grace Saintsbury, the villainess from one of her favorite books. And what a villainess! Grace is obnoxious, spends money like water, and breaks up with lovers routinely. She’s bedridden as her most recent break-up caused her to be pushed off a balcony… and now she has her memories from Japan. Grace knows that in this world, there will be a war unless Zane, the grief-stricken son of a duke, ends up involved with Charlotte, the story’s heroine. The impetus for them getting together is Grace breaking up with him in a horrible way. She’s hardly the villainous type now. Also, she’s not even dating Zane yet. But we’ve gotta keep that plot on the rails!

There’s a rather pointless prologue set, presumably, after this first book ends, that shows us that we’re meant to think of this as a comedy. It might be there because while the bulk of this book mostly consists of Grace being really nice and sweet to everyone with the occasional “wait, I have to be arrogant” sidestep, there are a few very grim scenes as the actual novel tries to exert its plot. The reason the grief-stricken duke’s son has grief is the horrible murder of his younger sister… who Grace realizes is going to be murdered THAT NIGHT, and whom she only just manages to rescue. (When asked why she rescued a woman she’s never met from a psycho with a sword, we get Grace eating weeds out of pure desperation). Towards the end of the book we get a child slavery ring as well, which it is implied would have happened if Grace had not suddenly become a philanthropist who wants to start a soup kitchen. It’s still MOSTLY a comedy, but the pull from darkness is what makes it interesting.

This has a second book, which presumably will continue to have Grace run from her increasingly infatuated boyfriend. I hope it keeps the dark stuff as well.

Yuri Tama: From Third Wheel to Trifecta, Vol. 5

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By Toshizou and Kuro Shina. Released in Japan as “Yuri no Ma ni Hasamareta Watashi ga, Ikioi de Futamata Shite Shimatta” by Overlap Bunko. Released in North America by J-Novel Club. Translated by Tristan K. Hill.

It is sort of mind-boggling that I finished this series. My review of the first book was decidedly lukewarm, and the second one I actively hated. (The incest, the main reason I hated the second book, briefly crops up again here, and no surprise it’s the worst part of this book.) But as the series got to the third and fourth volumes, and its wet rag of a heroine paused from her description of herself as a pathetic piece of excrement lying at the side of the road long enough to instantly seduce any young woman who happened to say two words to her, I gradually warmed to it more and more, especially as it became apparent it was fighting a losing battle against another yuri series with a similar premise that started earlier, was far more popular, and now has a popular anime. There’s No Freaking Way Yuri Tama was not going to get cancelled, and sure enough it was. But we do get this last book.

We pick up where the fourth book left off. Yotsuba’s two current girlfriends have a bet with her childhood friend and wannabe girlfriend that will be resolved when they perform. All Yotsuba has to do is film the performance… wait, no, they don’t trust her to do that. All she has to do is watch the performance. Oh, and go around the festival. Then she’s approached by one of Makina’s fellow idol group members, Mio, who wants to figure out just why Makina would leave a huge up and coming idol group to go and be in high school for a while. She immediately sees that Yotsuba is a giant sucker, and so makes her own bet: If she watches the upcoming performance and is impressed, she’ll let Makina do what she wants. But if not, Yotsuba has to convince Makina to return to idol work. Fortunately, Yotsuba is armed with nothing except near lethal amounts of rizz.

It’s remarked on several times in this book that people can’t read Yotsuba’s mind, it’s just that everything she’s thinking is written all over her face. This of course extends to why she gets so many people to fall for her – it’s because she cannot help but be genuine and honest with everyone, and she really is mind-boggled by how sexy and attractive and sweet and good all the girls around her are. To the point where the girls need to actually be that good to match the expectations Yotsuba has for them. This is a final volume, as the author notes in the afterword, but there’s no real resolution (the author, to be honest, sounded a bit bitter about the low sales). The bets essentially return everything to status quo, Yotsuba is still “Two-timing” with her girlfriends, and the usage of that word still bothers me.

God, Yotsuba was annoying. but as I read more and more from her, I actually came to root for her more and more. Which is more than I can say for Renako.

Dahlia in Bloom: Crafting a Fresh Start with Magical Tools, Vol. 11

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By Hisaya Amagishi and Hachi Komada. Released in Japan as “Madougushi Dahlia wa Utsumukanai” by MF Books. Released in North America by J-Novel Heart. Translated by A.M. Cola.

Entirely unintentionally, I suspect, this volume of Dahlia came out so that I read it on New Year’s Day, and its own plotline is about celebrating the New Year. That made me smile. It’s a more leisurely book in general, with few ominous hints for the future beyond people with tremendous amounts of power and influence reminding everyone that Dahlia is not to be messed with. If we can’t get Dahlia to acknowledge her own worth, well, at least she has everyone else in multiple countries in her corner. I also owe Dahlia an apology. I’ve put the bulk of the blame for her utter lack of romantic progress on her complete lack of self-esteem, and while that’s true, there are two people in this relationship. And somewhere between Volf running around the training grounds in a giant wolf onesie and starting snowball battles with local children, I realized that Dahlia may need to wait a bit for her handsome young best friend to have the childhood he never got as a child but is having now.

It’s the New Year, and Dahlia and Volf plan to go around the festival together eating all the food. They’re convinced to go as a couple and wear the special masks made for couples to avoid unwanted attention. really. I’m sure that’s the only reason. Meanwhile, Dahlia and Lucia come up with some silly-looking but comfy nightwear for her, and Volf accidentally sees it one day. And then suddenly it’s become a huge invention, and they’re introducing various kinds to the Beast Hunters which they’re not only using to sleep better at night, but as camouflage when they fight monsters. Jonas’ father comes for a visit, and while Jonas wants to avoid him, Dahlia ends up meeting him and being thanked for being Jonas’ friend. And possibly more than friends? Finally, Irma gives birth safely and the twins are fine, much to everyone’s relief, especially Bernigi, who, with the help of Jonas, arranges a serious injury that requires that he and his wife go to the temple to get healed, where by pure coincidence Marcella and Irma are located.

Dahlia in Bloom’s sense of humor is usually more “put a smile on your face” than making you laugh till you’re sick, but the scene with the Beast Hunters all trying on their animal onesies and going outside to test and see if the flying squirrel one can make them fly… that was pure comedy gold. There’s also plenty of heartwarming here as well – Dahlia makes Volf a new magic sword, which as it turns out resembles his late mother’s a great deal, filling him with glee. (Though, as Jonas darkly notes, when used by someone with evil intentions it would be a fantastic assassination weapon.) And there’s dark tragedy here as well – each volume to date has ended with a flashback to Dahlia working with her father on something or another, but they’ve gotten closer and closer to the present each time, and with this volume, we finally see Carlo’s death. It’s well written and will make you choke up.

All this plus zero romantic progress! But that’s why we read Dahlia, of course. (Oh, and her big New Year’s gift is essentially a wine-of-the-month club, in case you worried she and Volf weren’t still drinking like fish.)