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Zero Damage Sword Saint: I Enrolled in a Magic School and Wound Up in a Contract with the Demon Queen, Vol. 4

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By Isle Osaki and kodamazon. Released in Japan as “Kougekiryoku Zero kara Hajimeru Kenseitan: Osananajimi no Oujo ni Suterare Mahou Gakuen ni Nyuugakushitara, Maou to Keiyakusuru Koto ni Natta ” by Overlap Bunko. Released in North America by J-Novel Club. Translated by Stephanie Liu.

I do appreciate that this series knows the lane that it’s chosen to drive in, and it’s not going to move out of it, even when circumstances indicate that it really, really should. Towards the end of this book there is a threatened apocalypse, hideously overpowered monsters, and a chapter with “despair” in the title, so you would assume that things are going to take a darker turn. And then you remember what series you’re reading, and realize that the closest we get to suspense in this book is wondering whether he gets to bang his childhood friend or not. This is not a series that is going to revel in the emotional distress of its cast, to the point where, even when they’re facing certain death, everyone in love with Eugene is more concerned with who gets to hang off his arm at any given time than they are with disasters. This is a harem.

It’s culture festival time, and that means that Eugene could, theoretically, walk around the festival with up to two of his three lovers. Unfortunately, Erinyes is still trapped in the deepest dungeons for being evil, Sara is having to Student Council it up, and Sumire is helping with the theme park attraction. This gives an opportunity for Airi, who has decided to show up at the festival now that she has made it clear back home that she is a) next in line for the throne, and b) has dumped her fiance. There are even love hotels at this festival (?!?!), but fortunately for Eugene his childhood friend still seems to be a child at heart. Unfortunately for everyone, Eugene has also met the standard “I look ten years old but I’m really in the hundreds”. She’s the Dungeon Master, and she’s not happy with how things have been going lately. What’s going to happen when she lifts the lids off ALL the cans of worms?

I remember reading that Airi was *very* unpopular with Japanese readers when they were polled, so it does not surprise me that when she and Eugene head into a love hotel she doesn’t realize what it actually is and then falls asleep. It’s OK, kid, the others are bonking Eugene a *lot* to make up for your flaws. I also appreciate the strongest swordsman in the school, who is introduced in this book and we get sixty pages of everyone waiting for him to fight Eugene. His fate is hilarious and obvious, frankly. Come back when you were introduced in Book One, guy. Other than that, the bulk of this book is dedicated to showing us how awesome Eugene is and that he is the next savior of the world. It does try to end the world sort of half-heartedly, but sadly the one big flaw is the dungeon master, who’s great when she gets to be evil but when she’s shown her evil has ruined everything she just pathetically whines. I expected better from a token loli.

Next we appear to go on the road again, so expect less Erinyes and more Sumire and Sara. This is fun trash.

Lady Bumpkin and Her Lord Villain, Vol. 8

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By Ageha Sakura and Kurodeko. Released in Japan as “Imokusa Reijou desu ga Akuyaku Reisoku wo Tasuketara Kiniiraremashita” by Overlap Novels f. Released in North America by J-Novel Heart. Translated by Vasileios Mousikidis.

When I reviewed the 7th book in this series, I had not realized that this 8th book would be the final one. It does its absolute best to cram everything in so that we’re not disappointed, though. There’s lots of Nazelbart spoiling Agnes, being overprotective of Agnes, and trying to seduce Agnes. (There is a joke made here that if Agnes dies, Nazelbart will destroy the entire world, only to everyone but Agnes, it’s not a joke.) There’s Agnes saying that she’ll be careful and wait right there, and then heading into battle anyway. There’s another guy who’s so evil it’s almost comical, and of course he ends up getting caught and being put to manual labor. We see Robin again, he’s a schmuck. We see Mia again, she’s so hung up on her past actions that she fails to realize how much she’s changed. And there’s the next generation, who are very shippable. A bit earlier than I would like, admittedly.

