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Reincarnated as the Piggy Duke: This Time I’m Gonna Tell Her How I Feel!, Vol. 7

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By Rhythm Aida and nauribon. Released in Japan as “Buta Koushaku ni Tensei shita kara, Kondo wa Kimi ni Suki to Iitai” by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Zihan Gao.

The Piggy Duke series has always had a tendency, much like its title character, of avoiding difficult confrontations. We’ve seen in the last few books Slowe trying to work up the courage to confess to Charlotte and failing miserably, and the revelations about Charlotte’s past and how much everyone knows about it, while they have been coming out, are almost inevitably interrupted by some crisis needing attention, and by the time it’s over the moment has passed. Well, those who have been waiting seven books for Slowe to get off his ass and say something will be pleased to see that it finally happens here, as a stupid series of “high school drama” events manage to force his hand. The confession scene is excellent. As for the aftermath? Oh, sorry, it’s crisis time. The aftermath will have to wait. Sadly, Charlotte gets little to do in this volume, despite her heritage being one of the reasons for the crisis.

The title once again is a lie, as, in order to get rid of the stress he’s been dealing with recently, Slowe has taken to working out by lifting weights all over campus – something that the student body actually finds a bit terrifying. That said, he’s slimmed down again, so is attracting looks, and his “commoner” friend Tina tries to get him to branch out by actually interacting with other women besides her, Charlotte and Alicia – something that sadly proves disastrous for his reputation. Fortunately, a distraction comes along. The Witch, fresh off the last book, has gone to attack the Queen, and the fallout from that means that the Queen, her Guardian Knight, the Princess, and the Royal Knights are ALL now at the school, trying to bait the Witch. Unfortunately, this is also a family argument between mother and daughter… who do NOT get along.

We’d met the lazy princess before, but the narrative is a lot more sympathetic towards her this time, putting her behavior in much-needed context. Her behavior also ties into Charlotte’s past, which (of course) is not nearly as secret as Slowe would like, and I really enjoyed that this was part of the bargain made. That said, most of this book, as with the other books in the series, relies on you finding Slowe’s behavior amusingly annoying rather than just annoying. Again, I really wish we had more of Charlotte’s POV in this series, as she’s still technically Slowe’s retainer, and is having to deal with him being the talk of the school – again – and also some incredibly nasty rumors about him – again. If you add in his accidental confession to her, you can see why she spends the last quarter of the book unconscious. I’m sure we’ll find out what she thinks of Slowe’s confession of love in the next book… maybe.

I have been accused before of caring more about the romance in a book than the plot, and that’s probably true, but a lot of the plot in Piggy Duke is the romance, so I think I have the right to be a bit annoyed. Still, the Princess made this book worth reading, and I hope we see more of her in the future.

The Saint’s Belated Happiness: Newly Single, Now Living with the Demon Prince

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By Hari Garasumachi and Yotsuba Hanada. Released in Japan as “Iki Okure Seijo no Shiawase – Konyaku Hakisareta to Omottara Mazoku no Ouji-sama ni Dekiaisaretemasu!” by M Novels f. Released in North America by Cross Infinite World. Translated by Kai Sadler.

This is another book that falls into the category of “not a villainess, but villainess things happen to her” books. You know, dumped by her fiancee, exiled from the royal palace, etc. Generally speaking, most of the stories in this genre tend to go for the aware, savvy sort of heroine. This is not one of those stories. Honestly, the heroine of this book, Marialite, may be more on the Katarina Claes end of the spectrum – in terms of outward personality they’re not that similar, but they both have “empathy” turned all the way up to ten while “intellectual” is at about a two. Marialite is not an airhead per se… she’s just the sort of character I refer to as the “ara ara” woman. You know, Kasumi Tendo from Ranma. Every situation, no matter what it is, is met with a hand to the cheek, a tilted head, and an “ara, ara”. That’s what we’re dealing with here.

