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High School DxD: Professor Valkyrie

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By Ichiei Ishibumi and Miyama-Zero. Released in Japan by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

This is a shonen series, as I’ve said many times before, and one of the ways that it is most like a shonen series is that the cast is simply too damn large. And no, I don’t just mean trying to remember that minor villain from 7 books ago who pops up again, I mean that I actually had to use the wiki to remind myself about Rossweisse, who’s been around since Book 4 or 5 but who doesn’t stick in my head quite as much as everyone else in Issei’s orbit. This is definitely a series where you think “Thank God there’s a wiki page”. That said, I’m not all that sure that failing to remember exactly who someone is matters all that much at this stage. There are the good guys and the bad guys. The good guys want to do good things and protect people. the bad guys want to do bad things and kill people. Hell, the entire motive rant of the main antagonist here is “I want demons to be seen as bad guys”. Very shonen indeed.

As Issei and the women in his orbit enjoy a nice bath together, Rossweisse comes to them to ask for a favor: she needs Issei to pretend to be her boyfriend. She’s getting a lot more family pressure, especially from her grandmother, to get married and have children, and this will help to delay that a bit (and, of course, she’s got the hots for Issei as well). It becomes more relevant when the main cast all visit Sona’s new school, one that teaches all demons rather than just the rich or powerful ones. This is a controversial school right from the get-go, as you’d expect. Unfortunately, in addition to people disliking the concept of the school, there’s something else going on: mages are being kidnapped, and they’ve all got one thing in common: they’ve researched the Number of the Beast. As has Rossweisse.

This volume is relatively light on erotic aspects, at least from Issei himself. Asia’s dragon going full Gordon Ramsay on everyone showing the best way to cook and eat Asia’s panties was probably enough, frankly. Plus this book is very much about the fighting. Issei is still too intuitive and relying on “punch everything hard”, but he’s gotten better, and we see his analysis of things has grown leaps and bounds since the first few books. He also gets to work together with some former enemies, including Sairaorg, who is frankly Buff Issei, and also likes to punch things. As for Rossweisse, she’s realized she loves being a teacher, which is good, and I hope that we’ll see more of her with the main harem girls so that I don’t have to look her up again. That said, she struggles to stand out among the heroines even in her own focus book, so that’s not all too surprising.

Apparently next volume will see the demise of my running gag, as it apparently *is* an Irina focused book, where everyone goes to Heaven. Till then, boy, this has a lot of characters and fighting.

Alya Sometimes Hides Her Feelings in Russian, Vol. 8

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By Sunsunsun and Momoco. Released in Japan as “Tokidoki Bosotto Russia-go de Dereru Tonari no Alya-san” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Matthew Rutsohn.

I’ve talked many times before about the stark contrast between the backstory of Masachika and Yuki and their family drama, the romantic plots with Alya and Maria both being in love with Masachika, and the wacky comedy shenanigans. The drama gets more attention this volume, and the shenanigans are confined to the middle of the book for the most part, and almost feel perfunctory. They read like the author watched a random anime and used that plot as the antics of the book. When I say “there’s a party with chocolates that have a small bit of alcohol in them”, the average fan could write the rest of that scene in their head and be 100% accurate except that it’s only one girl who gets drunk, not all of them. And there’s also an invented game that involves penalties, but since we already had the sexy antics earlier, these punishments are more just silly. The drama, though, is the main reason to get this.

The festival is over, but the aftermath of its events are still reverberating. Masachika’s mother was ill after his performance and had to go to the nurse’s office… and what’s more, Masachika found his father comforting her! Oh, and she’s also now sleepwalking. Masachika himself is filled with all-new self-loathing about his piano playing, which briefly impacts his ability to play until he gets some good advice which is basically “stop overthinking everything you do”. Oh, if only that advice would stick. As for Alya, well, she’s admitted that she’s in love with Masachika, at least to herself, and is briefly really, really happy. Can’t have that, of course. Enter Nonoa, who levels up here from minor supporting character to possibly the main antagonist of the entire series.

The big news here comes right at the cliffhanger for the book – Masachika is finally going to admit the truth about him and Yuki to Alya. This is good, because after overhearing him saying that Yuki will always be the most important person in his life, Alya has spent most of the volume dealing with agonizing unrequited love issues. These two are, frankly, very similar, which is why they’re such a good couple – or at least they will be, eventually, when the series is allowed to end. As for Yuki, she gets less to do here, but is also part of the cliffhanger. I’m not sure if her relapse will last longer than the next book, but it’s a reminder that she’s just as tied into the dark backstory as her brother, and is not simply about being a tease and making incest jokes. There is also a lot of Maria, of course, but even though she’s clearly deeply in love with Masachika, all her plots here are comedic. We know what that means.

And then there’s Nonoa, but let’s save her for another time. Till then, I enjoy wading through the most predictable comedy ever to get to the good bits.

Didn’t I Say to Make My Abilities Average in the Next Life?!, Vol. 20

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By FUNA and Itsuki Akata. Released in Japan as “Watashi, Nouryoku wa Heikinchi de tte Itta yo ne!” by SQEX Novels. Released in North America by Seven Seas. Translated by Tara Quinn. Adapted by Maggie Cooper.

One of the very first things I observed about this series, back in the first volume, is that it gives its heroine a supporting cast and then replaces with with another, seemingly similar supporting cast. Now, as the series has gone on, we’ve found that this works fine: the Wonder Trio, for all that they came first, are basically three very similar girls who are “upper class”, “middle class”, and “lower class”. Reina, Mavis and Pauline have been given far more opportunity to show off they are more than just that and also they are lunatics. As is Mile. The Wonder Trio can be a bit eccentric, but compared to our main girls they are common sense personified. That said, now that they’re here, they can help develop the main cast, as they are nearly perfect at everything – and Reina and Pauline, as it turns out, are not.

Our two groups have settled into their new country, and are able to easily fend off merchants who are trying to lowball them on jobs. That said, there is an elephant in the room: Mile has her fantastic Storage Magic. Mavis can now also use it. The Wonder Trio has Inventory, which they are quietly pretending is Storage. But Reina and Pauline, since they’re not Nanomachined up, are struggling. Perhaps… the problem is how they’re being taught? After this, everyone decides to take a quick trip back home to check in on folks, only to find that when you’re the heroes who saved the world, a lot can happen in the little hometown you came from. This hits Reina especially hard.

This was a solid volume, with the usual good points and bad points (Mile once again tells us how AWESOME child labor is if you’re an orphan). I liked how the difference between Mile’s teaching (teaching magic as it’s learned here, trying to convey the power of imagination) and Mavis’ methods of teaching (we must use the power of EMOTION and FEAR to make your storage POWERFUL!) and, as it turns out, this is exactly what Reina needs. She gets the climax of the book, which has some wonderfully black comedy (what’s happened to her parent’s graves in the interim) and some triumphant power-ups (about to be murdered when trying to save a group of children being sold into slavery, she unlocks her inner storage through the power of not wanting to die), and you really feel great for her. Pauline also gets some nice development (quiet, you) as she realizes that maybe, with the Crimson Vow’s weird party makeup, she needs to learn how to direct a battle rather than be the support.

All this plus our heroines asking each other about marriage and gradually realizing that they’re all gay (no, not really, but yes, really). FUNA fans will have a ball.