About two years after the last volume, there’s a fresh new disaster: giant hoppers are attacking their domain, and no one is quite sure how they got there. Fortunately, everyone is able to work together to take them out, but there’s some crop damage. They then head to the capital, where the King is getting ready to marry his younger brother off to a foreign princess. She’s arriving with her older brother. He seems… like he’s trying to hide his evil. She seems like she’s desperately trying to be normal. Both are true. When Nero (the brother) offers then a horribly mercenary plan to help them after their lands have been mysteriously ravaged by hoppers, everyone smells a giant rat. Are these new characters really responsible for all the natural disasters of the last few books?

Starting off with a bit that made me uncomfortable, they’re both so young it shouldn’t matter, but the 3-year-old falling in love with the 1-year-old at first sight, and remembering this even when he’s an adult, smacked too much to me of gender reveal parties and parents whose friends talk about their babies marrying right after said babies have been born. Other than that, this is a fun “victory lap” sort of book, where Agnes gets to show off, be sweet, and finally has to give in and become the next Saint (we all saw it coming). I also really liked Beatrice, the bug-loving princess who gets to turn traitor against her homeland and have it all work out, because (the funniest part of the book) all her brothers, sisters, parents, and evil nobles killed each other in a throne war while she was away. That sure was lucky! We also get several flash-forwards, where we see Agnes’ daughter Luna and her insecurities about her power, which is the opposite of her mother’s.

As Agnes and Nazelbart re4mark, we’ve come a long way from the pancake makeup and 200-pound dresses of Book 1. Agnes is living her best life now. Good for her! Fun series, glad I read it.

The Tale of a Little Alchemist Blessed by the Spirits, Vol. 3

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By yocco and Junsui. Released in Japan as “Outo no Hazure no Renkinjutsushi: Hazure Shokugyou datta node, Nonbiri Omise Keieishimasu” by Kadokawa Books. Released in North America by Airship. Translated by Andria McKnight. Adapted by Lex Reno.

Everyone has their own pet things they don’t like in fantasy light novels. Well, pretty sure almost every right thinking person hates “welp, guess I gotta have slaves”, but leaving that as a given, there are others that grate on me, and one of them is front and center at the start of this third book. I’m sure it’s from some JRPG or other, but the whole “you are given a god-given talent at Age 5 and if the common wisdom is that it sucks you are abused, disowned, abandoned, or even straight up attempted murdered”. HATE this. Hate the “lol evil parents/family” that comes from it. Hate that it’s part of the tired “your weak power is actually STRONG it’s just that everyone is an idiot!” subgenre. Hate the idea of your life being defined by your job that you don’t get to pick at all. Banished from the Hero’s Party deals with consequences of this better, here we just get the trope straight up. Kinda sucks.

Daisy is living her best life, along with her family. Sure, her brother and sister have now been chosen as the new Sage and Saint, respectively. Sure, that means that bratty nobles are challenging them to duels. But come on, they’re in this series and related to Daisy, they’ve got it made. Unfortunately, one day Daisy comes across a young girl who’s just gotten her Alchemist job being screamed at and abandoned by her father. (Who is a royal knight, by the way, in case you wondered if he was dumb as well as evil.) Daisy sees a lot of herself in this little girl, who looks, frankly, exactly like her only five years younger (see cover). And so Daisy talks to her family and they end up adopting the girl, Lily. Which is a good thing, as she also has a special God blessing, special alchemy powers, and is also the greatest thing since sliced bread.

I kid because I love, trust me. This series remains ridiculous, and has the characterization of an underweight. Actually, Lily got so good so fast I wondered if there would be an arc where Daisy felt jealous of her younger adopted sister, but no fear, Daisy is still too awesome for words, and also gets ennobled here, at ten years old. Elsewhere, she starts to create all the things she and her party will need to take on the tower she couldn’t take on last book; she invents moisturizer, lip balm, and Montessori schools, and she picks up an apprentice, who I thought might become a second potential toy ship love interest, but the author makes sure to give the 7-year-old kid a 7-year-old sweetheart, so no worries there. Even the King finds everything about Daisy and her family delightful.

There are a few ominous hints at drama in future books (the other elves are not very proactive), but for the most part, again, here is Daisy. Ain’t she grand?