Marialite has had a pretty rough life, though if you asked her about it I doubt she’d say the same thing. Her parents are dead. When she was discovered to be the Saint, her fiancee (who was already cheating on her) was dumped and replaced with the Crown Prince. She then spend the next several years saving the kingdom with her plant-based powers. Now the kingdom has “magic tools” that will do the same thing. And she’s twenty-seven years old. So the Prince dumps her, planning to get a younger wife. Going back to her abandoned childhood home, Marialite finds a young boy hiding inside. Sorry to spoil the surprise (it’s not much of one), but he’s the Demon King of the title, and he gets much bigger very fast. He’s also over the moon for Marialite… who seems to not really realize what love is.

This book is, to be honest, highly variable. The sections with the Crown Prince are amusing if you like to see asshole misogynists get wrecked (and I do), but he’s so one-note it’s hard to really be happy. The best part of the book involves Cornelia, the daughter of a rival dukedom to the Demon King, who is a) an obnoxious ojou-sama, b) with fire magic, c) with cat ears, and d) secretly weak to characters like Marialite, who she can’t intimidate. Everything about her is great, though I wasn’t that wild about the “now she’s a maid” subplot. As for Marialite herself, her naivete about love is presented as the fault of her past relationships, both of which were terrible, but she also admits she doesn’t think she was in love with them either, so there’s little to no hurt feelings or devastation about them. This makes her something of a blank slate, to be honest. I suppose if we can have harem protagonists who are potato boys, we can have the same with shoujo romance protagonists. I just wish she had more personality.

This book does not really have a definite ending, and there may be more coming, but if so it’s not immediately obvious. Till then, if you like “dumped by the asshole prince and finds a better life” stories, or cat-eared red-headed girls who yell a lot, this is worth your time.

Reborn to Master the Blade: From Hero-King to Extraordinary Squire, Vol. 6

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By Hayaken and Nagu. Released in Japan as “Eiyu-oh, Bu wo Kiwameru tame Tensei su. Soshite, Sekai Saikyou no Minarai Kisi ♀” by HJ Bunko. Released in North America by J-Novel Club. Translated by Mike Langwiser.

Several characters over the course of this series have noted an odd disconnect between Inglis and, well, everything she says or does. We, the reader, know the reason for this, i.e. she’s a reincarnation of an ancient King. Of course, that’s not entirely the explanation, because the previous King was honestly nothing like Inglis – this seems to be that King unfiltered, with “fight fight fight eat eat eat” as their main theme song. Sometimes, though, this disconnect ends up happening to the reader as well, because some of the events in this volume feel like straight up horror, or tragedy, but they’re not written that way at all. They’re written the Inglis way. Which is to say “Aw, shame that happened, anyway, next battle plz”. And the effect can be jarring. I already have tremendous trouble with remembering anyone in this series who is not Inglis or Rafinha, I need my books to be uncomplicated. And what happens here… is, but that’s the problem.

To sum up this entire volume: “what if Smaug was a woobie?”. Inglis and the others have found an ancient sleeping dragon, but it’s hard to wake him up, so they decide instead to cut off his tail and use it to feel the starving people of that area (well, and feed Inglis and Rafinha, who gets first shot). The tail grows back, so no issues there. Finally the dragon does wake up, and he’s really, really pissed off at Inglis. Sadly for him, Inglis not only really wants a good fight, but is good enough to back up her talk. What follows is almost bullying, and it’s only resolved when the dragon finally decides “why am I bothering?” and stops rising to her taunts. That said, Inglis may have a bigger problem… the folks in the town they’re staying in want to execute Pullum for her brother’s crimes.

As I said, I liked the dragon. He was clearly being led by the nose by Inglis, and his solution to the problem was funny. Even the cast thinks that her plan was “become friends with the dragon”. That’s why the sudden ending of that plotline left such a bad taste in my mouth. It feels like it should be terrifying, sad and awful, but this author cannot really seem to do convey that mood, so it comes out, as most things in this series do, as “OK, so that happened”. Similarly, Ian’s story, which is similar to what happens to the dragon’s, comes to a sudden fatal end here, but there’s no real time for any emotions or grieving because we’ve already moved on to the next crisis. I get that they’re at war, but it’s not letting the reader connect with any of this either, and the result is that we don’t care.

This is still a good book if you like meathead girls who love to fight. But it’s very, very shallow.